Category: Arts & Humanities, Text, California
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The WPA California Folk Music Project is a multi-format ethnographic field collection that includes sound recordings, still photographs, drawings, and written documents from a variety of European ethnic and English- and Spanish-speaking communities in Northern California. The collection comprises 35 hours of folk music recorded in twelve languages representing numerous ethnic groups and 185 musicians. This elaborate New Deal project was organized and directed by folk music collector Sidney Robertson Cowell for the Northern California Work Projects Administration.
NEWS IN THE CDLI COLLECTIONS CUNEIFORM ANYONE? CDLI depends on the assistance of collaborators of all stripes. Wish to submit files of new texts, or images, transliterations or corrections of entries in our database? Perhaps make a tax-deductible contribution to support our efforts? A DIGITAL LIBRARY FOR CUNEIFORM The Cuneiform Digital Library Initiative (CDLI) represents the efforts of an international group of Assyriologists, museum curators and historians of science to make available through the internet the form and content of cuneiform tablets dating from the beginning of writing, ca. 3350 BC, until the end of the pre-Christian era.
The Most Peculiar History of the Chewing Gum Man, Gelett Burgess (1866-1951), San Francisco, California, 1894 November. About the Author Gelett Burgess was a very prolific author, writing rhymes and stories, drawing pictures, teaching art, and editing a famous humor magazine, The Lark . Among his best-known creations are The Goops, round little creatures he used to demonstrate good and bad behavior. Burgess made a few special books for his friends and family. The ?Chewing Gum Man? was made for his sisters. This story was eventually published in The Burgess Nonsense Book in 1901.
The Sheet Music Consortium is a group of libraries working toward the goal of building an open collection of digitized sheet music using the Open Archives Initiative Protocol for Metadata Harvesting. Harvested metadata about sheet music in participating collections is hosted by UCLA Digital Library Program, which provides an access service via this metadata to sheet music records at the host libraries. Data providers have chosen to catalog their sheet music in different ways, but a large proportion of the original sheets in participating collections has been digitized, allowing users direct access to the music itself and in many cases covers and advertisements that offer evidence of the cultural context in which the songs were published.
The UCLA Music Library's Archive of Popular American Music is a research collection covering the history of popular music in the United States from 1790 to the present. The collection, fully accessible at the item level through the UCLA Library Orion2 catalog, is one of the largest in the country, numbering almost 450,000 pieces of sheet music, anthologies, and arrangements for band and orchestra. The collection also includes 62,500 recordings on disc, tape, and cylinder.
Digitization, which began on October 15, 2001, is managed at the Arhoolie Foundation's facilities in El Cerrito, California. The production team, under the direction of Foundation Board members Tom Diamant and Chris Strachwitz, first cataloged the entire collection of over 130,000 individual recordings on cassettes and 78 rpm, 45 rpm, and 33 1/3 rpm long-playing (lp) records. They purchased specialized equipment to begin the initial phase of this highly technical process.
The Strachwitz Frontera Collection contains three sections, roughly divided by era.
Introduction The International Computer Music Association is an international affiliation of individuals and institutions involved in the technical, creative, and performance aspects of computer music. It serves composers, computer software and hardware developers, researchers, and musicians who are interested in the integration of music and technology. ICMA functions include: The International Computer Music Conference The ICMA cosponsors the annual ICMC, which, since its inception in 1974, has become the preeminent yearly gathering of computer music practitioners from around the world.
Goals The British Women Romantic Poet's Project is producing an online scholarly archive consisting of E-text editions of poetry by British and Irish women written (not necessarily published) between 1789 (the onset of the French Revolution) and 1832 (the passage of the Reform Act), a period traditionally known in English literary history as the Romantic period. Selection Criteria Texts are being selected in consultation with our Editorial Advisory Board , consisting of scholars in the United States and Canada. Our aim is to make complete texts available that are not readily accessible from other sources, many of which are not well known, or who are only beginning to be of interest to the scholarly community.
W ELCOME to the Hidden History of the Berkeley Campus, a project of the Gay Bears! Collection in The University Archives. This site gathers together information about the history of sexual minorities at Cal -- students, faculty, staff and visitors. It is designed as a gateway for further exploration into one aspect of the long and fascinating story of the University of California, Berkeley. You may browse the content on this site by: Dates Places People and Events Questions, comments and feedback regarding this website are welcome. Please contact us at the Gay Bears! Collection . Unless otherwise specified, all contents copyright the Regents of the University of California. Links to other sites of related interest:
The Digital Library SunSITE is building a collection of digital texts that can be read online, printed, or downloaded for further study.
Chinese Paper Gods Collection Essays The images in this collection were assembled by Anne S. Goodrich (1895–2005) in 1931, when as a Christian missionary in Peking she became interested in local folk religious practices. She studied the paper gods in this collection for much of her life. After publishing her research conclusions in 1991, she donated these prints to the C. V. Starr East Asian Library, Columbia University. The images are divided initially by usage: Those which were purchased to be burned immediately and serve as emissaries to heaven; and those which were purchased to be displayed for a year while offering protection to the family in a variety of ways, before being burned. The images are further divided by display locations and by the deities they represent.
