Category: Illustration, United Kingdom
Digitised images from The Bodleian Libraries Special Collections Search: Masterpieces of the non-Western book The Bodleian has had unusual opportunities to acquire, through the activities of collectors in the 17th, 18th, and 19th centuries, a wide range of pictorial material produced in and relating to Asia, the Near East, and South Asia. The Hebrew, Islamic, and South Asian collections are particularly rich in fine illustrated and illuminated manuscripts. Islamic Collections The Bodleian’s Islamic collections include many fine examples of Arabic and Persian manuscript ornamentation.
Digitised images from The Bodleian Libraries Special Collections Search: Early Printing in Europe: examples and evidence in Bodleian collections The Bodleian’s collections of early printed books contain over 6000 incunables (books printed before 1500). The stories these collections tell cross many centuries and continents. Technological and business innovation in 15th-century Germany launched a printing trade that supplanted manuscript copies of many scholarly and religious works, and made possible new forms of text and illustrative practices.
Introduction by Anne Posega With these words Hanmer voiced England's growing national pride in Shakespeare, a pride materially represented by the numerous editions which were produced in the 18th century. Different editors argued for their textual emendations in prefaces, footnotes, and advertisements, and the debate fueled layer after layer of criticism and responses. In a similar way, the illustrations in these editions were themselves transforming, starting with the first illustrated edition in 1709. Edited by Nicolas Rowe and printed for Jacob Tonson, The Works of Mr. William Shakespear, in Six Volumes was the first edition to be "Adorn'd with cuts". The illustrations in this edition were generally theatrical in nature, with many looking like illustrations of a production.
Phoebe Anna Traquair's exquisite illustrated manuscript of Elizabeth Barrett Browning’s ‘Sonnets from the Portuguese’ is one of the National Library of Scotland's treasures.
Made in Edinburgh between 1892 and 1897, it is among the finest examples of the work of Scotland's leading artist of the Arts and Crafts movement.