Category: Social Sciences, Text, China
Results
The Institute's collection of Asian art represents seventeen Asian cultures spanning over 5,000 years. The Department of Asian Arts has benefited greatly from generous gifts from knowledgeable collectors. Augustus L. Searle, Alfred F. Pillsbury, Richard P. Gale, Louis W. Hill, Jr., and Ruth and Bruce Dayton have donated specialized collections of international reputation, including ancient Chinese bronzes, ancient and post-Sung jade, Chinese monochrome ceramics, Ukiyo-e paintings, Japanese prints, and classical Chinese furniture. In addition, highly regarded specialized collections of Ch'ing dynasty silk textiles, Miao textiles, and surimono prints have been built over the years. The curatorial department's goal is to provide the public with a broad overview of Asian art.
ABOUT e-ASIA The e-Asia project is funded by the University of Oregon Library through the generosity of Nissho Iwai.yella By building a collection of digitized e-books and a database of full text web resources, e-Asia strives to contribute to the research and scholarship of East Asia. While the e-Asia project is based largely on resources held at the University of Oregon Library, its purpose is neither to duplicate nor displace printed traditonal materials. Rather, by providing searchable full text, the digitalization efforts of e-Asia represent a new tool aimed at facilitating the information-gathering process.
HARRISON BROWN The Sian Incident and Beyond "Harrison Brown: The Sian Incident and Beyond" is a chronicle of author and journalist Harrison Brown's voyage to China between 1936 and 1937, and the events that unfolded during that time in what has become known as 'The Sian Incident'. The events are presented largely through the eyes of Harrison Brown himself - 'H.B.' as his friends called him - through the journals that he kept during his trip, the photographs he took, and the articles and manuscript that he wrote during and after his journey. You may browse through a collection of 137 of H.B's photos, his 22-chapter manuscript "On the Trail of a Freelance", his original hand-written journal pages, and much more.
Old China Hands Archive Who is an "Old China Hand" and what is the "Old China Hand Experience?" According to A Concise Dictionary of Slang and Unconventional English, edited by Paul Beale, (Macmillan, 1989), this term has been in use since approximately 1910 and is applied to "One who has spent many years in China in the commercial or civil service, or as a missionary." The dictionary's definition leaves out some important categories of people, particulary the waves of refugees from the conflicts of Europe and elsewhere who found temporary shelter in China, as well as people who served in the military of many nations. It must also be expanded to point out that implicit in the term is the notion of contact between Chinese and non-Chinese cultures.
The Rev. Claude L. Pickens, Jr. Collection on Muslims in China Do Not Divide Moslems and Chinese "Along the Old Silk Road to Europe. East Gate, Hao Tien" (CP02.29.03) from The Rev. Claude L. Pickens, Jr., Trip to Northwest China , photograph album, p. [29] Over 1000 photos of Muslims and Christian missionaries working among them in Western China in the 1920s and 1930s form the core of this collection, which is supplemented by several hundred books, pamphlets, broadsides, etc., in several languages. Gift of Rev. Claude L. Pickens, Jr. in memory of Joseph Fletcher Professor of Chinese and Inner Asian History at Harvard University. The albums and photographs can be viewed in the VIA online catalog.
About the Collection The C. V. Starr East Asian Library's run of Ling long women's magazine is one of the most complete outside China, acquired, we believe, in the late 1930s or early 1940s as part of a concerted effort to enlarge Columbia University's Chinese-language holdings. The collection expanded dramatically in the years between 1938 and 1941 when the holdings more than doubled, thanks to a special grant from the Rockefeller Foundation.
Chinese Paper Gods Collection Essays The images in this collection were assembled by Anne S. Goodrich (1895–2005) in 1931, when as a Christian missionary in Peking she became interested in local folk religious practices. She studied the paper gods in this collection for much of her life. After publishing her research conclusions in 1991, she donated these prints to the C. V. Starr East Asian Library, Columbia University. The images are divided initially by usage: Those which were purchased to be burned immediately and serve as emissaries to heaven; and those which were purchased to be displayed for a year while offering protection to the family in a variety of ways, before being burned. The images are further divided by display locations and by the deities they represent.
