Harvard's Widener Library is the repository of many scarce and unique Latin American pamphlets published during the 19th and the early 20th centuries. One of the few institutions to have consistently collected Latin American pamphlets, Harvard has benefited from collections formed by Luis Montt (Chile), Nicolás Acosta (Bolivia), Manuel Segundo Sánchez (Venezuela), José Augusto Escoto (Cuba), Blas Garay (Paraguay), Charles Sumner, John B. Stetson and others. Chile, Cuba, Bolivia and Mexico are the countries most heavily represented in this collection. These pamphlets are valuable primary resources for students and researchers working on Latin American history.
Digitization, which began on October 15, 2001, is managed at the Arhoolie Foundation's facilities in El Cerrito, California. The production team, under the direction of Foundation Board members Tom Diamant and Chris Strachwitz, first cataloged the entire collection of over 130,000 individual recordings on cassettes and 78 rpm, 45 rpm, and 33 1/3 rpm long-playing (lp) records. They purchased specialized equipment to begin the initial phase of this highly technical process.
The Strachwitz Frontera Collection contains three sections, roughly divided by era.
History of Medicine Español - Italiano Healing and faith have always played a role in the lives of the faithful. They are interwoven in the fabric of social history. How we regard illness and healing, and how we cope with them have captured our imagination throughout the ages. The expression of our relationship with illness is wonderfully illustrated in the ex-voto, a devotional painting giving thanks to a saint or deity for a miraculous healing or a blessing. The faithful have always used prayer to invoke the aid of saints as a means to heal the sick and end one's suffering. These devotional paintings are an individual's expression of thanks for the intercession of the divine in a crisis, a snapshot in time of illness and healing.
About the Alfredo Montalvo Bolivian Digital Pamphlets Collection This collection of 715 digitized works comes principally from a donation made to Cornell by the Bolivian bookseller, Alfredo Montalvo, who has supplied the university with library materials for over a quarter century. The pamphlets document a century of Bolivian literate culture, beginning in 1848. They show a nation's struggle to establish viable institutions, to develop its economy, to educate its children and the back and forth of political argument. In their aggregate these pamphlets capture the energy of the Bolivian people-sometimes misdirected, often contentious, but never quiescent. Readers will also want to consult complimentary collections of Bolivian pamphlets.
Cornell Vicos Collection About the Vicos Collection The Program represents an optimistic view of both the possibilities for and the benefits of change. The contemporary North American view emphasized the importance of agricultural productivity as a means to improve closed, ignorant, impoverished communities such as Vicos. In addition, the social science of the time stressed the essential relationship between economic development national integration. The Vicosinos would exercise the duties of citizenship in exchange for the rights that the Peruvian nation afforded them. Evaluations of the Cornell-Peru Program describe it as a qualified success.
The late James McKegney, Professor of Spanish at the University of Waterloo for more than thirty years, passed away in 1981 and left to his heirs one of the most important research collections pertaining to the independence movement in Mexico, 1789-1828. The research materials, compiled between 1965 and 1980, consist of a bibliographic database of more than 11,000 citations and over 1,150 photocopies of pamphlets listed in the database. This database and the accompanying documents are one of the most important archival sources in the world for the study of the political, social and cultural aspects of the independence movement in Mexico.
Protesta Humana This collection contains rare examples of anarchist, socialist, and communist newspapers published in Buenos Aires during the late nineteenth century. The UCLA Digital Library Program is working with members of the History Department to provide these newspapers in searchable full-text versions. Esta colección contiene ejemplos raros de los periódicos anarquista, socialista, y comunista publicados en Buenos Aires durante el a fines del siglo diecinueve.
Primeros Libros Project Agreement The Impresos Mexicanos del Siglo XVI project will build a digital collection of the first books printed in Mexico before 1601. These monographs are very important because they represent the first printing in the New World and provide primary sources for scholarly studies focused on a variety of academic fields. Approximately 220 unique titles are held in institutions around the world with most held in Mexico and the United States.
About the Photo Collection Share with Friends The San Francisco Historical Photograph Collection contains photographs and works on papers of San Francisco and California scenes ranging from 1850 to the present. This collection includes views of San Francisco street scenes, buildings, and neighborhoods, as well as photographs of famous San Francisco personalities. The collection consists mostly of the photo morgue of the San Francisco News-Call Bulletin , a daily newspaper, ranging from 1920s to 1965. The collection also contains albums, slides, postcards, cabinet cards, stereoviews, and lantern slides of San Francisco and California subjects. Copies of images may be ordered with the Reproduction of Images Form (PDF 31K).
The WPA California Folk Music Project is a multi-format ethnographic field collection that includes sound recordings, still photographs, drawings, and written documents from a variety of European ethnic and English- and Spanish-speaking communities in Northern California. The collection comprises 35 hours of folk music recorded in twelve languages representing numerous ethnic groups and 185 musicians. This elaborate New Deal project was organized and directed by folk music collector Sidney Robertson Cowell for the Northern California Work Projects Administration.