Category: Image, University of California, Berkeley, United States, California
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The East Asian Library's Collection The East Asian Library of the University of California, Berkeley has 2,700 Chinese rubbings, second in number among collections outside East Asia only to the Field Museum of Natural History in Chicago. The nucleus of the collection, over half of the items, was acquired in 1950 from the estate of Mitsui Soken, a wealthy Japanese bibliophile, and includes albums of rubbings once owned by noted Chinese connoisseurs of the nineteenth century. Other important acquisitions were made through purchases from Chinese scholars and dealers and through the bequest of Professor Woodbridge Bingham's collection. The library's holdings are especially rich in albums of models of calligraphy and bronze inscriptions.
About the Emma Goldman Papers Project The Emma Goldman Papers is part of a national initiative to retrieve the papers of individuals whose life work has had a lasting impact on the course of American history. Since 1980, the Emma Goldman Papers Project at UCB has collected, organized, and edited tens of thousands of documents from around the world by and about Emma Goldman (1869-1940), a leading figure in American anarchism, feminism, and radicalism. In the spirit of Emma Goldman, the EGPP has extended its scholarly research to serve the community-to educate the public about the complexity of engagement in social and political transformation.
The Greene & Greene Virtual Archives (GGVA) contains images of drawings, sketches, photographs, correspondence, and other historical documents related to the work of the architects Greene & Greene, the southern California design firm (active 1894-1922) that is often associated with the finest architecture and craftsmanship of the American Arts and Crafts Movement. Recent photographic documentation of the firm’s furniture and other decorative arts is presented as part of the GGVA.
The Digital Scriptorium is a growing image database of medieval and renaissance manuscripts that unites scattered resources from many institutions into an international tool for teaching and scholarly research. It bridges the gap between a diverse user community and the limited resources of libraries by means of sample imaging and extensive rather than intensive cataloguing.
Chinese Paper Gods Collection Essays The images in this collection were assembled by Anne S. Goodrich (1895–2005) in 1931, when as a Christian missionary in Peking she became interested in local folk religious practices. She studied the paper gods in this collection for much of her life. After publishing her research conclusions in 1991, she donated these prints to the C. V. Starr East Asian Library, Columbia University. The images are divided initially by usage: Those which were purchased to be burned immediately and serve as emissaries to heaven; and those which were purchased to be displayed for a year while offering protection to the family in a variety of ways, before being burned. The images are further divided by display locations and by the deities they represent.
