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Pictures came before books, printing or writing, and were our first expression of stories. The Canadian artist Marie Day celebrated the power of cave art in her picture book Quennu and the Cave Bear , an imaginative recreation of how a young girl of the Stone Age conquered her fear of a ferocious cave bear by drawing him. The Stone Age makes a fitting start to an exhibition celebrating Canadian picture books, within which there are no boundaries of place or time. In chronological terms, the earliest painting in this exhibit is 42, the latest, only three years old. The earliest artefact shown here is nearly 3,000 years old, and the story of Quennu depicts a period over 20,000 years ago.
Opera Atelier holds a unique place in the North American theatre community, producing opera, ballet and drama performances that draw upon the aesthetics and ideals of the 17th and 18th centuries. Featuring acclaimed international soloists, period ballet (Artists of Atelier Ballet), original instruments, elaborate stage décor, exquisite costumes and most importantly, an imaginative energy, Toronto-based Opera Atelier has attained international recognition.
Whether they are in the circus or the zoo, in the field, the stream or the air, on a dinner plate or an altar, animals have fascinated humanity from its earliest origins. Selected from Toronto Public Library’s rare books, original art and postcard collections, this survey features prints from Audubon’s Quadrupeds , images of wild and domestic animals as well as animals at play. Yes, animals are allowed in the library-roaming through thousands of pages, over hundreds of years.
Introduction From the time of Columbus, the American continent was seen by Europeans as a barrier between Europe and the Orient. A passage through it was the prime object of many voyages of exploration. Magellan had sailed around South America in 1520, but the icy northern shores were mysterious and seemed unassailable. The search for a sea route across the top of North America began in the 16th century as a commercial venture sponsored by London merchants. By the 19th century it was obvious that a Northwest Passage would not be a useful seaway, but finding it became an obsession, as did the attainment of the North Pole late in the century.
Foreword The Group of Seven style of painting captured the rhythm and mood of the nation???s landscape. From Algonquin to Algoma, Lake Superior to the Rocky Mountains, Quebec to Nova Scotia, the artists traveled in search of the quintessential Canadian landscape painting. Armed with canoes, boards and paints, they interpreted the chaotic mass of nature in a bold, modern approach that differed from the Academic convention. To finance their expeditions, many of the artists worked in commercial art firms, designing illustrations, advertisements and elegant illuminated texts.
Rt. Hon. Arthur Meighen, address to the Senate, September 10, 1939. In September 1939, Canadians prepared for another war with memories of the Great War still fresh in their minds. It was determined that Canada’s war effort would be concentrated in financial and industrial support, and the first priority would be to secure the nation’s borders. By the spring of 1940, the progress of the war in Europe had changed dramatically. With the German invasion of Denmark, Norway, Belgium and Holland, and the fall of France, Canadians reassessed their own vulnerability. The spectre of a German victory became real.
Kabuki is a performing art that combines music, dance, pantomime, song, drama and comedy. In the early 1600s kabuki emerged from traditional Japanese classical theatre and puppet show traditions, incorporating elements of both.
While classical plays are quiet, refined and slow-paced, kabuki is full of spirited action and outsized emotions. Kabuki plays portray characters from Japanese history, legend and folk tales. Great heroes, beautiful princesses, evil spirits, loyal retainers, vengeful warriers and benevolent lords populate the stage. These stories have continued to grip the Japanese imagination, embodying as they do the much-valued ideals of loyalty, courage and strength.
Soon after their appearance in the 1840's, stamps became the focus of collectors. They developed a life of their own, apart from their official role on letters and parcels. Canada's first stamp, the Three penny Beaver, designed by Sandford Fleming, was printed in 1851. Thirteen years later, Canada's first philatelic pamphlet, The Stamp Collector's Record, was published in Montreal, only a year after a similar one in England. Stamp collecting's appeal is universal. With a vast array of stamps available, collectors tend to narrow their scope to specific categories-concentrating for example on stamps with certain themes, or from particular countries. Governments try to tempt collectors (and generate revenue) by issuing a host of stamps and stamps sets.
, Toronto Public Library's virtual exhibition that celebrates 10,000 years of the city's history. It recreates the exhibition on display at the TD Gallery, Toronto Reference Library, June 29 - September 22, 2002 and May 17 - August 2, 2003. Images are from the Library's Special Collections and private collections. The virtual exhibition is divided into five eras, beginning with the first human presence in the city 8000 BC and ending with modern city of 2003. You can explore the city's past by clicking one of the images on the map or a time period on the navigation bar. Each era begins with an Overview History , which summarizes the major trends and developments that shaped that time period.
The Osborne Collection encompasses the development of English-language children's literature, ranging from a 14 th -century manuscript of Aesop's fables through 15 th -century traditional tales, 16 th -century school texts and courtesy books, Puritan works, 18 th -century chapbooks, moral tales and rational recreations, Victorian classics of fantasy, adventure and school stories, up to 1910 – the end of the Edwardian era. The Collection is enriched with the Lillian H. Smith Collection of modern notable English-language books and with Canadiana materials that together illustrate the links between the early and modern books, and provide a rich resource of our vibrant Canadian heritage, preserved for future generations.
