Category: Modern art, United States
The term Modernism commonly applies to those forward-looking architects, designers and artisans who, from the 1880's on, forged a new and diverse vocabulary principally to escape the Historicism, the tyranny of previous historical styles. The foundation of this online project is a group of over 250 objects representing nine Modernist movements.
Our Mission Norman Rockwell Museum is dedicated to education and art appreciation inspired by the legacy of Norman Rockwell. The museum preserves, studies and communicates with a worldwide audience the life, art and spirit of Norman Rockwell in the field of illustration. The museum is a gathering place for reflection, involvement, and discovery through the enjoyment of the artist’s work. Norman Rockwell’s unique contributions to art and society, popular culture and social commentary influence the museum’s programs and interpretations. Nov 7 Wed NRM Twitter Follow @nrockwellmuseum on Twitter Hours November-April: Weekdays 10 a.m. – 4 p.m. – Weekends and holidays: 10 a.m. – 5 p.m.
The Beinecke Library digitized 10,705 slides taken from a microfilm of F. T. Marinetti's seven Libroni or scrapbooks, compiled by Marinetti between 1905 and 1944, the year of his death. These scrapbooks contain thousands of newspaper clippings, journal articles, cartoons, drawings, photographs, manuscript items and other printed ephemera, which document Futurism and the avant-garde. The slides were acquired by the Library in 1999, along with a detailed listing of virtually every item depicted. That detailed listing is the source of the bibliographic data currently linked to each image. The Libroni database contains bibliographic errors, items lacking description, and image legibility and sequencing problems.
A writer, social activist, and arts aficionado, Mabel Dodge Luhan is celebrated less for her artistic accomplishments than for her key role in building artistic communities, supporting artists, and generating interest in modern art forms. A Buffalo, New York, native, she lived at the turn of the twentieth century in Florence, Italy, where she was a prominent figure among American expatriates and visitors that included Gertrude Stein, Carl Van Vechten, and Hutchins and Neith Boyce Hapgood. Returning to the United States in the 1910s, Mabel Dodge settled in Greenwich Village, where she helped organize the groundbreaking Armory show of Postimpressionist art and hosted perhaps the most important New York City salon of the period.
Katherine S. Dreier Papers / Société Anonyme Archive Artist and collector Katherine Dreier joined Marcel Duchamp and Man Ray to found the Société Anonyme, an organization designed to support and generate awareness of modernist art; the group’s name, a French phrase meaning “incorporated,” highlighted the fact that the organization was not allied with any particular artistic school. The Société Anonyme promoted new artists by arranging exhibitions to introduce audiences to their work and develop their reputations among galleries and collectors. Critics praised the Société Anonyme for its commitment to new artists and its inclusion of their work in exhibits and catalogs. Dreier played an essential role in generating American interest in and acceptance of modern art.
The Elizabeth Jenks Clark Collection of Margaret Anderson contains correspondence, writings, photographs, sound recordings, and other papers of writer and editor Margaret Anderson. The material documents Anderson's life, work, and personal relationships with many noted writers, poets, artists, photographers and performers of the twentieth century, in particular her romantic relationships with co-editor and writer Jane Heap, writer Solita Solano and close friendship with sculptor Elizabeth Jenks Clark. The papers span the entirety of Anderson's life, though the bulk of them document her personal and professional life after the Little Review .
This website, dedicated to the work by women artists in the collections of Washington University, was developed in 2001-2002 with the support of a grant from the Sam Fox Arts Center at Washington University in Saint Louis. The project was developed in concert with a course, "L01-3631 Creative Women: Modern Artists and Writers," co-taught in the Spring of 2002 by Elizabeth C. Childs, Associate Professor of Art History and Archaeology, and Helen Power, Senior Lecturer in Women's Studies. Betha Whitlow, Curator of Visual Resources in the Department of Art History and Archaeology, supervised the design and implementation of the site in consultation with Professor Childs and Dr. Sabine Eckmann, Curator of the Mildred Lane Kemper Art Museum.