Category: Literature & Poetry, Image, English
Results
Center for Digital Initiatives Box A, Brown University Providence, RI 02912 (401) 863-2817 About This Collection Broadsides are single-sheet publications, often issued as ephemera or announcements. The Harris Broadsides Collection is a comprehensive collection of American poetry published in broadside format from colonial times to the present. The collection offers materials covering a broad spectrum of American life, and includes poetry of every description: 18th and 19th century ballads, verse describing newsworthy events, poetic effusions of sentimentality and patriotism, comic verse, and much more. When completed, this digital project will include over 20,000 titles.
About the Collection The UWM Book Arts Collection contains scanned images of selected artists’ books from the UWM Special Collections-Book Arts Collection. The goal of the UWM Special Collections-Book Arts Collection has been to document and demonstrate the use of the book form as an art medium. The collection’s main focus is on examples of artists' books from the late nineteenth century to the present. Largely represented are examples of American book arts, especially those of the Upper Midwest.
APIS is a collections-based repository hosting information about and images of papyrological materials (e.g. papyri, ostraca, wood tablets, etc) located in collections around the world. It contains physical descriptions and bibliographic information about the papyri and other written materials, as well as digital images and English translations of many of these texts. When possible, links are also provided to the original language texts (e.g. through the Duke Data Bank of Documentary Papyri). The user can move back and forth among text, translation, bibliography, description, and image.
HARRISON BROWN The Sian Incident and Beyond "Harrison Brown: The Sian Incident and Beyond" is a chronicle of author and journalist Harrison Brown's voyage to China between 1936 and 1937, and the events that unfolded during that time in what has become known as 'The Sian Incident'. The events are presented largely through the eyes of Harrison Brown himself - 'H.B.' as his friends called him - through the journals that he kept during his trip, the photographs he took, and the articles and manuscript that he wrote during and after his journey. You may browse through a collection of 137 of H.B's photos, his 22-chapter manuscript "On the Trail of a Freelance", his original hand-written journal pages, and much more.
This was the background leading to the founding in 1965 of the Vancouver based Alcuin Society. The chief aims of the Society are “to further the interests of book collectors and to promote a wider appreciation of fine books…”. To that end the Society provides a wide range of book oriented activities, including since 1981 an annual Awards for Excellence in Book Design in Canada. The Society continues to flourish. The Society’s From Hand to Hand: A Gathering of the Book Arts in British Columbia… (1986) is a very useful introductory although dated directory of British Columbia fine printing and book arts. The 1970s were important to the British Columbia fine private press/typography scene.
Phoebe Anna Traquair's exquisite illustrated manuscript of Elizabeth Barrett Browning’s ‘Sonnets from the Portuguese’ is one of the National Library of Scotland's treasures.
Made in Edinburgh between 1892 and 1897, it is among the finest examples of the work of Scotland's leading artist of the Arts and Crafts movement.
The National Library of Scotland has the pre-eminent collection of decorative bookbindings produced in Scotland during the last five centuries. Some were transferred to the new National Library in 1925 as part of the collections of the Advocates Library, but many have been purchased since in an attempt to document the development of binding styles in Scotland. Below are displayed a representative sample of bindings from the 18th century, together with a number of decorative endpapers from these books.
Robert Louis Stevenson was born in Edinburgh’s New Town in 1850. He died 44 years later on a small Samoan island in the Pacific.
During his short life he travelled the world, defied convention, and made himself one of the most famous writers of the 19th century.
Here we tell Stevenson's story, illustrated with material held in the National Library of Scotland's collections.
You can also see the entire first English edition of Kidnapped – one of his most famous tales – published in 1886.
This site features a selection of leading Scottish writers, photographed in a 30-year period by Edinburgh publisher and photographer Gordon Wright. It is based on an exhibition held at the National Library of Scotland in 2001.
Gordon Wright's photographs featured in 'The Write Stuff' are in copyright. For permission to use them, and to order print or digital copies, please email Gordon Wright.
Texts by Jennie Renton, editor of 'The Scottish Book Collector'.
Muriel Spark was identified as a promising and creative writer when her name was still Muriel Camberg and she was still at school. Some of her poems had already been published by the time she won her first poetry prize, at the age of 12.
