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Category: Arts & Humanities, United States

Results 22 - 42 of 306

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About the Photo Collection Share with Friends The San Francisco Historical Photograph Collection contains photographs and works on papers of San Francisco and California scenes ranging from 1850 to the present. This collection includes views of San Francisco street scenes, buildings, and neighborhoods, as well as photographs of famous San Francisco personalities. The collection consists mostly of the photo morgue of the San Francisco News-Call Bulletin , a daily newspaper, ranging from 1920s to 1965. The collection also contains albums, slides, postcards, cabinet cards, stereoviews, and lantern slides of San Francisco and California subjects. Copies of images may be ordered with the Reproduction of Images Form (PDF 31K).

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Terra Foundation Center for Digital Collections Welcome to the Terra Foundation Center for Digital Collections, a virtual repository of a substantial cross-section of the Archives' most significant collections. Since 2005, over one hundred archival collections have been scanned and posted online in their entirety. In addition, more than 12,000 documents have been individually catalogued and are accessible through the Image Gallery . We invite you to browse and to visit again: content is continuously added. Learn more about the Background on the Terra Foundation Center for Digital Collections and the Archives' innovative approach to digitization. Funding is generously provided by the Terra Foundation for American Art .

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Our Mission Norman Rockwell Museum is dedicated to education and art appreciation inspired by the legacy of Norman Rockwell. The museum preserves, studies and communicates with a worldwide audience the life, art and spirit of Norman Rockwell in the field of illustration. The museum is a gathering place for reflection, involvement, and discovery through the enjoyment of the artist’s work. Norman Rockwell’s unique contributions to art and society, popular culture and social commentary influence the museum’s programs and interpretations. Nov 7 Wed NRM Twitter Follow @nrockwellmuseum on Twitter Hours November-April: Weekdays 10 a.m. – 4 p.m. – Weekends and holidays: 10 a.m. – 5 p.m.

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Get to know the people behind the names. Here are some details on specific historical records: U.S. Census Records Learn if ancestors owned homes or were born in other countries. You could get details about their ages, places of birth, ethnic backgrounds, marriages, children, occupations — even the value of their personal estates. U.S. Military Records Find your family’s military heroes from the Revolution- ary War through Vietnam. See enlistment dates, learn about famous battles, locate veteran gravesites and discover personal details like a physical description, signature and more. U.S. Immigration Records Discover your ancestral homeland and recreate family journeys across oceans.

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MATRIX, working in cooperation with the African Studies Center at MSU, and in partnership with premiere research institutions in Africa, is pioneering the African Online Digital Library. The goal of this fully accessible online digital repository is to adopt the emerging best practices of the American digital library community and apply them in an African context. AODL benefits a wide variety of scholars, students, and institutions by producing multilingual, multimedia materials for both scholarly research and public viewing audiences. AODL serves scholars and students conducting research and teaching about West and South Africa as well as teachers and students of African languages in both the United States and Africa.

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The primary mission of Catena, the Digital Archive of Historic Gardens and Landscapes, is to fill a void in American higher education by assembling a searchable collection of historic and contemporary images that include plans, engravings, paintings, and photographs to make the following possible: Provide Images for Teaching Landscape Studies Catena offers a readily available set of images to illustrate classroom lectures.

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Led by the State Library of Massachusetts, the Alexander Parris Digital Project digitized Parris material held in the State Library and the collections of six Boston repositories. The Boston Athenaeum; The Boston Public Library; Boston National Historical Park, Charlestown Navy Yard; Massachusetts General Hospital; Massachusetts Historical Society; and Historic New England (formerly Society for the Preservation of New England Antiquities) all contributed documents to a searchable digital archive that contains images and transcriptions of more than four hundred items.

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The Marxists Internet Archive (MIA, http://www.marxists.org/) is an all-volunteer, non-profit public library, started more than 20 years ago in 1990. In 2006, MIA averaged 1.1 million visitors per month, downloading 15.5 million files per month. This represents a 25% increase in visitors since 2005, and a 380% increase in visitors since 2000.

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About the Morgan | Introduction A complex of buildings in the heart of New York City, The Morgan Library & Museum began as the private library of financier Pierpont Morgan (1837–1913), one of the preeminent collectors and cultural benefactors in the United States. As early as 1890 Morgan had begun to assemble a collection of illuminated, literary, and historical manuscripts, early printed books, and old master drawings and prints. Mr. Morgan's library, as it was known in his lifetime, was built between 1902 and 1906 adjacent to his New York residence at Madison Avenue and 36th Street. Designed by Charles McKim of the architectural firm McKim, Mead & White, the library was intended as something more than a repository of rare materials.

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NEWS IN THE CDLI COLLECTIONS CUNEIFORM ANYONE? CDLI depends on the assistance of collaborators of all stripes. Wish to submit files of new texts, or images, transliterations or corrections of entries in our database? Perhaps make a tax-deductible contribution to support our efforts? A DIGITAL LIBRARY FOR CUNEIFORM The Cuneiform Digital Library Initiative (CDLI) represents the efforts of an international group of Assyriologists, museum curators and historians of science to make available through the internet the form and content of cuneiform tablets dating from the beginning of writing, ca. 3350 BC, until the end of the pre-Christian era.

