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Fine Arts

The Mercator Globes Gerard Mercator was a publisher of maps and atlases but he also published two globes — the terrestrial globe of 1541 and the celestial globe of 1551. The globes were an instant commercial success and were the largest (42 cm) that had been produced to date. This online exhibit allows the viewer to study detailed images for each of the globes. The globes are now on permanent exhibit just outside of the entrance to the Map Collection in Pusey Library. Viewing Features of the Exhibition This exhibition offers a unique approach for viewing each globe.

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About The Collection The Speculum Romanae Magnificentiae is a collection of engravings of Rome and Roman antiquities, the core of which consists of prints published by Antonio Lafreri and gathered under a title page he printed in the mid-1570's. Copies of the Speculum vary greatly in the number of prints, and individual prints were reissued and changed over time. The University of Chicago Library's copy of the Speculum Romanae Magnificentiae contains nearly 1,000 prints and is the largest in the world. The Library's copy arrived in the 1890's as a part of the Berlin Collection, a large lot of books and manuscripts purchased for the Library from S. Calvary and Co. in Berlin.

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The East Asian Library's Collection The East Asian Library of the University of California, Berkeley has 2,700 Chinese rubbings, second in number among collections outside East Asia only to the Field Museum of Natural History in Chicago. The nucleus of the collection, over half of the items, was acquired in 1950 from the estate of Mitsui Soken, a wealthy Japanese bibliophile, and includes albums of rubbings once owned by noted Chinese connoisseurs of the nineteenth century. Other important acquisitions were made through purchases from Chinese scholars and dealers and through the bequest of Professor Woodbridge Bingham's collection. The library's holdings are especially rich in albums of models of calligraphy and bronze inscriptions.

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General Introduction The purpose of these brief introductory remarks is to tell you, first, what kind of information you can find on this website and, second, how you can retrieve this information. The core of the whole site is a scholarly database. This database contains all kinds of information about the illuminated medieval manuscripts of the Koninklijke Bibliotheek and the Museum Meermanno-Westreenianum. You can get access to this 'electronic catalogue' in various ways. When choosing your way, your own expertise and wishes should guide you. If you do not routinely consult databases and your interest in medieval illumination is not a professional one, you may start with our guided tour.

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The Murthly Hours is one of Scotland's great medieval treasures. Written and illuminated in Paris in the 1280s, it also contains full-page miniatures by English artists of the same period, and was one of the most richly decorated manuscripts in medieval Scotland. Medieval additions include probably the second oldest example of Gaelic written in Scotland.

The entire manuscript has been reproduced here. In the Folios section, you can browse page by page or select a folio from the complete list of titles.

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This was the background leading to the founding in 1965 of the Vancouver based Alcuin Society. The chief aims of the Society are “to further the interests of book collectors and to promote a wider appreciation of fine books…”. To that end the Society provides a wide range of book oriented activities, including since 1981 an annual Awards for Excellence in Book Design in Canada. The Society continues to flourish. The Society’s From Hand to Hand: A Gathering of the Book Arts in British Columbia… (1986) is a very useful introductory although dated directory of British Columbia fine printing and book arts. The 1970s were important to the British Columbia fine private press/typography scene.

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Purchasing Print Issues Past issues can be purchased for $12 apiece from the Museum Store at the University of Michigan Museum of Art by contacting Store Manager Suzanne Witthoff at witthoff@umich.edu or 734.763.9051. About Bulletin The Bulletin of the University of Michigan Museums of Art and Archaeology was a joint publication of the University of Michigan Museum of Art , the Kelsey Museum of Archaeology , and the Department of the History of Art . This journal features scholarly articles related to subjects of interest to both museums, particularly their collections, exhibitions, and fieldwork programs.

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Contemporary Aesthetics (CA) is an international, interdisciplinary, peer- and blind-reviewed online journal of contemporary theory, research, and application in aesthetics. This open-access journal is published on a rolling basis, and new content is freely available on the web at http://www.contempaesthetics.org . The publication is annually archived by the University of Michigan Library at this site. This archive consists of the whole CA backfile--from the first to the most recently completed volume --and is fully searchable and can be browsed by title, author, and volume. According to the editors of CA , in recent years aesthetics has grown into a rich and varied discipline.

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About the Collection In September 2005, UW-Madison Professor Emeritus Tse-Tsung Chow (who died in 2007) and his wife Nancy Wu Chow donated over 120 calligraphic and painted Chinese scrolls and fans, ranging from the 18th through the 20th centuries, to the Special Collections Department of the UWM Libraries. Professor Chow's collection is an invaluable addition to Special Collections, offering primary examples of Chinese culture spanning a two-hundred year period, with didactic applications in a broad range of disciplines at UWM, including art, art history, history, geography, foreign languages and linguistics, and international studies.

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A project of the Anne S. K. Brown Military Collection Box A, Brown University Library Providence, RI 02912 Tel.: (401) 863-2414 Fax: (401) 863-2093 ASKB@Brown.edu Developed & hosted by Center for Digital Initiatives Box A, Brown University Library Providence, RI 02912 cdi@brown.edu About the Anne S. K. Brown Collection This ambitious multi-year endeavor will digitize the 15,000 individual prints, drawings, and watercolors from The Anne S. K. Brown Military Collection. The artwork vividly documents all aspects of military and naval history, with emphasis on the history and illustration of world military and naval uniforms from the 17th century to the present.

