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Category: Business & Reference, Text, Columbia University, United States

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Yul phyogs so soʾi gsar ʾgyur me loṅ The Tibet Mirror (Tib. Yul phyogs so so'i gsar 'gyur me long) was published from 1925 to 1963 in Kalimpong, and chronicles the most dramatic social and political transformation in Tibet during a time when vernacular writing was relatively scarce and a Tibetan media practically non-existent. The paper also relayed information about World War II, the independence of India, and other global news to Tibetan readers in Lhasa, Gyantse, Kham, etc., and to traders and aristocrats who frequently traveled from Lhasa via the Chumbi Valley to Kalimpong, Darjeeling and Calcutta.

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The NEH-funded Joseph Urban Stage Designs Stabilization and Access Project of 2002-2004 focused on materials relating to Urban's New York theater career from 1914-1933, specifically the documentation of his productions for the Ziegfeld Follies and other theater producers, and his productions for the Metropolitan Opera. The archives of these productions contained many thousands of documents, photographs, sketches, technical drawings, and watercolors, as well as the actual stage models. Some 61 of the models remained fully assembled when acquired by Columbia, while 281 models had been collapsed by the Urban studio into one or more flattened bundles each. Press Release, 5/10/02 Selection for Digitization.

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The Biggert Collection of Architectural Vignettes on Commercial Stationery Gift of Robert Biggert in Honor of Lisa Ann Riveaux The Robert Biggert Collection of Architectural Vignettes on Commercial Stationery was donated to the Avery Architectural and Fine Arts Library by Robert Biggert in honor of Lisa Ann Riveaux. This unique collection of printed ephemera contains over 1,300 items with architectural imagery spanning the dates 1850 to 1920, in more than 350 cities and towns in forty-five states, as well as the District of Columbia and U.S. possessions. New York City is particularly well-represented with over 100 items portraying structures below Houston Street alone.

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