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This collection draws together images from The Medieval Book, the catalogue of an exhibition held at the Beinecke Library in 1988 and curated by Vice-Provost Barbara Shailor. A celebration of the Beinecke Library?s extraordinary collection of medieval and Renaissance manuscripts, the exhibition examined the development, construction, and function of the book in the Middle Ages and Renaissance. The manuscript collections have been described extensively in the Catalogue of Medieval and Renaissance Manuscripts in the Beinecke Rare Book and Manuscript Library, Yale University , volumes 1-3 of which were edited by Barbara Shailor, and volume 4 of which was edited by Robert Babcock, Lisa Davis, and Philip Rusche.

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The Collection The Beinecke Library’s Medieval and Renaissance collections document the history of human thought from the Byzantine era through 1600. The first medieval manuscript recorded in the Yale collection was acquired in 1714, and was the gift of Elihu Yale. An illustrated copy of the Speculum humanae salvationis , it attracted the special attention of Yale President Ezra Stiles, who read the manuscript and annotated it in the 1790s. The systematic collecting of medieval manuscripts at Yale, however, dates from the late nineteenth century, and the most active period for collecting was after 1930.

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Pittsburgh native Walter McClintock graduated from Yale in 1891. In 1896 he traveled west as a photographer for a federal commission investigating national forests. McClintock became friends with the expedition’s Blackfoot Indian scout, William Jackson or Siksikakoan . When the commission completed its field work, Jackson introduced McClintock to the Blackfoot community of northwestern Montana. Over the next twenty years, supported by the Blackfoot elder Mad Wolf, McClintock made several thousand photographs of the Blackfoot, their homelands, their material culture, and their ceremonies.

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The carte-de-visite, usually an albumen paper photograph mounted on a heavy paper card measuring 2½ × 4 inches, flourished in popularity between 1860 and the 1880s. The Carl Mautz collection of cartes-de-visite photographs created by California photographers includes 145 images consisting chiefly of portraits depicting children, women, and men, in single and group sittings and various ethnic and cultural backgrounds, including Asian American and African Americans. The portraits also include persons with unique physical features, including midgets, dwarves, and giants as well as butchers, circus performers, freemason, miners, musicians, sailors, and soldiers.

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The Beinecke Library digitized 10,705 slides taken from a microfilm of F. T. Marinetti's seven Libroni or scrapbooks, compiled by Marinetti between 1905 and 1944, the year of his death. These scrapbooks contain thousands of newspaper clippings, journal articles, cartoons, drawings, photographs, manuscript items and other printed ephemera, which document Futurism and the avant-garde. The slides were acquired by the Library in 1999, along with a detailed listing of virtually every item depicted. That detailed listing is the source of the bibliographic data currently linked to each image. The Libroni database contains bibliographic errors, items lacking description, and image legibility and sequencing problems.

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The Collection Cite as: Filippo Tommaso Marinetti Papers. General Collection, Beinecke Rare Book and Manuscript Library, Yale University Related: Filippo Tommaso Marinetti's Libroni 10,705 slides taken from a microfilm of F. T. Marinetti's seven Libroni or scrapbooks, compiled by Marinetti between 1905 and 1944, the year of his death. Share |

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Mammoth plate photographs are photographic prints made through contact printing a photographic print from a large glass plate negative, usually 18 by 21 inches, but may vary in size from 15 by 18 inches to 22 by 25 inches. These large negatives allowed photographers to produce outsized photographic prints before the development of photographic enlargers. The collection consists of 57 black and white photographic prints roughly 21 x 17 inches Cite as: Mammoth Plate Photographs of the North American West. Yale Collection of Western Americana, Beinecke Rare Book and Manuscript Library. Call Number: WA Photos Folio 1

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A writer, social activist, and arts aficionado, Mabel Dodge Luhan is celebrated less for her artistic accomplishments than for her key role in building artistic communities, supporting artists, and generating interest in modern art forms. A Buffalo, New York, native, she lived at the turn of the twentieth century in Florence, Italy, where she was a prominent figure among American expatriates and visitors that included Gertrude Stein, Carl Van Vechten, and Hutchins and Neith Boyce Hapgood. Returning to the United States in the 1910s, Mabel Dodge settled in Greenwich Village, where she helped organize the groundbreaking Armory show of Postimpressionist art and hosted perhaps the most important New York City salon of the period.

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The collection consists of 105 items (86 lobby cards and 19 printed fliers) promoting sixty-eight films. Cite as: Western Silent Films Lobby Card Collection. Yale Collection of Western Americana, Beinecke Rare Book and Manuscript Library, Yale University Call Number: WA MSS S-2553

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1968 September 11-1969 November 13 Alexander Lmanian (1925-1996) was a sergeant in the United States Army in World War II, and a part-time photographer for the New Haven Register newspaper and the Associated Press. This collection consists of photographs created by Alexander Lmanian documenting locations and events in Washington, D.C., and its vicinity, 1964-1968, as well as New Haven, Connecticut, 1968-1969. The images of Washington document the physical impact of riots on the city following the assassination of Martin Luther King, Jr., April 4-8, 1968, as well as events and memorials in the city and vicinity, 1967-1968.

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The Frederick R. Koch Collection consists of musical, literary, and historical materials collected by Frederick R. Koch (Yale School of Drama, 1961 MFAD), principally through purchases at public auctions, from 1979-1986. Including individual items, concentrations of related materials, and several extensive archives, the collection is a broad and deep resource for study of the lives and works of a range of composers, authors, and other historical figures. Most materials are music manuscripts, literary manuscripts, drawings, and correspondence of European, English, and American composers, authors, and artists. Also present are historical manuscripts, photographs, albums, and other papers.

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