In 1916 Elizabeth Willis DeHuff’s husband, John David DeHuff, became superintendent of the Santa Fe Indian School in Santa Fe, New Mexico. Elizabeth, twenty-four years old and educated as a teacher at Barnard College in New York, quickly became interested in the art and culture of the couple’s new home, and in the students who attended the school. DeHuff began inviting boys from the school into her home for afternoon painting lessons. Students that received training included Fred Kabotie, Otis Polelonema (both Hopi) and Velino Shije Herrera (of Zia Pueblo).
196 boxes containing the correspondence, diaries, and manuscripts of James Boswell; estate records, letters, personal and professional papers, and other materials documenting the lives and careers of generations of Boswells and their possession of the barony of Auchinleck; and correspondence relating to the political career of Alexander Bruce, Earl of Kincardine. Currently, only a portion of the Boswell Papers are available online. Call Number: GEN MSS 89 Really As It Was: Writing the Life of Samuel Johnson September 18, 2009 - December 19, 2009
The Collection 16 volumes (in 1 case) : illus.; 22 cm. or smaller. Cite as: Joseph Goldsborough Bruff Diaries, Journals, and Notebooks. Western Americana Collection, Beinecke Rare Book and Manuscript Library, Yale University.
The Bryher Papers document the personal life and literary career of Bryher. Her extensive correspondence includes letters from H. D., Robert MacAlmon, Kenneth MacPherson, Norman Holmes Pearson, Sylvia Beach, Norman Douglas, Horace Gregory, Islay Lyons, and Edith Sitwell, and from many other figures in the fields of literature, psychoanalysis, and film. There are manuscripts of many of her works, including fragments of an unpublished volume of autobiography; financial and personal papers; material collected by Bryher on "boys’ books" authors such as R. M. Ballantyne and G. A. Henty; and documentation of Bryher’s interest in film and the making of Borderline (1930). Currently, only a portion of the Bryher Papers are available online.
Rachel Louise Carson, noted biologist and environmentalist who fascinated readers with three books on the wonders of the sea and awakened the American public to the dangers of pesticide misuse with a highly controversial bestseller, was born on May 27, 1907, in Springdale, Pennsylvania. She was interested in writing at an early age and submitted a number of juvenile stories, poems, and essays to leading youth magazines. Rachel Carson's first book, Under the Sea Wind , attracted little notice on its appearance in 1941. However, her second book on the sea, The Sea Around Us (1951), remained on the best-seller lists for eighty-six weeks, was eventually translated into thirty languages, and received many awards.
The author and dramatist J. M. Barrie (1860-1937) created this adventure story in 1901 for the Llewelyn Davies family, in particular, four of the five Llewelyn Davies children, George (1893-1915), John, known as "Jack" (1894-1959), Peter (1897-1960), and Michael (1900-1921). Barrie befriended the Llewelyn Davies family in the 1890s and his famous character "Peter Pan" was inspired by the children. This novel, titled, The boy castaways of Black Lake Island, being a record of the terrible adventures of the brothers Davies in the Summer of 1901, faithfully set forth by Peter Llewelyn Davies , includes thirty-five mounted photographs with typeset captions and a preface by Peter.
The Most Peculiar History of the Chewing Gum Man, Gelett Burgess (1866-1951), San Francisco, California, 1894 November. About the Author Gelett Burgess was a very prolific author, writing rhymes and stories, drawing pictures, teaching art, and editing a famous humor magazine, The Lark . Among his best-known creations are The Goops, round little creatures he used to demonstrate good and bad behavior. Burgess made a few special books for his friends and family. The ?Chewing Gum Man? was made for his sisters. This story was eventually published in The Burgess Nonsense Book in 1901.
The Volume Childrens talk, English & Latin : divided into several clauses : wherein the propriety of both languages is kept : that children by the help of their mother-tongue, may more easily learn to discourse in good Latine amongst themselves : there are also numbers set down betwixt both, which do shew the place and natural use of any word or phrase , by Charles Hoole, Master of Arts, L.C. Oxon, teacher of a private grammar-school betwixt Goldsmiths-Alley in Redcross-street, and Maidenhead Court in Aldersgate-street, London.
