Category: Area Studies, English, Geography, Cornell University, United States, New York
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About the Project In 1950, when the Cornell Southeast Asia Program was established, scholarly publishing on the region was undeveloped. Members of the Program recognized that if students were to be trained, they had to have materials to read, and so the Data Papers series was initiated. In this series, one finds materials to interest linguists, anthropologists, archaeologists, political scientists, social scientists, and researchers looking for bibliographic guides to the holdings of Cornell's famous Echols Collection. The various dictionaries included here (the Akha-English Dictionary , Yao-English Dictionary , and the two-volume Dictionary of Cebuano Visayan ) are of great and continuing interest to scholars and speakers of those languages.
Indonesia is a semi-annual journal devoted to the timely study of Indonesia's culture, history, government, economy, and society. It features original scholarly articles, interviews, translations, and book reviews. Published since April 1966, the journal provides area scholars and interested readers with contemporary analyses of Indonesia and an extensive archive of research pertaining to the nation and region. The journal is published by Cornell University's Southeast Asia Program . All articles and reviews published in Indonesia prior to April 2000 are available at no cost. Online access to single issues and individual articles published within the last five years are available for a fee.
Introduction At the end of the nineteenth century, the British artist, photographer and traveler Frederick W.W. Howell, F.R.G.S., recorded Icelandic and Faroese landscapes, farmsteads, towns and people in a remarkable series of photographs that depicted Iceland and the Faeroe Islands on the edge of modernity. Daniel Willard Fiske, who bequeathed the Fiske Icelandic Collection to Cornell University, purchased over 400 prints from Howell around the turn of the century. Halldór Hermannsson, the collections first curator, mounted the prints around 1923 in six albums and supplied the prints with captions. (A small group of photographs includes the work of Henry A.