Edward John Iddings was the Dean of the College of Agriculture at UI from 1915 to 1946. These slides depict agricultural and university-related scenes from Idaho, as well as images from Iddings' travels.
Questions? questions? Contact Devin: firstname.lastname@example.org (208) 885-7040 The Kyle Laughlin photographs were donated to University of Idaho Library Special Collections in February of 1985 by Marguerite Laughlin. It was processed and described in 1998 and 1999 by Karen Hertel. Kyle Laughlin (1905-1984) was a Moscow, Idaho resident and businessman for 56 years. He was born May 24, 1905 to Edward and Eva Laughlin in Ozark, Missouri. When Laughlin was about seven, the family moved to southeast Idaho where Kyle graduated from Ashton High School. He attended the University of Idaho and graduated in 1931 with a degree in teaching. In 1933, Kyle Laughlin married Marguerite Ward in Moscow. Marguerite was also a UI graduate and teacher.
Questions? questions? Contact Devin: email@example.com (208) 885-7040 The University of Idaho Library houses a collection of historical photographs donated by Clifford M. Ott in 1992. Mr. Ott was an avid amateur photographer who amassed over 10,000 slides, prints, and negatives spanning the years from 1883 to 1990. Ott compiled a selection from his collection into eleven albums containing a total of over 1,800 images of Moscow and surrounding Latah County. These scrap books contain photos as well as newspaper clippings, and historic footnotes. Clifford Ott used these scrapbooks, and other slides and negatives, to give talks to senior groups about Latah County history. Clifford M. Ott was a Moscow resident for ninety years.
Bradford Washburn Photograph Collection The Bradford Washburn Collection The Alaska and Polar Regions Collections holds many of the more than 8,700 large format (8"x10") black-and-white negatives that Bradford Washburn created between 1937 and 1976. These are aerial images he took using methods that ranged from shooting photographs out the open door of a Bellanca Skyrocket with a modified Fairchild K-6 camera resting on his lap, to the use of a Learjet whose rear emergency window had been modified with a three-quarter inch optical glass photo-window. The University does not hold all of Washburn’s negatives. Some negatives remained with Washburn; others were sent to his authorized art gallery dealer: Panopticon . This gallery produces high-quality art images and posters.
Certain threads have been woven into the history of Alaska since the first appearance of Whites, hundreds of years ago. These include the search for wealth, the role of the military as a governing body, a mobile and changing population, interaction with Native peoples, a boom-and-bust economy, and a free-wheeling attitude on the part of many who came from elsewhere.
Collections from the University of Alaska: Photographs. The Historical Photographs collections in the Alaska and Polar Regions Department of the Rasmuson Library include over seven hundred thousand images, dating from the 1870s to the present, documenting Alaska, the Yukon Territory, and eastern Siberia. Of particular interest are collections relating to the Alaskan gold rushes (1880-09), World War II in Alaska (1940-1945), the transition to statehood (1956-67), and the Pipeline boom (1974-77). This selection of documents is of indigenous and pioneer women of Alaska in the late nineteenth and early twentieth centuries. Residence of Mrs. J.H. Mann, Fairbanks, Alaska., c.1900. UAF Historical Photographs.
The UCLA Charles E. Young Research Library Department of Special Collections has selected and digitized 5,746 of the more than three million images contained in the Los Angeles Times and Los Angeles Daily News photographic archives. The photographs chronicle the history and growth of Los Angeles from the 1920s to 1990.
This collection of digitized images is made available online by the UCLA Digital Library to assist a wide variety of researchers, including scholars, educators, students, writers, filmmakers, urban planners, community activists, librarians, and members of the general public.
Thelner and Louise Hoover Collection Thelner Barton Hoover attended UCLA from 1927 to 1930. During that time, he was both the official photographer for several university publications, and an unoffical chronicler of numerous campus events. His images of the UCLA buildings and academic community, which number almost 1,600, and were taken over a period of more than 50 years, provide an exceptionally thorough pictorial history of the UCLA Westwood campus. Hoover was the official student photographer for the "The Southern Campus" yearbook, the Daily Bruin (student newspaper) and the Athletic News Bureau.
The Erie Railroad Glass Plate Negative Collection Using the Collection The collection of 709 images can be accessed via the Library's CONTENTdm server and is fully searchable by keyword, subject, and image number. The item level inventory of the collection in Excel can help with formulating searches and sorting. NOTE: both links will open new windows. About the Collection The Erie Railroad Company glass plate negatives are arranged by Erie subsidiary railroads in the states of New York, New Jersey, Pennsylvania, and Ohio. Mainline scenes come from all of the preceding states, as well as from Indiana and Illinois.