John Thomson’s Illustrations of China and Its People, 1873-1874 John Thomson (1837-1921), a pioneering Scottish geographer and traveler, was the first known photographer to document the people and landscape of China for publication and dissemination to the Western world. Between 1868 and 1872, he traveled over 6,500 kilometers with his cumbersome camera and equipment, darkroom and chemicals capturing all aspects of Chinese life. The photographs in these four volumes show the many sides of China: sweeping landscapes, royalty and ruling classes, merchants and economic activity, everyday life, and the faces of men, women, and children. Thomson was born in Edinburgh, Scotland, the son of a tobacco spinner and seller.
About the Crawl Space The poems in Crawl Space were composed using a typewriter, working on commercial paint sample cards; each card is an example of a different shade of white interior house paint. The tools of composition provided useful constraints and suggestions, which are evident in both the form and content of the poems-a meditation on walls, both real and metaphorical, in marriage and the trappings of domesticity. I drafted versions of each of the poems (necessitating frequent trips to Home Depot to replenish paint card supplies) and eventually made a few complete sets, one of which is housed in the Yale Collection of American Literature at the Beinecke Rare Book and Manuscript Library at Yale University.
, which described the second Powell expedition, in 1908. He died in New York City on January 29, 1935. Over 800 digital images shown selected from nearly 900 photographic prints, relief halftones, postcards, negatives, tintypes and pen and ink drawings in Dellenbaugh’s personal collection. Depicting the Colorado River region and other areas of the West, these photographs include works by E. O. Beaman, James Fennemore, and John K. Hillers, photographers on the 1871 Powell expedition, as well as halftone prints of their images, apparently created for inclusion in Dellenbaugh's books. Photographs by Dellenbaugh and other amateur photographers are accompanied by images from professional photographers William Henry Jackson and the Kolb Brothers.
Katherine S. Dreier Papers / Société Anonyme Archive Artist and collector Katherine Dreier joined Marcel Duchamp and Man Ray to found the Société Anonyme, an organization designed to support and generate awareness of modernist art; the group’s name, a French phrase meaning “incorporated,” highlighted the fact that the organization was not allied with any particular artistic school. The Société Anonyme promoted new artists by arranging exhibitions to introduce audiences to their work and develop their reputations among galleries and collectors. Critics praised the Société Anonyme for its commitment to new artists and its inclusion of their work in exhibits and catalogs. Dreier played an essential role in generating American interest in and acceptance of modern art.
These two volumes from the Beinecke's collections were digitized to coincide with The Great Mirror of Folly: Finance, Culture, and the Bubbles of 1720 , a symposium co-sponsored by the Yale School of Management International Center for Finance , held at Yale University in April 2008. The starting point for this conference was an extraordinary volume likely published in 1720, The Great Mirror of Folly (or, in the original Dutch, Het Groote Tafereel der Dwaasheid ). Early versions of this folio were published in Amsterdam within months of the 1720 economic crashes that roiled the stock markets of England, France, and the Dutch Provinces.
Jonathan Edwards, among the foremost theologians and philosophers of his time, was born in East Windsor, Connecticut, on October 5, 1703. He attended Yale College and graduated with a Bachelor of Arts in 1720. Upon leaving Yale, he succeeded his grandfather, Solomon Stoddard, as minister of the Congregationalist Church at Northampton, Massachusetts from 1726 to 1750. There he became known as an evangelical preacher and stern Calvinist, helping inspire the "Great Awakening" of the 1740s. His writings, which were widely circulated, included A Faithful Narrative and Sinners in the Hands of an Angry God. In 1751 he became a missionary to the Mahican and Mohawk Indians at Stockbridge, Massachusetts, and minister to the English congregation there.