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Display of Goya Prints Featured at the NLM Thirteen prints by Francisco Goya (1746-1828) , a Spanish painter who stands among the first modern artists, are on display at the National Library of Medicine. Although Goya held a position as court painter to Spain's King Charles IV, he often mocked the powerful in his paintings and satirized Spain's government and church. His depictions of hospital patients, torture chambers, the poor, and people in complex psychological states, transformed the unmentionable into fit subjects for art. Two of the works are first editions created by Goya, while the others are "restrikes" printed by others using Goya's original plates.

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History of Medicine Home > History Home > Lesser Home This is my fourth exhibit over the last 20 years in a series presenting medicine and social healing in our century. When I reviewed my first book, from which the first exhibit was taken (auditing medical school at UCLA, with the Class of '71), and the second, about medical education in its entirety (from the student's first days until a physician's first professional experiences, in the '80's), I realized that another look was timely. I have always focused on the motivations of health care practitioners, as well as their human endeavors. I admire those who study and train to help others at this high level of knowledge and skill, which takes years to achieve and much personal sacrifice.

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& Welcome to the Fine Arts Print Collection website, a collaborative venture of the , and the . The Print Collection is part of the Fine Art Collection, owned by the Department of Art and managed by the Fairbanks Gallery at Oregon State University. Web and software support has been provided by the staff of the Valley Library. Use the Search or Browse features to view items in the collection. Throughout your search, you can get help with search functions by clicking the help link in the top navigation bar. Customize options for search results, My Favorites, Compare and Slideshow views. View, compare, delete and move collection items you have saved to My Favorites within CONTENTdm.

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About - Oregon Percent for Art Background When an artist applies for a Percent for Art award, the Oregon Arts Commission (OAC) requires that (s)he submit slides, 8 x 10 black and white prints or 35mm negatives of their artwork, along with textual documentation describing the materials used in creating the work. In addition, some artists choose to submit illustrative proposals or project mockups. Many applicants also provide an artist statement as well as an exhibition list or resume. These materials are then reviewed for artist merit and suitability to the facility.

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A native Ithacan and the nation's most notable ornithological painter since Audubon. Cornell University holds a large collection of his bird illustrations, as well as his personal papers. You will find here a database with 2500 of these illustrations, as well as an exhibit based on the journal he kept during the 1899 Harriman Alaska expedition. Site design by John Greek. Most recent site update: October 8, 2001.

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The Johnson Museum has one of the finest collections of art in New York State and is recognized as one of the most important university museums in the country. Spanning the history of art, the Museum's collections are especially strong in Asian art, nineteenth- and twentieth-century American art, and the graphic arts.

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During the depths of the Great Depression of the 1930s and into the early years of World War II, the Federal government supported the arts in unprecedented ways. For 11 years, between 1933 and 1943, federal tax dollars employed artists, musicians, actors, writers, photographers, and dancers. Never before or since has our government so extensively sponsored the arts. MORE... This link is not functional because your browser does not support JavaScript or Javascript has been disabled. Please use this link to MORE...

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This website, dedicated to the work by women artists in the collections of Washington University, was developed in 2001-2002 with the support of a grant from the Sam Fox Arts Center at Washington University in Saint Louis. The project was developed in concert with a course, "L01-3631 Creative Women: Modern Artists and Writers," co-taught in the Spring of 2002 by Elizabeth C. Childs, Associate Professor of Art History and Archaeology, and Helen Power, Senior Lecturer in Women's Studies. Betha Whitlow, Curator of Visual Resources in the Department of Art History and Archaeology, supervised the design and implementation of the site in consultation with Professor Childs and Dr. Sabine Eckmann, Curator of the Mildred Lane Kemper Art Museum.

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Digitised images from The Bodleian Libraries Special Collections Search: About Click on the stripes below to read more Prototypography (the use of both woodblock and movable type) The images of these items are presented in context, showing, for instance, a handwritten interleaved German translation of the Apocalypse (BB-2) and the incorporation of snippets of woodcut printing into the marginal decoration of a manuscript book (XYL-28). Evidence of paper watermarks gathered by scholars has been included in the form of images made by beta-radiography.

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Portraits in Oxford * An integrated digital catalogue of portraits in the University of Oxford and its constitutent colleges. Portrait collections include: The collections: Welcome to Portraits in Oxford The Portraits in Oxford project aims to publish an integrated digital catalogue of portraits in the University of Oxford and its constituent Colleges. The pilot study, (June 2005-May 2006), catalogued portraits in the Examination Schools of the University, and at Pembroke College. The catalogue of the University portrait collection is on Open Access and can be searched using the search facilities at the top of this page. The integrated catalogue of University and College portraits is available to registered users.