The Ronald G. Becker Collection of Charles Eisenmann Photographs Using the Collection The collection of 1412 images can be accessed via the Library's CONTENTdm server and is fully searchable by keyword, subject, and image number. The item level inventory of the collection (in Excel) can help with formulating searches and sorting. About the Photographs The most common method of photography during the 1870s and 1880s was the wet plate albumen process. Albumen prints are characterized by a warm sepia tone that distinguish them from later silver gelatin prints. Eisenmann's images are noted for particularly being sharp, clear, and well-posed. The most common formats were cartes de visite and and cabinet cards.
John Thomson’s Illustrations of China and Its People, 1873-1874 John Thomson (1837-1921), a pioneering Scottish geographer and traveler, was the first known photographer to document the people and landscape of China for publication and dissemination to the Western world. Between 1868 and 1872, he traveled over 6,500 kilometers with his cumbersome camera and equipment, darkroom and chemicals capturing all aspects of Chinese life. The photographs in these four volumes show the many sides of China: sweeping landscapes, royalty and ruling classes, merchants and economic activity, everyday life, and the faces of men, women, and children. Thomson was born in Edinburgh, Scotland, the son of a tobacco spinner and seller.
, which described the second Powell expedition, in 1908. He died in New York City on January 29, 1935. Over 800 digital images shown selected from nearly 900 photographic prints, relief halftones, postcards, negatives, tintypes and pen and ink drawings in Dellenbaugh’s personal collection. Depicting the Colorado River region and other areas of the West, these photographs include works by E. O. Beaman, James Fennemore, and John K. Hillers, photographers on the 1871 Powell expedition, as well as halftone prints of their images, apparently created for inclusion in Dellenbaugh's books. Photographs by Dellenbaugh and other amateur photographers are accompanied by images from professional photographers William Henry Jackson and the Kolb Brothers.
American photographer Robert Giard is renowned for his portraits of American poets and writers; his particular focus was on gay and lesbian writers. Some of his photographs of the American gay and lesbian literary community appear in his groundbreaking book Particular Voices: Portraits of Gay and Lesbian Writers , published by MIT Press in 1997. Giard’s stated mission was to define the literary history and cultural identity of gays and lesbians for the mainstream of American society, which perceived them as disparate, marginal individuals possessing neither. In all, he photographed more than 600 writers. The archive is a unique and important collection providing a significant resource for the study of literary America in the late twentieth century.
Portraits represent various tribal groups, including, among many others, the Apache Indians, Arapaho Indians, Arikara Indians, Bannock Indians, Cherokee Indians, Cheyenne Indians, , Oglala Indians, Ojibwa Indians, Omaha Indians, Oohenonpa Indians, Santee Indians, Seminole Indians, Tohono O’odham Indians, Ute Indians, Wichita Indians, and Yuma Indians. Exterior images consist primarily of informal portraiture, as well as depicting residences and settlements, including the Crow Indian Agency in Montana, 1871; the Pawnee Indian School and buildings at the Pawnee Reserve, Loup Fork, Nebraska, 1871; and a Bannock Indian camp near Fort Hall, Idaho, 1872.
1968 September 11-1969 November 13 Alexander Lmanian (1925-1996) was a sergeant in the United States Army in World War II, and a part-time photographer for the New Haven Register newspaper and the Associated Press. This collection consists of photographs created by Alexander Lmanian documenting locations and events in Washington, D.C., and its vicinity, 1964-1968, as well as New Haven, Connecticut, 1968-1969. The images of Washington document the physical impact of riots on the city following the assassination of Martin Luther King, Jr., April 4-8, 1968, as well as events and memorials in the city and vicinity, 1967-1968.
