Category: Printmaking, United States
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Established in 1916, the Department of Prints and Drawings at The Minneapolis Institute of Arts is responsible for the care, exhibition, and acquisition of works of art on paper. These include woodcuts, engravings, etchings, lithographs, screenprints, drawings, watercolors, pastels, monotypes, multiples, artists' books, and rare books. Ranging from early 14th-century illuminated manuscripts to contemporary works on paper, the Institute's permanent collection of prints and drawings is encyclopedic in scope and comprehensive in graphic media. Featured here is a selection of more than 3800 works from the Museum's permanent collection. Try searching for an artist, title, keyword or country.
America's First Illustrator: Alexander Anderson Sixteen scrapbooks, containing close to 10,000 wood-engravings by 19th-century master illustrator Alexander Anderson. Collection History Sixteen scrapbooks, containing close to 10,000 wood-engravings by 19th-century master illustrator Alexander Anderson. Background Alexander Anderson (1775-1870) is considered one of America’s earliest and finest wood-engravers. During a career spanning seventy years, he produced a large number of illustrations for books, periodicals, newspapers, and other commercial ephemera, after both his own designs and those of other artists. Related Resources Books illustrated by Anderson are available in large libraries with strong 19th-century holdings, including NYPL.
Introduction Online Exhibition In 1986, Baker Library issued an exhibition catalog titled Coin and Conscience: Popular Views of Money, Credit and Speculation: Sixteenth through Nineteenth Centuries. Catalog of an Exhibition of Prints from the Arnold and S. Bleichroeder Collection, Kress Library of Business and Economics, written by Ruth Rogers, then curator of the Kress Library at Baker Library. The images selected by Ms. Rogers for inclusion in the catalog represent the major thematic divisions of the Bleichroeder Collection , while also displaying its geographic and stylistic diversity. The publication provides introductory text, detailed descriptive information about seventy prints from the collection, an artist index, and a bibliography for further study.
