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Mammoth plate photographs are photographic prints made through contact printing a photographic print from a large glass plate negative, usually 18 by 21 inches, but may vary in size from 15 by 18 inches to 22 by 25 inches. These large negatives allowed photographers to produce outsized photographic prints before the development of photographic enlargers. The collection consists of 57 black and white photographic prints roughly 21 x 17 inches Cite as: Mammoth Plate Photographs of the North American West. Yale Collection of Western Americana, Beinecke Rare Book and Manuscript Library. Call Number: WA Photos Folio 1

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The University Archives Photograph Collection contains modern and vintage photographic prints related to the University of Oregon. The photographs depict a variety of buildings, historic scenes, events, students, faculty and staff, and scenes of campus life.

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265 reads

  browse through the collection without a specific search   search multiple fields at one time and limit search results   view collection items you have saved to your own favorites page   ask an archivist about this site or any aspect of OSU archives   Click on the highlighted areas.

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About Scholars' Bank Welcome to Scholars' Bank , an open-access digital repository created to capture, distribute and preserve the intellectual output of the University of Oregon. Scholars' Bank is maintained by the University of Oregon Libraries, under the coordination of Digital Library Services . Using the open-source software DSpace, available from MIT and Hewlett Packard, Scholars' Bank provides stable, long-term storage needed to house the digital products of UO faculty and researchers. If you are interested in starting a community or contributing to an existing community contact a Scholars' Bank representative at scholars@uoregon.edu .

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About - Picturing the Cayuse, Walla Walla, and Umatilla Tribes Major Lee Moorhouse of Pendleton, Oregon was an Indian Agent for the Umatilla Indian Reservation and a photographer. From 1888 to 1916 he produced over 9,000 images which document urban, rural, and Native American life in the Columbia Basin, and particularly Umatilla County, Oregon. So extensive and revealing are Moorhouse's images that his collection is one of the preeminent social history collections for Oregon. Special Collections & University Archives of the University of Oregon Libraries has a collection of 7000 images by Major Moorhouse.

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About - Oregon Percent for Art Background When an artist applies for a Percent for Art award, the Oregon Arts Commission (OAC) requires that (s)he submit slides, 8 x 10 black and white prints or 35mm negatives of their artwork, along with textual documentation describing the materials used in creating the work. In addition, some artists choose to submit illustrative proposals or project mockups. Many applicants also provide an artist statement as well as an exhibition list or resume. These materials are then reviewed for artist merit and suitability to the facility.

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About - Northwest Folklife Digital Collection The Archives of Northwest Folklore recently partnered with the UO Libraries to begin the development of a digital library collection of folklore materials drawn from fieldwork collections in the Archives of Northwest Folklore. The project team decided to begin with the Oregon Arts Commission's Folk Art of the Oregon Country project records, a collection of 7,000 slides that document folk artists and folk art in cultural communities across Oregon in 1979. Archives of Northwest Folklore student archivists and volunteers have scanned 2,500 slides using equipment in the UO Libraries’ Visual Resources Center.

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About the Collection In preparation for its centennial in 2011, the OSU Extension Service interviewed several of its emeritus faculty in 2007 and 2008. These interviews help to tell the story of extension in Oregon during the 50 years after World War II. They cover areas including agriculture, 4-H, home economics, energy, community development, Sea Grant, communications, and administration and support. The original interviews and transcripts have been placed in the University Archives. Two additional interviews from the Archives’ collection, conducted in the 1980s and early 1990s, are also included. Interviews are available via the OSU Libraries’ streaming server. Transcripts and photographs are also available online. Interviews

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About - Lesbian Intentional Communities: Ruth Mountaingrove Photographs The Ruth Mountaingrove Papers include textual and graphical materials. The collection is currently arranged into four series, beginning with correspondence, diaries, ephemera and finally, photographs. The photograph series (Series IV) is currently the only series within this collection that is processed and available for research use. Ruth's photographs depict her life on lesbian land, and as a member of the national feminist/lesbian network.