The Toronto Public Library (TPL) has long been committed to an active exhibition program for its Local History and Special Collections in the Canada Trust Gallery at the Toronto Reference Library and other Library venues. The virtual version of All Aboard Toronto ? Railways and the Growth of a City , fully re-creates the exhibition on display in our Gallery from August 4 ? October 7, 2001. The exhibition explores Toronto railway history and its impact on the development of the city from the 1850s to the end of the steam era in the mid 20th century. It is illustrated with over a hundred collection items including paintings, drawings, maps, postcards, broadsides and other ephemera.
A Case of Considerable Interest An exhibition celebrating the 35 th anniversary of the Arthur Conan Doyle Collection of the Toronto Public Library “Well, my boy, what do you think of this lot?” he asked, smiling at my expression. “It is a curious collection.” “Very curious, and the story that hangs round it will strike you as being more curious still.” - Sherlock Holmes to Dr. Watson in “The Musgrave ritual” by Arthur Conan Doyle Sir Arthur Conan Doyle (1859-1930) is best known for his detective stories about Sherlock Holmes, but he was also the author of many other works and one of the best known public figures of the late Victorian age.
Idaho Agricultural Experiment Station Bulletin Number 1, September 1892 About the Collection The History The diffusion of useful and practical, research-based information on agriculture and related subjects has been a primary responsibility of the Idaho Agricultural Experiment Station and University of Idaho Extension since their beginnings. The University of Idaho Board of Regents established the Idaho Agricultural Experiment Station at the UI in 1892 following passage of the federal Hatch Act (1887), which provided for the creation of agricultural experiment stations at state land-grant colleges.
A digital collection comprised of over 1200 historical photograhs collected and/or taken by T.N. Barnard or Nellie Stockbridge. The images span the years 1894 to 1964, containing images of Northern Idaho (Wallace/Kellogg Area) mines, towns, fires, scenery, and historical sites. To explore the collection by date or location, or to find out more about the collection, use the tabs above. Questions? questions? Contact Devin: dbecker@uidaho.edu (208) 885-7040 In 1964 the University of Idaho Library received a collection of over 200,000 nitrocellulose and glass plate negatives taken by Nellie Stockbridge and her predecessor and founder of the studio, Mr. T.N. Barnard.
About the Fires The spring of 1910 was ominously dry throughout Idaho, Washington, and Montana. In the Coeur d’Alene National Forest alone, U.S. Forest Service officials had been battling fires since early April. In July, a rainless electrical storm ignited even more blazes across the Northern Rockies. Bad as it was, conditions got worse. On August 20, a “Palouser” wind whipped through the forests, creating an inferno now known as the Big Burn. The fires took the lives of nearly 90 people, leveled entire communities, burned almost 3 million acres of timber, and set US Forest Service fire policy for the next 6 decades. ?? About the Collection These materials come from the University of Idaho Library's Special Collections and Archives department.
Among the riches of the historical photograph collections of the University of Idaho Library is an oversize portfolio of eighty original Carleton E. Watkins photographs. Long considered lost, these photographs of the interior of the Anaconda Mines in Butte, Montana, were taken in 1890. They show early hard-rock mining techniques, equipment, and men deep underground.
The Columbia River Basin Project Begun with the construction of the Grand Coulee Dam in 1933, the Columbia River Basin Project is one of the largest, and most contentious, engineering projects ever completed in the American West. Franklin Roosevelt originally authorized the construction of the dam with the intention of diverting huge portions of the Columbia River to the fertile, though arid, Washington State Interior.??With the outbreak of World War II, however, irrigation initiatives were put on hold, and hydroelectric power became the dam's primary function. This change in use proved important historically.
A digital collection comprised of historical photograhs and documents pertaining to the history of the Dworshak Dam, selected primarily from the collection of A. B. Curtis, former mayor of Orofino, Idaho. The images and documents span the years 1952 to 1972, documenting both the legislative history that led to the dam's construction and the construction itself. To explore the collection by date or location, or to find out more about the collection, use the tabs above. Questions? questions? Contact Devin: dbecker@uidaho.edu (208) 885-7040 The Dworshak Dam Collection is a collection that is still under development.
Questions? The Historical Gameday Program Covers Collection consists of about 150 program covers and corresponding metadata, covering the years 1908 to 1967 and including both home and away games. Covers can be browsed by place or date, using the Locations and Timeline tabs. Full programs can be browsed by request via a visit to the University of Idaho Library Special Collections & Archives department. The visual and creative skills that informed the creation of these covers demonstrate both the artistic and historical styles of their time periods. If you are interested in ordering a high resolution copy of one of these images, please contact Special Collections at libspec@uidaho.edu .
A digital collection comprised of historical photograhs and documents pertaining to the history of the University of Idaho, selected from several different collections held by the University of Idaho Library Special Collections & Archives. The images and documents span the years 1889 to 1975, documenting campus life at the University. To explore the collection by date or location, or to find out more about the collection, use the tabs above. Questions? questions? Contact Devin: dbecker@uidaho.edu (208) 885-7040 The photographs from this collection come from a variety of individual collections held by the University of Idaho Library's Special Collections & Archives Department.
