Category: Literature & Poetry, Image, Medieval Literature, United States
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This collection draws together images from The Medieval Book, the catalogue of an exhibition held at the Beinecke Library in 1988 and curated by Vice-Provost Barbara Shailor. A celebration of the Beinecke Library?s extraordinary collection of medieval and Renaissance manuscripts, the exhibition examined the development, construction, and function of the book in the Middle Ages and Renaissance. The manuscript collections have been described extensively in the Catalogue of Medieval and Renaissance Manuscripts in the Beinecke Rare Book and Manuscript Library, Yale University , volumes 1-3 of which were edited by Barbara Shailor, and volume 4 of which was edited by Robert Babcock, Lisa Davis, and Philip Rusche.
Depicting Devotion: Illuminated Books of Hours from the Middle Ages December 5, 2001 - February 16, 2002 Curated by Kevin Kalish, Department of English and Christina Linsenmeyer van Schalkwyk, Department of Music Rarely does the opportunity come to peruse, page by page, through a medieval book or manuscript. This exhibit attempts just that. By following the arrangement of this exhibition, the viewer sees the structure and format of a Book of Hours writ large. Books of Hours, one specimen in the history of Illuminated Manuscripts, exhibit a vivid interplay between image and text.
A Tale of Two Manuscripts Reunited The Making of the Manuscripts The University of Chicago’s manuscripts of Le Roman de la Rose and Le Jeu des échecs moralisé were produced ca. 1365, about 100 years before the invention of printing. By the 14th century, there was a well-developed book trade outside of monastic scriptoria, supplying Bibles, Books of Hours, or prayer books for private devotion, and other liturgical books; legal, medical, philosophical, and other texts for students; and manuscripts of secular works. Professional trades had developed for each specialized component of manuscript production, including making ink and pigments; preparing parchment from animal skin; and writing and decorating the text by scribes, illuminators, rubricators, gilders; and binders.
The Digital Scriptorium is a growing image database of medieval and renaissance manuscripts that unites scattered resources from many institutions into an international tool for teaching and scholarly research. It bridges the gap between a diverse user community and the limited resources of libraries by means of sample imaging and extensive rather than intensive cataloguing.