244 posters and ephemera in both b&w and color Cite as: Philippe Zoummeroff Collection of May 1968, Beinecke Rare Book and Manuscript Library, Yale University The Postwar Avant-Garde and the Culture of Protest, 1945 to 1968 and Beyond Thursday, October 1, 2009 - Saturday, December 19, 2009 Share |
In the autumn of 1609, the Italian mathematician and astronomer Galileo Galilei turned his telescope to the heavens, deciphering the cratered face of the moon, the four satellites of Jupiter, and other previously opaque features of the heavens. When, in 1610, Galileo published his Sidereus Nuncius, or Starry Messenger, the German astronomer Johannes Kepler responded with enthusiasm, praising the significance of Galileo’s observations with his own Dissertatio cum Nuncio Sidereo, or, Conversations with the Starry Messenger (1610). To whom else did the stars speak in the early modern period?
American photographer Robert Giard is renowned for his portraits of American poets and writers; his particular focus was on gay and lesbian writers. Some of his photographs of the American gay and lesbian literary community appear in his groundbreaking book Particular Voices: Portraits of Gay and Lesbian Writers , published by MIT Press in 1997. Giard’s stated mission was to define the literary history and cultural identity of gays and lesbians for the mainstream of American society, which perceived them as disparate, marginal individuals possessing neither. In all, he photographed more than 600 writers. The archive is a unique and important collection providing a significant resource for the study of literary America in the late twentieth century.
Witold Gombrowicz (1904-1969), was a Polish novelist and playwright. His novels and plays include Ferdydurke (1937), Trans-Atlantyk (1953), Ślub (1953), Kosmos (1965), and Pornografia (1966). Considered one of Poland's foremost literary figures of the twentieth century, Gombrowicz's novels and plays have been translated into many languages. The Collection The archive consists of correspondence, writings, personal papers, photographs, audiovisual material and memorabilia documenting Gombrowicz’s life and literary activity chiefly during the last two decades of his life (1949-69). Currently, only a portion of the Archive is available online.
The H.D. Papers are the bequest of Norman Holmes Pearson, H.D.'s literary executor. Most of the material in the H. D. Papers came to the Beinecke Rare Book and Manuscript Library after Professor Pearson's death in 1973. Prior to this time, selected groups of materials were given to the library by Professor Pearson and were placed with related documents in other collections; these materials have been retrieved and placed in the H.D. Papers. Materials from other sources are also found in the papers, with specific provenance information on the appropriate folders. Permission from the H.D. Estate is required to publish H.D. materials in any format. To learn more, contact the Curator, Yale Collection of American Literature. Call Number: YCAL MSS 24
Gift of Langston Hughes and bequest of the estate of Langston Hughes, ca. 1940-67. These materials may be under copyright. Permission from the Langston Hughes Estate is required to publish materials by Langston Hughes in any format. Contact information for the Estate may be found in the WATCH File . To learn more, contact the appropriate curator. Call Number: JWJ MSS 26
was adapted into a Hollywood film starring Audrey Hepburn in 1959. Though she was best known during her lifetime for this remarkably successful book, Hulme was more than a one-novel writer; she was the author of nine well-received books of fiction and nonfiction, some of which earned national awards and recognition. For a time, Hulme considered writing her own autobiography.
This illustrated manuscript made in southern India in 1837 consists of 72 full-color hand-painted images of men and women of the various castes and religious and ethnic groups found in Madura, India at that time. Each drawing was made on mica, a transparent, flaky mineral which splits into thin, transparent sheets. As indicated on the presentation page, the album was compiled by the Indian writing master at an English school established by American missionaries in Madura, and given to the Reverend William Twining. The manuscript shows Indian dress and jewelry adornment in the Madura region as they appeared before the onset of Western influences on South Asian dress and style.