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About FADIS FADIS (Fine Art Digital Imaging System) is a content management system designed for the teaching, studying and researching of art, architecture and visual culture. FADIS combines the digital management of electronic resources with a courseware system and provides an intuitive interface that reflects higher educational teaching needs. The goal of FADIS is the creation of a shared common repository amongst participating institutions. FADIS is currently free to any participating institution contributing content to the collection.

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AGNES CHAMBERLIN In addition to the original paintings the Chamberlin digital collection also includes early editions of Canadian Wild Flowers and two editions of Studies of Plant Life. The story of how Canadian Wild Flowers came to be published is a fascinating one and throws considerable light on the state of publishing in Canada at the time, as well as on the determination and talent of Agnes herself. When her husband died in 1865 Agnes was left with very limited means, and set to work to supply illustrations for thirty of the flowers described in Mrs. Traill's manuscript, depicting them in ten groupings. Having secured five hundred subscribers for the work, she then found there was no lithographer in Toronto willing to undertake the printing.

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This collection features approximately 4500 full page plates and other significant illustrations of human anatomy selected from the Jason A. Hannah and Academy of Medicine collections in the history of medicine at the Thomas Fisher Rare Book Library, University of Toronto. Each illustration has been fully indexed using medical subject headings (MeSH), and techniques of illustration, artists, and engravers have been identified whenever possible. There are ninety-five individual titles represented, ranging in date from 1522 to 1867.

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Hollar was born in 1607, the son of an upper middle-class civic official. Very little is known about his early life, but he evidently learned the rudiments of his craft by age eighteen, left his native Prague at age twenty, and likely studied in Frankfurt under Matthaus Merian. His first book of etchings was published in 1635 in Cologne when Hollar was twenty-eight. The following year he came to the attention of the renowned art collector the Earl of Arundel who was making an official visit to the continent, and Hollar subsequently became a part of his household, settling in England early in 1637. He remained in England during the beginning of the English Civil War period, but left London for Antwerp in 1642, where he continued to work on a variety of projects.

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Theodore Bolton Collection Theodore Bolton was a librarian, art historian, and artist. Bolton received a diploma in the arts from that Pratt Institute in Brooklyn, New York, in 1915. He studied library science at the same institute, receiving a diploma in that subject in 1924. He pursued formal academic work later in his life as well, receiving in 1937 a B.S. in education, and a M.A. in education in 1940, both from New York University. Thereafter, he received an M.F.A. from Columbia in 1955. In addition, he studied at Harvard during the summers from 1937 to 1939. Upon his retirement, Bolton and his wife moved to Coconut Grove, Florida. Theodore Bolton died at his Coconut Grove home on Friday, December 7, 1973.

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A selection of 290 postcards from the Florida Postcard Collection covering Miami, Miami Beach, Coconut Grove, Coral Gables and other South Florida locations from the University of Miami Libraries Special Collections.

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DIGITAL COLLECTIONS About the Collection John P. Morton and Company was a publishing firm based in Louisville, Kentucky for much of the 19th and the first half of the 20th centuries. John Price Morton (1807-1889) started out working as a clerk in a bookstore in Lexington, Kentucky. In 1825 William W. Worsley hired him to manage his Main Street shop, the Louisville Book Store. The company published a daily newspaper, The Focus , which merged with the Louisville Journal into the Journal and Focus , a precursor to the Courier-Journal ; the weekly Louisville Medical News ; and Home and School , a monthly journal of popular education. In 1838 Morton and Henry A.

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DIGITAL COLLECTIONS About the Collection The Leonard Brecher Tobacco and Chewing Gum Card Collection contains 154 digital images of baseball cards from the early 20th century. Tobacco, candy, and chewing gum companies printed trade cards or advertising cards to include with their products. Cards in this digital collection come from the American Tobacco Company, American Caramel Company, Colgan Gum Company (of Louisville, Kentucky), John H. Dockman & Sons, and the Standard Caramel Company, and primarily date between 1909 and 1911. Received by the University of Louisville Art Library in 1969 as a donation from Leonard Brecher, the collection contains 356 baseball cards and 86 cards with bird images. Of these, 154 of the baseball cards are included in the digital collection.

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Introduction The 19 th century was a period of expansion and development in Canadian history. The century brought unprecedented change, from the Union of Upper and Lower Canada and the Confederation of the Canadian colonies, to the establishment of the western provinces. Fortifications and other military structures were erected and roads and railway networks constructed, ushering in waves of immigration as colonization and settlement pushed westward. In its wake the face of the Canadian landscape was altered, and to some extent the vast wilderness was diminished. In the era before the camera, artists, surveyors and engineers preserved on paper and canvas a record of the landscape.

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Pictures came before books, printing or writing, and were our first expression of stories. The Canadian artist Marie Day celebrated the power of cave art in her picture book Quennu and the Cave Bear , an imaginative recreation of how a young girl of the Stone Age conquered her fear of a ferocious cave bear by drawing him. The Stone Age makes a fitting start to an exhibition celebrating Canadian picture books, within which there are no boundaries of place or time. In chronological terms, the earliest painting in this exhibit is 42, the latest, only three years old. The earliest artefact shown here is nearly 3,000 years old, and the story of Quennu depicts a period over 20,000 years ago.

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