The collection consists of 105 items (86 lobby cards and 19 printed fliers) promoting sixty-eight films. Cite as: Western Silent Films Lobby Card Collection. Yale Collection of Western Americana, Beinecke Rare Book and Manuscript Library, Yale University Call Number: WA MSS S-2553
Mammoth plate photographs are photographic prints made through contact printing a photographic print from a large glass plate negative, usually 18 by 21 inches, but may vary in size from 15 by 18 inches to 22 by 25 inches. These large negatives allowed photographers to produce outsized photographic prints before the development of photographic enlargers. The collection consists of 57 black and white photographic prints roughly 21 x 17 inches Cite as: Mammoth Plate Photographs of the North American West. Yale Collection of Western Americana, Beinecke Rare Book and Manuscript Library. Call Number: WA Photos Folio 1
The carte-de-visite, usually an albumen paper photograph mounted on a heavy paper card measuring 2½ × 4 inches, flourished in popularity between 1860 and the 1880s. The Carl Mautz collection of cartes-de-visite photographs created by California photographers includes 145 images consisting chiefly of portraits depicting children, women, and men, in single and group sittings and various ethnic and cultural backgrounds, including Asian American and African Americans. The portraits also include persons with unique physical features, including midgets, dwarves, and giants as well as butchers, circus performers, freemason, miners, musicians, sailors, and soldiers.
Pittsburgh native Walter McClintock graduated from Yale in 1891. In 1896 he traveled west as a photographer for a federal commission investigating national forests. McClintock became friends with the expedition’s Blackfoot Indian scout, William Jackson or Siksikakoan . When the commission completed its field work, Jackson introduced McClintock to the Blackfoot community of northwestern Montana. Over the next twenty years, supported by the Blackfoot elder Mad Wolf, McClintock made several thousand photographs of the Blackfoot, their homelands, their material culture, and their ceremonies.
About the Photo Collection Share with Friends The San Francisco Historical Photograph Collection contains photographs and works on papers of San Francisco and California scenes ranging from 1850 to the present. This collection includes views of San Francisco street scenes, buildings, and neighborhoods, as well as photographs of famous San Francisco personalities. The collection consists mostly of the photo morgue of the San Francisco News-Call Bulletin , a daily newspaper, ranging from 1920s to 1965. The collection also contains albums, slides, postcards, cabinet cards, stereoviews, and lantern slides of San Francisco and California subjects. Copies of images may be ordered with the Reproduction of Images Form (PDF 31K).
Welcome! To St. Catherine University Digital Collections Use the Search or Browse features to view items in the collection Get help anytime by using the help link in the top navigation bar St. Catherine University Digital Collections serves as the online home for unique collections on campus. These resources are made readily accessible to students, faculty, and the general public. Current collections include visual and textual materials; other collections will be added as they become available.
Eadweard Muybridge (1830–1904) wished to catalogue every aspect of human and animal locomotion with his camera. He photographed hundreds of subjects engaged in actions both mundane and arcane: nude figures walking and lifting children, athletes boxing and fencing, and animals hurdling, kicking, or slowly ambling along. He was the first photographer to visually dissect these activities, creating images that delighted and mystified the public in the late 19th century.
The Minneapolis Institute of Arts' Department of Photographs includes fine historic and contemporary works that cover the history of the medium from 1839 to the present.
Featured here is a selection of more than 5200 photographs from the Museum's permanent collection, representing the work of more than 400 photographers.
Within the vast body of literature on Asia held by the Asia Collection at the University of Hawaii are fascinating illustrations of the people of Asia and the environment in which they live. These images are a visual record of the lives of the people and their surroundings. The sheer number of illustrations makes digitizing all of them an impossible task, so we have decided to concentrate on the theme "Asia at Work." Work is the activity by which so many of us identify ourselves. The tools we use, the human interaction and cooperation that occurs in the course of its performance, and the skills we employ all, to a great extent, help define who we are. Images are arranged by country.
Creating Siapo: American Samoa 1967 Welcome to Creating Siapo: American Samoa 1967 In summer of 1966, Joan Griffis was recruited by the National Association of Broadcasters to work as an on-air teacher in American Samoa. For the next two years, she worked in Pago Pago, American Samoa, teaching English as a second language, with her lessons being broadcast to high schools on all of the American Samoan islands. She then spent an additional two years at the Feleti Teacher Training school—later the American Samoan Community College—where she and a small staff worked closely with Samoan high school students, helping them prepare for college on the mainland, while also conducting teacher training classes. In 1970, she returned to the continental United States.
Filipino Workers in Hawaii, 1926 FILIPINO WORKERS IN HAWAII, 1926 Photographs taken by Lt. Colonel Duckworth-Ford on an assignment to Hawaii regarding the labor conditions of Filipino laborers in Hawaii; they are described by Duckworth-Ford. The photographs show Filipino laborers and their relatives, fields and lands, water sources, plantation buildings, laborer housing and schools, store, hospital facility, labor officials. Also sugar cane planting and harvesting, cane processing equipment, cane transport.