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About - Historical Photographs Working in concert with Metadata Services and Digital Projects , staff in Special Collections & University Archives selected several representative photographic collections for digitization and online display. Selection criteria were based on several factors, including the historic content of the photographs, the pure visual appeal of individual images, and finally, research requests from the past. The larger goal of the University of Oregon Photograph Collection is to make the public aware of the quality and depth of the photograph collections owned by Special Collections & University Archives and to encourage further research on the original photographic materials.

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About - Historic Sheet Music The Oregon Music Collection The Oregon Music Collection brings together 55 pieces of music about Oregon or by Oregonians, published between 1880 and 1921. These represent holdings in the Oregon Collection of the University of Oregon’s Special Collections & University Archives and in the Historic Sheet Music Collection in the Music Services Department. Many of the songs and pieces are about or dedicated to specific Oregon events and places, including student songs from the University of Oregon and the Oregon Agricultural College (now Oregon State), the Portland Rose Festival, the Pendleton Round Up, the 1905 Lewis and Clark Centennial Exhibition, Oregon regiments in the Spanish-American War, and the Willamette and Columbia rivers.

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About - Building Oregon Building Oregon: Architecture of Oregon and the Pacific Northwest provides approximately 20,000 images and documentation about the architectural heritage of the Pacific Northwest with special emphasis on Oregon’s historic sites and built environment. A significant number of images come from slides donated to the University of Oregon Libraries, including the collections of architectural historian Marion Dean Ross , preservationist Michael Shellenbarger, and architect C. Gilman Davis. As a result of continuing collaboration with the Oregon State Historic Preservation Office , many documents in the collection represent works listed on the National Register of Historic Places .

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The Collection The 102 photographs in this collection document the activities of Oregon's Bracero workers - their cultivation and harvesting work in the fields and orchards as well as the farm labor camps in which they lived. Most of the photographs were taken by Oregon State College Extension staff members as part of a larger effort to document the various groups that contributed to alleviate the state's severe shortage of farm labor. Extension photographers included John Burtner, Fred Shideler, Robert Fowler, and Harry Whitten.

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About - Artists' Books at the University of Oregon Libraries Artists' books have been described as the "quintessential 20th century art form" (Drucker, Johanna. The Century of Artists Books. New York: Granary Books, 1994), and indeed, though there were many predecessors to the contemporary artist's book, the form was really born in the late '50s and early '60s. The collection at the Architecture and Allied Arts Library, which is supported and extended by artists' books in Knight Library's Special Collections, spans the history of these works of art in book form from 1957 to books by artists today with special emphasis on artists working in the Pacific Northwest.

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African Political Ephemera and Realia Project Search Browse The African Political Ephemera and Realia Project is an online collection of ephemeral material - pamphlets, t-shirts, cloths, posters, to name just a few examples - that documents the material culture of politics in Sub-Saharan Africa. Ephemeral political material often does not find its way into institutional collections either because the material is discarded before it draws the attention of collectors, because it is too popular and mass-produced to merit consideration as art, or because it does not fit easily (either physically or intellectually) into the book- and manuscript-based realm of libraries.

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& Welcome to the Fine Arts Print Collection website, a collaborative venture of the , and the . The Print Collection is part of the Fine Art Collection, owned by the Department of Art and managed by the Fairbanks Gallery at Oregon State University. Web and software support has been provided by the staff of the Valley Library. Use the Search or Browse features to view items in the collection. Throughout your search, you can get help with search functions by clicking the help link in the top navigation bar. Customize options for search results, My Favorites, Compare and Slideshow views. View, compare, delete and move collection items you have saved to My Favorites within CONTENTdm.

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About - Doris Ulmann Photographs About the Doris Ulmann Collection Doris Ulmann (1882-1934) was born and educated in New York City. A graduate of the school of the Ethical Culture Society, a socially liberal organization that championed individual worth regardless of ethnic background or economic condition. Ulmann continued her education at the Columbia University Teacher's College, where she met and studied with photographer Clarence H. White. White was a founding member of Alfred Stieglitz's Photo-Secession and a leader in the Pictorialist movement. When her teacher founded the Clarence H.

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502 reads