Category: Arts & Humanities, Massachusetts
Our Mission Norman Rockwell Museum is dedicated to education and art appreciation inspired by the legacy of Norman Rockwell. The museum preserves, studies and communicates with a worldwide audience the life, art and spirit of Norman Rockwell in the field of illustration. The museum is a gathering place for reflection, involvement, and discovery through the enjoyment of the artist’s work. Norman Rockwell’s unique contributions to art and society, popular culture and social commentary influence the museum’s programs and interpretations. Nov 7 Wed NRM Twitter Follow @nrockwellmuseum on Twitter Hours November-April: Weekdays 10 a.m. – 4 p.m. – Weekends and holidays: 10 a.m. – 5 p.m.
Led by the State Library of Massachusetts, the Alexander Parris Digital Project digitized Parris material held in the State Library and the collections of six Boston repositories. The Boston Athenaeum; The Boston Public Library; Boston National Historical Park, Charlestown Navy Yard; Massachusetts General Hospital; Massachusetts Historical Society; and Historic New England (formerly Society for the Preservation of New England Antiquities) all contributed documents to a searchable digital archive that contains images and transcriptions of more than four hundred items.
Leslie Jones worked for the Boston Herald-Traveler newspaper between the years 1917 and 1956. He was educated at the Farm and Trade School on Thompson Island. Jones first worked as a pattern-maker, but had long held an interest in photography. While working in a Boston factory, he continued developing himself as a freelance photographer. It was not until Jones unfortunately lost two of his fingers to the factory machinery, however, which led him to convert this avocation into his profession. He joined the Boston Herald-Traveler staff in 1917.
was born May 28, 1894 in Sterling, Massachusetts. One of four children, Donald had an older sister and brother, Josephine and Malcolm, and a younger sister Jean. A graduate of Medford High School, class of 1912 and Tufts College, class of 1916, Donald turned his love of modern languages into a profession of school teacher. These two interests led him to France in 1920, onto Germany in 1922, and then back to France. He opened a school in 1924 in St. Cloud outside of Paris and firmly established himself in the realm of international education in France.
Holmes was a part of many different and overlapping worlds. His poetry and other literary endeavors constitute one such world, but there were also worlds of family, friends, colleagues, his lifetime relationship with Tufts, as well as the realities of the larger world. These exhibits provide insights into some parts of Holmes' world, primarily through his poetry.
As a teacher and mentor of young poets, Holmes was concerned about imparting the work of writing poetry to his students. Using drafts and notes as well as letters and sketches which are contained in the collection, this exhibit traces the evolution of several poems from first draft to finished product.
The public's fascination with the human drama of the courtroom did not begin with Perry Mason or Court TV. Cases involving the relationships between men and women, within or outside the bonds of marriage, have long engaged the popular imagination. In the eighteenth and nineteenth centuries, published accounts of sensational trials provided the public with both entertainment and cautionary tales. Studies in Scarlet presents the images of over 420 separately published trial narratives from the Harvard Law School Library's extensive trial collections.
About the Collection The Milman Parry Collection of Oral Literature Widener Library Room C, Harvard University Cambridge, MA 02138 (617)-496-2499 This page contains links to narratives about the Milman Parry Collection, information about the Collection's partners/supporters, details on scholarly access to the site, and other information. An Introduction to the Collection "The Milman Parry Collection is the largest single repository of South Slavic heroic song in the world. It comprises the following separate collections.
The Rev. Claude L. Pickens, Jr. Collection on Muslims in China Do Not Divide Moslems and Chinese "Along the Old Silk Road to Europe. East Gate, Hao Tien" (CP02.29.03) from The Rev. Claude L. Pickens, Jr., Trip to Northwest China , photograph album, p.  Over 1000 photos of Muslims and Christian missionaries working among them in Western China in the 1920s and 1930s form the core of this collection, which is supplemented by several hundred books, pamphlets, broadsides, etc., in several languages. Gift of Rev. Claude L. Pickens, Jr. in memory of Joseph Fletcher Professor of Chinese and Inner Asian History at Harvard University. The albums and photographs can be viewed in the VIA online catalog.
Reading: Harvard Views of Readers, Readership, and Reading History is an online exploration of the intellectual, cultural, and political history of reading as reflected in the historical holdings of the Harvard Libraries. For Internet users worldwide, Reading provides unparalleled digital access to a significant selection of unique source materials: For researchers, teachers, and students who may not have ready access to extensive historical collections, Reading provides an inspired opportunity to participate more fully in this rapidly expanding research area.
