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The WPA California Folk Music Project is a multi-format ethnographic field collection that includes sound recordings, still photographs, drawings, and written documents from a variety of European ethnic and English- and Spanish-speaking communities in Northern California. The collection comprises 35 hours of folk music recorded in twelve languages representing numerous ethnic groups and 185 musicians. This elaborate New Deal project was organized and directed by folk music collector Sidney Robertson Cowell for the Northern California Work Projects Administration.
About the Belfer Cylinders Digital Connection The Belfer Cylinders Digital Connection provides online access to digital audio files of cylinders in the Belfer Audio Laboratory and Archive. Belfer’s cylinder collection includes over 22,000 cylinders, 12,000 of which are unique titles. The digital recordings, provided in both MP3 and WAV file format, can be searched or browsed by genre/subject. The project was partially supported by a Delmas Foundation grant. The MP3 and WAV recordings in the Belfer Cylinders Digital Connection differ in that the MP3 recordings have recording “noise” cleaned up and are in a compressed file format.
A project of the Graduate Program in Ethnomusicology Department of Music Brown University Box 1924 Providence, RI 02912 Edwin_Quist@brown.edu Site developed and hosted by Center for Digital Initiatives Box A, Brown University Library Providence, RI 02912 cdi@brown.edu The James Koetting Ghana Field Recordings collection presents a vibrant mix of traditional and popular music recorded at a broad range of locations and events in Ghana during the 1970s by ethnomusicologist James Koetting.
The UCLA Music Library's Archive of Popular American Music is a research collection covering the history of popular music in the United States from 1790 to the present. The collection, fully accessible at the item level through the UCLA Library Orion2 catalog, is one of the largest in the country, numbering almost 450,000 pieces of sheet music, anthologies, and arrangements for band and orchestra. The collection also includes 62,500 recordings on disc, tape, and cylinder.
Digitization, which began on October 15, 2001, is managed at the Arhoolie Foundation's facilities in El Cerrito, California. The production team, under the direction of Foundation Board members Tom Diamant and Chris Strachwitz, first cataloged the entire collection of over 130,000 individual recordings on cassettes and 78 rpm, 45 rpm, and 33 1/3 rpm long-playing (lp) records. They purchased specialized equipment to begin the initial phase of this highly technical process.
The Strachwitz Frontera Collection contains three sections, roughly divided by era.
About the Collection The Milman Parry Collection of Oral Literature Widener Library Room C, Harvard University Cambridge, MA 02138 (617)-496-2499 This page contains links to narratives about the Milman Parry Collection, information about the Collection's partners/supporters, details on scholarly access to the site, and other information. An Introduction to the Collection "The Milman Parry Collection is the largest single repository of South Slavic heroic song in the world. It comprises the following separate collections.
Welcome to the Hoagy Carmichael Collection! This multimedia web site is part of an 18-month project to catalog, digitize, and preserve every item in Indiana University's extensive collections pertaining to the life and career of master songwriter Hoagland "Hoagy" Carmichael (1899-1981). Carmichael grew up in Bloomington, Indiana, and graduated from the Indiana University (IU) School of Law. He composed his enduring pop standard, "Star Dust," in Bloomington, and the story of its creation has become an integral part of local history.