Category: Arts & Humanities, Text, Photography
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The Minneapolis Institute of Arts' Department of Photographs includes fine historic and contemporary works that cover the history of the medium from 1839 to the present.
Featured here is a selection of more than 5200 photographs from the Museum's permanent collection, representing the work of more than 400 photographers.
Eadweard Muybridge (1830–1904) wished to catalogue every aspect of human and animal locomotion with his camera. He photographed hundreds of subjects engaged in actions both mundane and arcane: nude figures walking and lifting children, athletes boxing and fencing, and animals hurdling, kicking, or slowly ambling along. He was the first photographer to visually dissect these activities, creating images that delighted and mystified the public in the late 19th century.
Welcome! To St. Catherine University Digital Collections Use the Search or Browse features to view items in the collection Get help anytime by using the help link in the top navigation bar St. Catherine University Digital Collections serves as the online home for unique collections on campus. These resources are made readily accessible to students, faculty, and the general public. Current collections include visual and textual materials; other collections will be added as they become available.
Panorama of the City of Toronto, 1857 Rossin House Hotel In 1857, the roof of the hotel provided the ideal vantage point from which Armstrong, Beere & Hime photographed their Toronto. The Rossin House, on the southeast corner of King and York streets, was the tallest building in the newer commercial district of Toronto when it opened that year. It was one of the city’s pre-eminent hotels, with an 1866 guide claiming: “What the Fifth Avenue Hotel is to New York, and the Windsor is to Montreal, so the celebrated Rossin House is to Toronto.” The Rossin House was destroyed by a fire in 1862, and was rebuilt in 1863.
Ralph M. Munroe Family Papers Ralph Middleton "Commodore" Munroe, avid yachtsman, successful businessman, and celebrated patriarch of the Munroe family, made Coconut Grove his home in the late 1800s. Munroe and his family moved to South Florida from Staten Island, New York, to provide a more beneficial environment for his wife, Eva Maelia Hewitt, who suffered from tuberculosis. Unfortunately, both his wife and daughter succumbed to illness and died shortly after their move to Miami. Munroe subsequently split his time between Staten Island and the Grove, often staying at the Peacock family hotel, The Bay View House, later known as the Peacock Inn.
During the depths of the Great Depression of the 1930s and into the early years of World War II, the Federal government supported the arts in unprecedented ways. For 11 years, between 1933 and 1943, federal tax dollars employed artists, musicians, actors, writers, photographers, and dancers. Never before or since has our government so extensively sponsored the arts. MORE... This link is not functional because your browser does not support JavaScript or Javascript has been disabled. Please use this link to MORE...
About the Project Named after the pioneering critic of the commercialization of mass media, the late Professor Rose Goldsen of Cornell University, the Archive was founded in 2002 by Timothy Murray to house international art work produced on CD-Rom, DVD-Rom, video, digital interfaces, and the internet. Its collection of supporting materials includes unpublished manuscripts and designs, catalogues, monographs, and resource guides to new media art.
About - Oregon Percent for Art Background When an artist applies for a Percent for Art award, the Oregon Arts Commission (OAC) requires that (s)he submit slides, 8 x 10 black and white prints or 35mm negatives of their artwork, along with textual documentation describing the materials used in creating the work. In addition, some artists choose to submit illustrative proposals or project mockups. Many applicants also provide an artist statement as well as an exhibition list or resume. These materials are then reviewed for artist merit and suitability to the facility.
About - Building Oregon Building Oregon: Architecture of Oregon and the Pacific Northwest provides approximately 20,000 images and documentation about the architectural heritage of the Pacific Northwest with special emphasis on Oregon’s historic sites and built environment. A significant number of images come from slides donated to the University of Oregon Libraries, including the collections of architectural historian Marion Dean Ross , preservationist Michael Shellenbarger, and architect C. Gilman Davis. As a result of continuing collaboration with the Oregon State Historic Preservation Office , many documents in the collection represent works listed on the National Register of Historic Places .
About the Collection This digital collection presents over 90 photographs taken by Harrison Forman at the outbreak of World War II in Poland. The photographic collection is supplemented by a selection of newspaper clippings and an article "Filming the Blitzkrieg," published by Forman in Travel magazine in December 1939. The photographs, documenting the Nazi invasion of Poland in September of 1939, were recently discovered in the American Geographical Society Library at the UWM Libraries. The images are part of the extensive Harrison Forman Collection that was donated to the American Geographical Society Library in 1987. Harrison Forman (1904-1978), a Wisconsin native, was an adventurous journalist, photographer, and explorer.