Portraits represent various tribal groups, including, among many others, the Apache Indians, Arapaho Indians, Arikara Indians, Bannock Indians, Cherokee Indians, Cheyenne Indians, , Oglala Indians, Ojibwa Indians, Omaha Indians, Oohenonpa Indians, Santee Indians, Seminole Indians, Tohono O’odham Indians, Ute Indians, Wichita Indians, and Yuma Indians. Exterior images consist primarily of informal portraiture, as well as depicting residences and settlements, including the Crow Indian Agency in Montana, 1871; the Pawnee Indian School and buildings at the Pawnee Reserve, Loup Fork, Nebraska, 1871; and a Bannock Indian camp near Fort Hall, Idaho, 1872.
The Collection Just under 300 engravings, watercolors, and illustrations drawn from books, archival collections, and artwork from the Beinecke Library's Western Americana and General collections. Cite as: Beinecke Rare Book and Manuscript Library, Yale University
From the sixteenth through the nineteenth centuries, the royal and aristocratic courts behind Europe’s most illustrious festivals printed elaborate, illustrated volumes to record the celebrations that they organized to mark births, deaths, betrothals, weddings, coronations, and visits. Often circulated for the benefit of rival noble families and in the interests of self promotion, festival books are fascinating witnesses to aristocratic culture and art during the Early Modern period.
[Autographed letter signed] 1905 July 12, Wyncote, Pennsylvania [from] Ezra Pound These materials may be under copyright. To learn more, contact the Curator, Yale Collection of American Literature. Call Number: YCAL MSS 175 Related Collections Ezra Pound Papers, YCAL MSS 43 William Carlos Williams papers, YCAL MSS 116 H. D. Papers, YCAL MSS 24 Bryher papers, GEN MSS 97
Ketubah, marriage contract, manuscript, ink and paint on paper, 20th of Menahem 5671 [1911 August 14], Bombay, India The ketubah (plural ketubot ) is the standard marriage contract that Jewish law requires a groom to provide for his bride on their wedding day. It is intended to protect the woman, primarily by establishing the man's financial obligations to her in case of divorce or widowhood. In addition to the financial clauses, the text of the ketubah outlines other obligations undertaken by the groom, including traditional conjugal rights such as food, clothing and shelter. The exact date when the ketubah became a central part of the Jewish marriage ceremony remains unknown. It is a rabbinic institution, not a biblical one, and goes back to Talmudic times (70-500 C.E.).
For the last decade of the nineteenth century and at least the first two decades of the twentieth, Rudyard Kipling (1865-1936) was one of the most popular writers in the English language, in both prose and verse. He was among the last British poets to command a mass audience, appealing to readers of all social classes and ages. Although his few novels, except Kim , were only a mixed success, in the medium of the short story Kipling extended the range of English fiction in both subject matter and technique and perhaps did more than any other author in the English language to blur the division between popular and high art. Rudyard Kipling: The Books I Leave Behind , an exhibition held in 2007, was the first comprehensive show to be presented anywhere in over fifty years.
The Frederick R. Koch Collection consists of musical, literary, and historical materials collected by Frederick R. Koch (Yale School of Drama, 1961 MFAD), principally through purchases at public auctions, from 1979-1986. Including individual items, concentrations of related materials, and several extensive archives, the collection is a broad and deep resource for study of the lives and works of a range of composers, authors, and other historical figures. Most materials are music manuscripts, literary manuscripts, drawings, and correspondence of European, English, and American composers, authors, and artists. Also present are historical manuscripts, photographs, albums, and other papers.
1968 September 11-1969 November 13 Alexander Lmanian (1925-1996) was a sergeant in the United States Army in World War II, and a part-time photographer for the New Haven Register newspaper and the Associated Press. This collection consists of photographs created by Alexander Lmanian documenting locations and events in Washington, D.C., and its vicinity, 1964-1968, as well as New Haven, Connecticut, 1968-1969. The images of Washington document the physical impact of riots on the city following the assassination of Martin Luther King, Jr., April 4-8, 1968, as well as events and memorials in the city and vicinity, 1967-1968.