Category: Arts & Humanities, Poetry, Connecticut
The Beinecke Library digitized 10,705 slides taken from a microfilm of F. T. Marinetti's seven Libroni or scrapbooks, compiled by Marinetti between 1905 and 1944, the year of his death. These scrapbooks contain thousands of newspaper clippings, journal articles, cartoons, drawings, photographs, manuscript items and other printed ephemera, which document Futurism and the avant-garde. The slides were acquired by the Library in 1999, along with a detailed listing of virtually every item depicted. That detailed listing is the source of the bibliographic data currently linked to each image. The Libroni database contains bibliographic errors, items lacking description, and image legibility and sequencing problems.
For the last decade of the nineteenth century and at least the first two decades of the twentieth, Rudyard Kipling (1865-1936) was one of the most popular writers in the English language, in both prose and verse. He was among the last British poets to command a mass audience, appealing to readers of all social classes and ages. Although his few novels, except Kim , were only a mixed success, in the medium of the short story Kipling extended the range of English fiction in both subject matter and technique and perhaps did more than any other author in the English language to blur the division between popular and high art. Rudyard Kipling: The Books I Leave Behind , an exhibition held in 2007, was the first comprehensive show to be presented anywhere in over fifty years.
[Autographed letter signed] 1905 July 12, Wyncote, Pennsylvania [from] Ezra Pound These materials may be under copyright. To learn more, contact the Curator, Yale Collection of American Literature. Call Number: YCAL MSS 175 Related Collections Ezra Pound Papers, YCAL MSS 43 William Carlos Williams papers, YCAL MSS 116 H. D. Papers, YCAL MSS 24 Bryher papers, GEN MSS 97
Gift of Langston Hughes and bequest of the estate of Langston Hughes, ca. 1940-67. These materials may be under copyright. Permission from the Langston Hughes Estate is required to publish materials by Langston Hughes in any format. Contact information for the Estate may be found in the WATCH File . To learn more, contact the appropriate curator. Call Number: JWJ MSS 26
The H.D. Papers are the bequest of Norman Holmes Pearson, H.D.'s literary executor. Most of the material in the H. D. Papers came to the Beinecke Rare Book and Manuscript Library after Professor Pearson's death in 1973. Prior to this time, selected groups of materials were given to the library by Professor Pearson and were placed with related documents in other collections; these materials have been retrieved and placed in the H.D. Papers. Materials from other sources are also found in the papers, with specific provenance information on the appropriate folders. Permission from the H.D. Estate is required to publish H.D. materials in any format. To learn more, contact the Curator, Yale Collection of American Literature. Call Number: YCAL MSS 24
About the Crawl Space The poems in Crawl Space were composed using a typewriter, working on commercial paint sample cards; each card is an example of a different shade of white interior house paint. The tools of composition provided useful constraints and suggestions, which are evident in both the form and content of the poems-a meditation on walls, both real and metaphorical, in marriage and the trappings of domesticity. I drafted versions of each of the poems (necessitating frequent trips to Home Depot to replenish paint card supplies) and eventually made a few complete sets, one of which is housed in the Yale Collection of American Literature at the Beinecke Rare Book and Manuscript Library at Yale University.
The Elizabeth Jenks Clark Collection of Margaret Anderson contains correspondence, writings, photographs, sound recordings, and other papers of writer and editor Margaret Anderson. The material documents Anderson's life, work, and personal relationships with many noted writers, poets, artists, photographers and performers of the twentieth century, in particular her romantic relationships with co-editor and writer Jane Heap, writer Solita Solano and close friendship with sculptor Elizabeth Jenks Clark. The papers span the entirety of Anderson's life, though the bulk of them document her personal and professional life after the Little Review .