Category: Fine Arts, Image, Fine art, United States
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Throughout the fall of 2004, paintings conservators Joan Gorman and David Marquis of the Midwest Art Conservation Center conducted a major conservation treatment of Guercino's Erminia and the Shepherds during public viewing hours. In 1999, the exhibition "Restoring a Masterwork" followed the process of conserving Giovanni Benedetto Castiglione's The Immaculate Conception with Saints Francis of Assisi and Anthony of Padua .
the archive The archive of the Jack Lenor Larsen textile company reveals time and again that the driving force behind this influential company has always been the principal that art need not be separated into high (or fine) art and low art (or craft). The Larsen Design Studio created modern, artistic fabrics for interior use, yet their innovations with handwovens, batiks and fabrics in scale with modern architecture have changed the industry. Artistic and technical explorations are the cornerstones that have kept the company on the front edge of the market for half a century. the web site Larsen: A Living Archive was created in conjunction with the exhibition Jack Lenor Larsen: The Company and The Cloth at The Minneapolis Institute of Arts.
The diverse collections of The Minneapolis Institute of Arts include thousands of works of art that were made for worship or religious ritual. Historically, people have lavished the finest materials and workmanship on those things that represented their most deeply held beliefs. The works of art included here were selected because they illustrate the main theological concepts of the world's major religions. The texts attempt to provide concise overviews and are intended to serve as comparative teaching resources. Each entry was reviewed by a knowledgeable practitioner and/or ordained clergy of that faith.
Welcome! To St. Catherine University Digital Collections Use the Search or Browse features to view items in the collection Get help anytime by using the help link in the top navigation bar St. Catherine University Digital Collections serves as the online home for unique collections on campus. These resources are made readily accessible to students, faculty, and the general public. Current collections include visual and textual materials; other collections will be added as they become available.
This website, dedicated to the work by women artists in the collections of Washington University, was developed in 2001-2002 with the support of a grant from the Sam Fox Arts Center at Washington University in Saint Louis. The project was developed in concert with a course, "L01-3631 Creative Women: Modern Artists and Writers," co-taught in the Spring of 2002 by Elizabeth C. Childs, Associate Professor of Art History and Archaeology, and Helen Power, Senior Lecturer in Women's Studies. Betha Whitlow, Curator of Visual Resources in the Department of Art History and Archaeology, supervised the design and implementation of the site in consultation with Professor Childs and Dr. Sabine Eckmann, Curator of the Mildred Lane Kemper Art Museum.
The Johnson Museum has one of the finest collections of art in New York State and is recognized as one of the most important university museums in the country. Spanning the history of art, the Museum's collections are especially strong in Asian art, nineteenth- and twentieth-century American art, and the graphic arts.
& Welcome to the Fine Arts Print Collection website, a collaborative venture of the , and the . The Print Collection is part of the Fine Art Collection, owned by the Department of Art and managed by the Fairbanks Gallery at Oregon State University. Web and software support has been provided by the staff of the Valley Library. Use the Search or Browse features to view items in the collection. Throughout your search, you can get help with search functions by clicking the help link in the top navigation bar. Customize options for search results, My Favorites, Compare and Slideshow views. View, compare, delete and move collection items you have saved to My Favorites within CONTENTdm.