The NEH-funded Joseph Urban Stage Designs Stabilization and Access Project of 2002-2004 focused on materials relating to Urban's New York theater career from 1914-1933, specifically the documentation of his productions for the Ziegfeld Follies and other theater producers, and his productions for the Metropolitan Opera. The archives of these productions contained many thousands of documents, photographs, sketches, technical drawings, and watercolors, as well as the actual stage models. Some 61 of the models remained fully assembled when acquired by Columbia, while 281 models had been collapsed by the Urban studio into one or more flattened bundles each. Press Release, 5/10/02 Selection for Digitization.
Doukhobor Collection of Simon Fraser University About the Collection The Simon Fraser University Library Doukhobor Collection is comprised of over 700 primary source items (totaling over 3,300 images) dating from 1898 to 1975. Among these items are a variety of scanned manuscripts, photographs, books and book chapters, journals, magazine articles, financial documents and interviews. The items in the Collection largely deal with the settlement of the Doukhobors in late 19th - early 20th century Canada. This material represents a significant portion of the manuscripts and photographs but only a fraction of the books and periodicals in the Library's holdings. The collection includes items in both English and Russian.
HARRISON BROWN The Sian Incident and Beyond "Harrison Brown: The Sian Incident and Beyond" is a chronicle of author and journalist Harrison Brown's voyage to China between 1936 and 1937, and the events that unfolded during that time in what has become known as 'The Sian Incident'. The events are presented largely through the eyes of Harrison Brown himself - 'H.B.' as his friends called him - through the journals that he kept during his trip, the photographs he took, and the articles and manuscript that he wrote during and after his journey. You may browse through a collection of 137 of H.B's photos, his 22-chapter manuscript "On the Trail of a Freelance", his original hand-written journal pages, and much more.
Edinburgh-born John Thomson (1837-1921) was one of the great names of early photography. His photographic legacy is one of astonishing quality and depth.
Thomson's images of China and South-East Asia brought the land, culture, and people of the Far East alive for the 'armchair travellers' of Victorian Britain.
He was one of the pioneers of photojournalism, using his camera to record life on London's streets in the 1870s. As a society photographer he also captured the rich and famous in the years before the First World War.
These pages present a brief introduction to Thomson's work, with examples drawn from the National Library of Scotland's collections.
The Kirk Papers is a collection of photographs and papers belonging to East Africa pioneer Sir John Kirk. It was acquired for the National Library of Scotland in 1998/1999 with the help of a grant of £55,000 from the Heritage Lottery Fund.
Though not as well-known as his friend and fellow-explorer David Livingstone, Kirk was a trail-blazer of empire in East Africa and a man of eminence in his day. Born in Barry, Angus, in 1832, Kirk qualified in medicine at Edinburgh University and then volunteered for medical service in the Crimea. An accomplished botanist, zoologist and diplomat, he was also a talented photographer. This is evident from the collection of over 250 photographs, many of them stunning.
The Rev. Claude L. Pickens, Jr. Collection on Muslims in China Do Not Divide Moslems and Chinese "Along the Old Silk Road to Europe. East Gate, Hao Tien" (CP02.29.03) from The Rev. Claude L. Pickens, Jr., Trip to Northwest China , photograph album, p. [29] Over 1000 photos of Muslims and Christian missionaries working among them in Western China in the 1920s and 1930s form the core of this collection, which is supplemented by several hundred books, pamphlets, broadsides, etc., in several languages. Gift of Rev. Claude L. Pickens, Jr. in memory of Joseph Fletcher Professor of Chinese and Inner Asian History at Harvard University. The albums and photographs can be viewed in the VIA online catalog.
Introduction The Harvard-Yenching Library holds some 5,000 photographs and 10,000 negatives taken by Hedda Hammer Morrison (1908–1991) while resident in Beijing from 1933 to 1946. The photographs, mounted in thematic albums prepared by Mrs. Morrison, and the negatives, were bequeathed to the Harvard-Yenching Library, "the best permanent home for her vision of a city and people that she loved [Alastair Morrison]." All of the photographs contained in the 28 albums assembled by Hedda Morrison have been cataloged and digitized and can be viewed in VIA (Visual Information Access), the union catalog of visual resources at Harvard.
