Category: Arts & Humanities, Image, Culture
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Creating Siapo: American Samoa 1967 Welcome to Creating Siapo: American Samoa 1967 In summer of 1966, Joan Griffis was recruited by the National Association of Broadcasters to work as an on-air teacher in American Samoa. For the next two years, she worked in Pago Pago, American Samoa, teaching English as a second language, with her lessons being broadcast to high schools on all of the American Samoan islands. She then spent an additional two years at the Feleti Teacher Training school—later the American Samoan Community College—where she and a small staff worked closely with Samoan high school students, helping them prepare for college on the mainland, while also conducting teacher training classes. In 1970, she returned to the continental United States.
Myths are stories that explain why the world is the way it is. All cultures have them. Throughout history, artists have been inspired by myths and legends and have given them visual form. Sometimes these works of art are the only surviving record of what particular cultures believed and valued. But even where written records or oral traditions exist, art adds to our understanding of myths and legends.
The Illustrated Voyage Artists aboard voyages of discovery and exploration were given the task of making an objective record of the landscapes, people, flora and fauna of the lands they visited. One would not expect, given the focus on creating an accurate visual record for these expeditions, that there would have been room for the expression of artistic vision.
A note on the photographs in this exhibition Because of the huge number of images held by the National Archives and Records Administration (NARA), selecting photographs for this exhibition involved difficult and subjective choices. For the most part, the exhibit concentrates on developments within American society and on activities abroad where Americans were significant participants. The photographs from the White House Photo Office were included because they will become part of the Clinton Presidential Library, and because they allowed the exhibit to round out its coverage of the late 20th century.
The Cornell University Witchcraft Collection Part of Cornell University Library’s Division of Rare and Manuscript Collections, Cornell's Witchcraft Collection contains over 3,000 titles documenting the history of the Inquisition and the persecution of witchcraft, primarily in Europe. How to Find Materials The Witchcraft Collection is open to the public. To schedule a research visit or ask a question, please fill out our reference form . Terms of access and research policies are described on the Division’s Registration & Guidelines for Use and Reproductions & Permissions pages. See our Digital Witchcraft Collection to view 104 English language books from Cornell’s Witchcraft Collection.
Database selection The goal of this project is to catalog and digitize each of the 1,780 slides within the Claire Holt collection. Microsoft Excel was selected as the application most suited to cataloguing requirements. Image browser After researching options available for creating and maintaining a widely-accessible virtual collection, Luna Imaging’s In sight® browsing software was selected as the most appropriate way to present the Claire Holt images over the Internet.
About - Northwest Folklife Digital Collection The Archives of Northwest Folklore recently partnered with the UO Libraries to begin the development of a digital library collection of folklore materials drawn from fieldwork collections in the Archives of Northwest Folklore. The project team decided to begin with the Oregon Arts Commission's Folk Art of the Oregon Country project records, a collection of 7,000 slides that document folk artists and folk art in cultural communities across Oregon in 1979. Archives of Northwest Folklore student archivists and volunteers have scanned 2,500 slides using equipment in the UO Libraries’ Visual Resources Center.
About - Doris Ulmann Photographs About the Doris Ulmann Collection Doris Ulmann (1882-1934) was born and educated in New York City. A graduate of the school of the Ethical Culture Society, a socially liberal organization that championed individual worth regardless of ethnic background or economic condition. Ulmann continued her education at the Columbia University Teacher's College, where she met and studied with photographer Clarence H. White. White was a founding member of Alfred Stieglitz's Photo-Secession and a leader in the Pictorialist movement. When her teacher founded the Clarence H.
Medieval Islam Islamic cultures are among the most interesting, complex, and dynamic in the world. At the same time, they are among the least known in the West. From its dramatic rise in the seventh century A. D. to the present, Islamic civilization has covered a large part of the globe, incorporating many subcultures and languages into its orbit, and vigorously engaging the peoples around it. Medicine was a central part of medieval Islamic culture. Disease and health were of importance to rich and poor alike, as indeed they are in every civilization. Responding to circumstances of time and place, Islamic physicians and scholars developed a large and complex medical literature exploring and synthesizing the theory and practice of medicine.
A project of the Anne S. K. Brown Military Collection Box A Brown University Library Providence, RI 02912 Tel.: (401) 863-2414 ASKB@Brown.edu Developed & hosted by Center for Digital Initiatives Box A Brown University Library Providence, RI 02912 cdi@brown.edu The Collection The Napoleonic satires housed in the Anne S. K. Brown Military collection of the John Hay Library represent several important gifts made to the library in the 20th century. In addition to the Napoleonic satires located in the military collection bequeathed by Ms. Brown, Paul Revere Bullard (Class of 1897) and William H. Hoffman contributed a variety of significant objects with a Napoleonic theme.
Winter, 2007 Welcome to Post Identity 's searchable article database. Post Identity is an international, fully-refereed journal of the humanities. It features text-based and multi-media scholarship that problematizes the narratives underlying individual, social, and cultural identity formations; that investigates the relationship between identity formations and texts; and that argues how such formations can be challenged. If this is the first time you have explored Post Identity , we invite you to visit the journal's home page at http://liberalarts.udmercy.edu/pi/ Post Identity produced nine issues between 1997 and 2007.
Edinburgh-born John Thomson (1837-1921) was one of the great names of early photography. His photographic legacy is one of astonishing quality and depth.
Thomson's images of China and South-East Asia brought the land, culture, and people of the Far East alive for the 'armchair travellers' of Victorian Britain.
He was one of the pioneers of photojournalism, using his camera to record life on London's streets in the 1870s. As a society photographer he also captured the rich and famous in the years before the First World War.
These pages present a brief introduction to Thomson's work, with examples drawn from the National Library of Scotland's collections.
About the Collection The Hensley Collection is comprised of photographs taken during World War II by an American serviceman, Glenn S. Hensley. The photographs, numbering almost 600, were given to the University of Chicago Library by the photographer. The text accompanying the images is derived from notes written by Mr. Hensley. The images include a rich array of photographs taken in Calcutta during 1943-44 by Mr. Hensley, a professional photographer participating in the surveillance of the Japanese in Burma for the U.S. Army. During his off-duty time Mr. Hensley used his ethnographer's eye to capture daily life in a number of locations around India. The majority of the images are from Calcutta and its environs.
The more than 50,000 volumes on Afghanistan in the ACKU collection contain works in Dari, Pashto and various western languages. The collection provides comprehensive coverage on all sectors of development, as well as literature, music and cultural heritage. Select reference works may also be consulted, an archival section of development reports from before the war is also included, as are rare Mujahideen press publications, DVDs, 2,000 BBC radio programmes and audio visual materials, such as videotapes on NGO activities among refugee populations and inside Afghanistan, historic events and anthropological documentaries.
