Category: Decorative Art & Handicrafts, Text
Francis W. Little House Hallway at The Minneapolis Institute of Arts (Francis W. Little House Frank Lloyd Wright, 1913-15) Unified Vision tells the story of the Prairie School through the collection of The Minneapolis Institute of Arts, which includes a large group of furniture and other objects from Prairie School structures in Minnesota, Illinois, and Iowa. Featured architects include William Gray Purcell, George Grant Elmslie, Frank Lloyd Wright, and George Washington Maher. In addition, the collection includes an important Prairie School home, the Purcell-Cutts house, designed in 1913 by Purcell and Elmslie. This program offers a closer look at the Institute's objects and those who designed them, as well as an extensive tour of the Purcell-Cutts house.
The term Modernism commonly applies to those forward-looking architects, designers and artisans who, from the 1880's on, forged a new and diverse vocabulary principally to escape the Historicism, the tyranny of previous historical styles. The foundation of this online project is a group of over 250 objects representing nine Modernist movements.
the archive The archive of the Jack Lenor Larsen textile company reveals time and again that the driving force behind this influential company has always been the principal that art need not be separated into high (or fine) art and low art (or craft). The Larsen Design Studio created modern, artistic fabrics for interior use, yet their innovations with handwovens, batiks and fabrics in scale with modern architecture have changed the industry. Artistic and technical explorations are the cornerstones that have kept the company on the front edge of the market for half a century. the web site Larsen: A Living Archive was created in conjunction with the exhibition Jack Lenor Larsen: The Company and The Cloth at The Minneapolis Institute of Arts.
The Art of Daily Life There is no equivalent in the many Native American languages for the word art . Yet the objects here suggest that Native Americans are a highly spiritual people who create objects of extraordinary beauty. In Native American thought there is also no distinction between what is beautiful or functional, and what is sacred or secular. Design goes far beyond concerns of function, and beauty is much more than simple appearances. For many native peoples, beauty arises from living in harmony with the order of the universe.The concerns and aspirations of a vital contemporary American Indian population changes as the world changes.
Terra Foundation Center for Digital Collections Welcome to the Terra Foundation Center for Digital Collections, a virtual repository of a substantial cross-section of the Archives' most significant collections. Since 2005, over one hundred archival collections have been scanned and posted online in their entirety. In addition, more than 12,000 documents have been individually catalogued and are accessible through the Image Gallery . We invite you to browse and to visit again: content is continuously added. Learn more about the Background on the Terra Foundation Center for Digital Collections and the Archives' innovative approach to digitization. Funding is generously provided by the Terra Foundation for American Art .
NEWS IN THE CDLI COLLECTIONS CUNEIFORM ANYONE? CDLI depends on the assistance of collaborators of all stripes. Wish to submit files of new texts, or images, transliterations or corrections of entries in our database? Perhaps make a tax-deductible contribution to support our efforts? A DIGITAL LIBRARY FOR CUNEIFORM The Cuneiform Digital Library Initiative (CDLI) represents the efforts of an international group of Assyriologists, museum curators and historians of science to make available through the internet the form and content of cuneiform tablets dating from the beginning of writing, ca. 3350 BC, until the end of the pre-Christian era.
Sidney Paget: Iconic illustrator of Sherlock Holmes 2010 marks the 150th anniversary of the birth of Sidney Paget (1860-1908), an illustrator closely associated with creating a visual identity for Arthur Conan Doyle’s character Sherlock Holmes. The lean, elegant Holmes Paget presented to readers of the Strand magazine worked beautifully with Conan Doyle???s text, and formed the basis for the image of Holmes that remains popular in the public mind to this day.
Introduction by Anne Posega With these words Hanmer voiced England's growing national pride in Shakespeare, a pride materially represented by the numerous editions which were produced in the 18th century. Different editors argued for their textual emendations in prefaces, footnotes, and advertisements, and the debate fueled layer after layer of criticism and responses. In a similar way, the illustrations in these editions were themselves transforming, starting with the first illustrated edition in 1709. Edited by Nicolas Rowe and printed for Jacob Tonson, The Works of Mr. William Shakespear, in Six Volumes was the first edition to be "Adorn'd with cuts". The illustrations in this edition were generally theatrical in nature, with many looking like illustrations of a production.
About - Northwest Folklife Digital Collection The Archives of Northwest Folklore recently partnered with the UO Libraries to begin the development of a digital library collection of folklore materials drawn from fieldwork collections in the Archives of Northwest Folklore. The project team decided to begin with the Oregon Arts Commission's Folk Art of the Oregon Country project records, a collection of 7,000 slides that document folk artists and folk art in cultural communities across Oregon in 1979. Archives of Northwest Folklore student archivists and volunteers have scanned 2,500 slides using equipment in the UO Libraries’ Visual Resources Center.
About - Artists' Books at the University of Oregon Libraries Artists' books have been described as the "quintessential 20th century art form" (Drucker, Johanna. The Century of Artists Books. New York: Granary Books, 1994), and indeed, though there were many predecessors to the contemporary artist's book, the form was really born in the late '50s and early '60s. The collection at the Architecture and Allied Arts Library, which is supported and extended by artists' books in Knight Library's Special Collections, spans the history of these works of art in book form from 1957 to books by artists today with special emphasis on artists working in the Pacific Northwest.
Purchasing Print Issues Past issues can be purchased for $12 apiece from the Museum Store at the University of Michigan Museum of Art by contacting Store Manager Suzanne Witthoff at firstname.lastname@example.org or 734.763.9051. About Bulletin The Bulletin of the University of Michigan Museums of Art and Archaeology was a joint publication of the University of Michigan Museum of Art , the Kelsey Museum of Archaeology , and the Department of the History of Art . This journal features scholarly articles related to subjects of interest to both museums, particularly their collections, exhibitions, and fieldwork programs.
General Introduction The purpose of these brief introductory remarks is to tell you, first, what kind of information you can find on this website and, second, how you can retrieve this information. The core of the whole site is a scholarly database. This database contains all kinds of information about the illuminated medieval manuscripts of the Koninklijke Bibliotheek and the Museum Meermanno-Westreenianum. You can get access to this 'electronic catalogue' in various ways. When choosing your way, your own expertise and wishes should guide you. If you do not routinely consult databases and your interest in medieval illumination is not a professional one, you may start with our guided tour.
Chinese Paper Gods Collection Essays The images in this collection were assembled by Anne S. Goodrich (1895–2005) in 1931, when as a Christian missionary in Peking she became interested in local folk religious practices. She studied the paper gods in this collection for much of her life. After publishing her research conclusions in 1991, she donated these prints to the C. V. Starr East Asian Library, Columbia University. The images are divided initially by usage: Those which were purchased to be burned immediately and serve as emissaries to heaven; and those which were purchased to be displayed for a year while offering protection to the family in a variety of ways, before being burned. The images are further divided by display locations and by the deities they represent.