Dame Muriel – poet, writer of fiction and literary criticism, and biographer – went on to win most of the literary awards going, was never out of print, and was at the top of her profession, internationally, for more than half a century.
Best-known as the author of 'The Prime of Miss Jean Brodie', Muriel decided in the 1940s to keep a record of her professional and personal activities, beginning a personal archive that is now one of the largest and most comprehensive held by the National Library of Scotland.
Robert Burns was born into a farming family at Alloway in Ayrshire in 1759. He died in Dumfries at the early age of 37. Yet in that short time he had taken the Scottish literary world by storm, and had secured a place for himself in history and in legend.
This site is based on material by or relating to 'Scotland's Bard' which is held by the National Library of Scotland (except where otherwise stated).
Special features are pages giving highlights of the Library's significant resources – whether original letters or poems (see Manuscripts page) or important books (see Books page).
The only known copies of nine of the earliest books printed in Scotland are the most precious items held by the National Library of Scotland in its role as custodian of the nation’s printed heritage.
Known as ‘The Chepman & Myllar Prints’, they were produced in or about 1508 on Scotland’s first printing press, established in Edinburgh (in what is now the Cowgate) by Walter Chepman and Androw Myllar. Chepman, an Edinburgh merchant, provided the money. Myllar, an Edinburgh bookseller who had previously been involved with printing in France, brought with him experience in the book trade.
The Murthly Hours is one of Scotland's great medieval treasures. Written and illuminated in Paris in the 1280s, it also contains full-page miniatures by English artists of the same period, and was one of the most richly decorated manuscripts in medieval Scotland. Medieval additions include probably the second oldest example of Gaelic written in Scotland.
The entire manuscript has been reproduced here. In the Folios section, you can browse page by page or select a folio from the complete list of titles.
General Introduction The purpose of these brief introductory remarks is to tell you, first, what kind of information you can find on this website and, second, how you can retrieve this information. The core of the whole site is a scholarly database. This database contains all kinds of information about the illuminated medieval manuscripts of the Koninklijke Bibliotheek and the Museum Meermanno-Westreenianum. You can get access to this 'electronic catalogue' in various ways. When choosing your way, your own expertise and wishes should guide you. If you do not routinely consult databases and your interest in medieval illumination is not a professional one, you may start with our guided tour.
In recent years, scholars in many disciplines have recognized that the literally thousands of engravings, wood blocks, and etchings in emblem books constitute an unparalleled source not only for the study of daily life of the sixteenth and seventeenth centuries but also for extraordinary insights into what the intellectuals of the times viewed as a necessary adjunct to heraldry, social life, politics, philosophy, and moral behavior. The English emblem books scanned for this project are cultural artifacts frequently used in the analysis of reading practices, printing history, Elizabethan popular culture, the use of allegory, and the relationship of word to image.
A Tale of Two Manuscripts Reunited The Making of the Manuscripts The University of Chicago’s manuscripts of Le Roman de la Rose and Le Jeu des échecs moralisé were produced ca. 1365, about 100 years before the invention of printing. By the 14th century, there was a well-developed book trade outside of monastic scriptoria, supplying Bibles, Books of Hours, or prayer books for private devotion, and other liturgical books; legal, medical, philosophical, and other texts for students; and manuscripts of secular works. Professional trades had developed for each specialized component of manuscript production, including making ink and pigments; preparing parchment from animal skin; and writing and decorating the text by scribes, illuminators, rubricators, gilders; and binders.
Reading: Harvard Views of Readers, Readership, and Reading History is an online exploration of the intellectual, cultural, and political history of reading as reflected in the historical holdings of the Harvard Libraries. For Internet users worldwide, Reading provides unparalleled digital access to a significant selection of unique source materials: For researchers, teachers, and students who may not have ready access to extensive historical collections, Reading provides an inspired opportunity to participate more fully in this rapidly expanding research area.
The Digital Scriptorium is a growing image database of medieval and renaissance manuscripts that unites scattered resources from many institutions into an international tool for teaching and scholarly research. It bridges the gap between a diverse user community and the limited resources of libraries by means of sample imaging and extensive rather than intensive cataloguing.
- « first
- ‹ previous
- 1
- 2
- 3
- 4
