Category: Theatre, United States
Results
DIGITAL COLLECTIONS About the Collection Macauley's Theatre opened on October 13, 1873 at 329 W. Walnut (now Muhammad Ali) Street in downtown Louisville, Kentucky. It was owned and operated by Bernard (Barney) Macauley, who, along with his wife, Rachel Johnson Macauley, also performed in the theater's resident stock company. His younger brother, "Colonel" John T. Macauley (1846-1915), managed the box offices of theaters in Cincinnati and Indianapolis before settling in Louisville with his wife, Annie Amelia Kirlin Macauley, and their two daughters, Rachel and Mary Margaret. John took over management of the theater in September 1879, and bought it from his brother when Bernard fell into financial difficulties.
About GloPAD GloPAD (Global Performing Arts Database) records include authoritative, detailed, multilingual descriptions of digital images, texts, video clips, sound recordings, and complex media objects related to the performing arts around the world, plus information about related pieces, productions, performers, and creators. GloPAD is in a continual process of development: we have recently merged two related databases, restructured GloPAD to support our newly developed metadata standards, and redesigned the user interface. Approximately 4,500 objects are currently available, with new records added and older records revised on a daily basis.
Muriel Simonson at Jackson College 1924-1929: a biographical exhibit Welcome to the online biographical exhibit about Muriel Simonson, who had been an exceptionally talented student of Jackson College, Tufts University, in the 1920s. This exhibit highlights Muriel's academic and athletic achievements and the fact that she was the first undergraduate theater producer (male or female) at Tufts University while also documenting her much-lauded acting and singing. Muriel Simonson's years at Jackson College are presented within the larger institutional, historical, economic, and gender contexts of her time.
Scope and Content The digital collection includes 1,800 images documenting 195 performances. The images were selected from the Mark Avery Collection housed at the Archives at the University of Wisconsin-Milwaukee Libraries (UWM Libraries). The finding aid for the archival collection can be found at: http://digital.library.wisc.edu/1711.dl/wiarchives.uw-mil-uwmmss0155 . Mark Avery worked as the staff photographer for the Milwaukee Repertory Theater Company from 1976 to 1994.
The NEH-funded Joseph Urban Stage Designs Stabilization and Access Project of 2002-2004 focused on materials relating to Urban's New York theater career from 1914-1933, specifically the documentation of his productions for the Ziegfeld Follies and other theater producers, and his productions for the Metropolitan Opera. The archives of these productions contained many thousands of documents, photographs, sketches, technical drawings, and watercolors, as well as the actual stage models. Some 61 of the models remained fully assembled when acquired by Columbia, while 281 models had been collapsed by the Urban studio into one or more flattened bundles each. Press Release, 5/10/02 Selection for Digitization.
20 Years of Culture Clash CULTURE CLASH IS RICHARD MONTOYA, RIC SALINAS, AND HERBERT SIGÜENZA. The Latino/Chicano comedy and theatre group was born on Cinco de Mayo, 1984 at René Yáñez's Galeria de la Raza in San Francisco, California. Originally composed of six members, this innovative troupe gained a place in the national spotlight with their 1988 play, The Mission.