A collection of photographs by Robert E. Higgins, a professor of plant science at the University of Idaho from 1946 to 1999. During his lifetime, Professor Higgins’ photographs were accepted in over 70 juried international salons, and he had one-artist exhibitions in Idaho, Washington, and California. To see the photos on flickr, click here.
Edward John Iddings was the Dean of the College of Agriculture at UI from 1915 to 1946. These slides depict agricultural and university-related scenes from Idaho, as well as images from Iddings' travels.
About Us The University of Idaho Library has grown from a single classroom located in the University Administration Building in 1892, to become the largest library in the state of Idaho. The University of Idaho library houses well over a million books and almost ten thousand periodical subscriptions, in print and online. It has served for over a century as an official regional depository of U.S. federal government publications, making almost two million government documents available to the public.
A collection of reports, studies, and documents published by the Intermountain Forest Tree Nutrition Cooperative (IFTNC), a research cooperative composed of public and private forestry organizations that is located administratively in the College of Natural Resources at the University of Idaho.
ABOUT THE CAMP The Kooskia (pronounced KOOS-key) Internment Camp is an obscure and virtually forgotten World War II detention facility that was located in a remote area of north central Idaho, 30 miles from the town of Kooskia, and 6 miles east of the hamlet of Lowell, at Canyon Creek. The camp was administered by the U.S. Immigration and Naturalization Service (INS) for the U.S. Department of Justice. It held men of Japanese ancestry who were termed "enemy aliens," even though most of them were long-time U.S. residents.
Questions? questions? Contact Devin: dbecker@uidaho.edu (208) 885-7040 The Kyle Laughlin photographs were donated to University of Idaho Library Special Collections in February of 1985 by Marguerite Laughlin. It was processed and described in 1998 and 1999 by Karen Hertel. Kyle Laughlin (1905-1984) was a Moscow, Idaho resident and businessman for 56 years. He was born May 24, 1905 to Edward and Eva Laughlin in Ozark, Missouri. When Laughlin was about seven, the family moved to southeast Idaho where Kyle graduated from Ashton High School. He attended the University of Idaho and graduated in 1931 with a degree in teaching. In 1933, Kyle Laughlin married Marguerite Ward in Moscow. Marguerite was also a UI graduate and teacher.
About Lewiston Orchards Life Lewiston Orchards Life was a neighborhood newsletter published in Lewiston, Idaho during the early 1900s that covered the horticultural and residential events of those living in Lewiston Orchards. Special Collection & Archives at the University of Idaho Library holds fourteen issues as part of their Day Northwest Collection. About Lewiston Orchards Now a residential neighborhood in Lewiston, Idaho, Lewiston Orchards was once a vast commercial garden. The area produced apples, apricots, cherries, berries, plums, pears, quinces, peaches, nuts, lettuce, and grapes in abundance. The ???Orchards??? grew out of an ambitious land development and irrigation project, which was conceived and undertaken by Harry L. Powers at the turn of the 20th century.
Questions? questions? Contact Devin: dbecker@uidaho.edu (208) 885-7040 The University of Idaho Library houses a collection of historical photographs donated by Clifford M. Ott in 1992. Mr. Ott was an avid amateur photographer who amassed over 10,000 slides, prints, and negatives spanning the years from 1883 to 1990. Ott compiled a selection from his collection into eleven albums containing a total of over 1,800 images of Moscow and surrounding Latah County. These scrap books contain photos as well as newspaper clippings, and historic footnotes. Clifford Ott used these scrapbooks, and other slides and negatives, to give talks to senior groups about Latah County history. Clifford M. Ott was a Moscow resident for ninety years.
About the Collection The Family Tree was a newsletter published by Potlatch Forests, Inc. for their employees from 1936 - 1952. The newsletter covers local (Northern Idaho) and national events, with a special focus on issues pertaining to Potlatch Forests, Inc. and its loggers and other employees. The content varies greatly — from reports on the head injuries of sawmill workers to editorials on the war crimes of Hirohito , written near the end of WWII — and is consistently well-written and evocative of the daily life of Potlatch workers and their families during these years. Some other interesting Family Tree articles include: The collection was digitized in the summer of 2010, per user request.
A century ago, for about 16 hours over April 9th and 10th, 1911, former President Theodore Roosevelt visited the University of Idaho. Roosevelt arrived at 6:30 PM on Sunday, April 9, and took a room at the Hotel Moscow. He woke to rain and clouds the next morning, breakfasted at Ridenbaugh Hall from 7:45 - 8:45 AM " with a large and select party ," planted a tree (that still stands today) in front of the Administration Building, and then spoke, just as the rain stopped, to a reported 8000 people from a platform made of sacks of " North Idaho's famous wheat ." In his speech, Roosevelt mentioned his first visit to Idaho came before any of the students in attendance were born.