Historical Collections Exhibit As new consumer markets developed following the Civil War, the advertising trade card met the need for an effective national advertising medium and heralded the arrival of an extraordinary variety of manufactured goods newly available to the American public. An exhibition organized by the Historical Collections Department of Baker Library. Search Catalog records for 1,000 of Baker Library's advertising trade cards, with accompanying digital images, are now available through the Visual Information Access (VIA) system, an online catalog of visual resources at Harvard. Baker Library holds more than 8,000 trade cards representing the full range of products and businesses advertised through this medium from the 1870s through the 1890s.
The Mercator Globes Gerard Mercator was a publisher of maps and atlases but he also published two globes — the terrestrial globe of 1541 and the celestial globe of 1551. The globes were an instant commercial success and were the largest (42 cm) that had been produced to date. This online exhibit allows the viewer to study detailed images for each of the globes. The globes are now on permanent exhibit just outside of the entrance to the Map Collection in Pusey Library. Viewing Features of the Exhibition This exhibition offers a unique approach for viewing each globe.
Through the Islamic Heritage Project (IHP), Harvard University has cataloged, conserved, and digitized hundreds of Islamic manuscripts, maps, and published texts from Harvard’s renowned library and museum collections. These rare—and frequently unique—materials are now freely available to Internet users worldwide. IHP is made possible with the generous support of Prince Alwaleed Bin Talal . For the IHP, Harvard’s Open Collections Program (OCP) has produced digital copies of over 280 manuscripts, 275 printed texts, and 50 maps, totaling over 156,000 pages. Users can search or browse online materials that date from the 10th to the 20th centuries CE and represent many
The Human Factor Introduction In the 1930s Harvard Business School colleagues Donald Davenport and Frank Ayres contacted leading businesses and requested photographs for classroom instruction—images Davenport hoped would “reveal the courage, industry and intelligence required of the American working man.” They amassed more than 2,100 photographs, from strangely beautiful views of men operating Midvale Steel’s 9,000-ton hydraulic press to women assembling tiny, delicate parts of Philco radios. Now students, and America’s aspiring corporate managers, had visual data to study “the human factor,” the interaction of worker and machine. But the pictures were more than documentary records.
Introduction The Harvard-Yenching Library holds some 5,000 photographs and 10,000 negatives taken by Hedda Hammer Morrison (1908–1991) while resident in Beijing from 1933 to 1946. The photographs, mounted in thematic albums prepared by Mrs. Morrison, and the negatives, were bequeathed to the Harvard-Yenching Library, "the best permanent home for her vision of a city and people that she loved [Alastair Morrison]." All of the photographs contained in the 28 albums assembled by Hedda Morrison have been cataloged and digitized and can be viewed in VIA (Visual Information Access), the union catalog of visual resources at Harvard.
Scope Daguerreotypes at Harvard provides access to over 3,500 daguerreotypes in libraries, museums, and archives across the University. The collection continues to grow as images are uncovered and new daguerreotypes are accessioned. The first publicly announced photographic medium, the daguerreotype process produced an image exquisite in its detail and tonal fidelity, and daguerreotypes remained popular throughout the 1840s and 50s. Together, Harvard holdings represent a collection of international significance and illustrate early uses of photography as a tool for artistic expression and scientific research in mid-19th-century America.
Introduction Online Exhibition In 1986, Baker Library issued an exhibition catalog titled Coin and Conscience: Popular Views of Money, Credit and Speculation: Sixteenth through Nineteenth Centuries. Catalog of an Exhibition of Prints from the Arnold and S. Bleichroeder Collection, Kress Library of Business and Economics, written by Ruth Rogers, then curator of the Kress Library at Baker Library. The images selected by Ms. Rogers for inclusion in the catalog represent the major thematic divisions of the Bleichroeder Collection , while also displaying its geographic and stylistic diversity. The publication provides introductory text, detailed descriptive information about seventy prints from the collection, an artist index, and a bibliography for further study.
The Fine Arts Library currently houses 2,602 individual East Asian rubbings, the majority of which are from China. The rubbings were made from ancient stone stelae, tomb tablets, Buddhist and Daoist scriptures on stelae and rocks, as well as inscriptions and designs copied from bronze vessels, jade objects, ceramics, tomb bricks, and roof tiles, objects dating from the Qin Dynasty (221-207 BCE) to the Ming Dynasty (1368-1644 CE).