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A native Ithacan and the nation's most notable ornithological painter since Audubon. Cornell University holds a large collection of his bird illustrations, as well as his personal papers. You will find here a database with 2500 of these illustrations, as well as an exhibit based on the journal he kept during the 1899 Harriman Alaska expedition. Site design by John Greek. Most recent site update: October 8, 2001.
About While most research on the very early period of the reform era focuses on New England or New York City, Friend of Man illustrates that reform was thriving in Central New York as well. In this periodical, one meets a small, but vocal group of people from both races and all walks of life, intent on changing America. Scholars studying social reform in New York State will be interested in Friend of Man 's revelations about the regional interconnectedness of reform, especially in areas such as Utica, Rochester, Buffalo, Albany, and New York City.
About the Ezra Cornell Papers Preface Ezra Cornell referred to himself as a farmer and mechanic who had spent some time working in the telegraph industry. His ambition and imagination, however, were not so prosaic. Skillful work, uncommon tenacity, and fortuitous circumstances resulted in his amassing a fortune. As soon as it became clear that it was a fortune, he promptly rejected conventional practice and sage advice, and directed that those riches be used to found a unique university: a comprehensive and practical institution dedicated to all forms of intellectual endeavor.
Introduction Cornell University has a number of collections of cuneiform tablets, donated to the university over the past century. These tablets are made of clay and inscribed with signs that modern scholars call cuneiform ("wedge or cone shaped"). They come from an area that is called Mesopotamia, which today roughly equals the territory of modern Iraq. These written documents date from the beginnings of writing, ca. 3350 B.C.E. until the end of the cuneiform tradition, sometime towards the end of the second century C.E. The largest collection of cuneiform tablets at Cornell is housed in the Jonathan and Jeannette Rosen Ancient Near Eastern Studies Seminar in the Department of Near Eastern Studies (NES) and currently consists of ca.
The Cornell University Witchcraft Collection Part of Cornell University Library’s Division of Rare and Manuscript Collections, Cornell's Witchcraft Collection contains over 3,000 titles documenting the history of the Inquisition and the persecution of witchcraft, primarily in Europe. How to Find Materials The Witchcraft Collection is open to the public. To schedule a research visit or ask a question, please fill out our reference form . Terms of access and research policies are described on the Division’s Registration & Guidelines for Use and Reproductions & Permissions pages. See our Digital Witchcraft Collection to view 104 English language books from Cornell’s Witchcraft Collection.
A Digital Collection of Cornell's University Archives The Cornell University Digital Archives is a collection of publications from the Cornell University Archives, comprising of a total of 26,481 pages dealing with the history of Cornell University. These materials date from 1868 until 1945 and involve a number of different publications including annual reports, class books and University registers. For a a complete listing of our digital collection click on the browse link.
About GloPAD GloPAD (Global Performing Arts Database) records include authoritative, detailed, multilingual descriptions of digital images, texts, video clips, sound recordings, and complex media objects related to the performing arts around the world, plus information about related pieces, productions, performers, and creators. GloPAD is in a continual process of development: we have recently merged two related databases, restructured GloPAD to support our newly developed metadata standards, and redesigned the user interface. Approximately 4,500 objects are currently available, with new records added and older records revised on a daily basis.
About Introduction The Cornell University Library and the Cornell Daily Sun are collaborating on an ambitious new digitization project to provide online access to the Sun's historical files. All of the original newspapers will be scanned and made available on a web site maintained by the Cornell University Library. For more than 120 years, the Sun has provided news, information, and entertainment to the entire Cornell community. Accounts of campus events and activities, sports reporting, and editorial commentary all contribute to make the Sun one of the most important sources of information on the history of the university.
Database selection The goal of this project is to catalog and digitize each of the 1,780 slides within the Claire Holt collection. Microsoft Excel was selected as the application most suited to cataloguing requirements. Image browser After researching options available for creating and maintaining a widely-accessible virtual collection, Luna Imaging’s In sight® browsing software was selected as the most appropriate way to present the Claire Holt images over the Internet.
About the Alfredo Montalvo Bolivian Digital Pamphlets Collection This collection of 715 digitized works comes principally from a donation made to Cornell by the Bolivian bookseller, Alfredo Montalvo, who has supplied the university with library materials for over a quarter century. The pamphlets document a century of Bolivian literate culture, beginning in 1848. They show a nation's struggle to establish viable institutions, to develop its economy, to educate its children and the back and forth of political argument. In their aggregate these pamphlets capture the energy of the Bolivian people-sometimes misdirected, often contentious, but never quiescent. Readers will also want to consult complimentary collections of Bolivian pamphlets.
The Billie Jean Isbell Andean Collection This collection of materials is derived from my years of research in the Andes, primarily in the southern Andean department of Ayacucho and specifically in the village of Chuschi, Peru and the surrounding region of the River Pampas Valley in the province of Cangallo. I began research for an undergraduate honors' thesis in 1967 and the earliest images are from that date and continue through 2002. Included in this collection are approximately 1500 photographs, thirteen songs, my ethnography, To Defend Ourselves: Ecology and Ritual in an Andean Village , as well as selected publications. - Billie Jean Isbell, 2005 Visit Professor Isbell's latest project:
About the Project This digital collection references the canonical works or “major moments” that have come to be regarded as important in the study of South Asian architectural traditions. Images of rites, festivals and customary practices enrich and clarify the material record and situate canonical architecture in broader understandings of landscape experience and artistic production. A sub collection of images from 89 Aiyanar temples in Tamil Nadu, South India is one special aspect of this database. It draws on Robert MacDougall’s unfinished study of a folk tradition. Another unique aspect of the database is a collection of images of domestic architecture and community life in Sri Lanka.
The Division of Rare and Manuscript Collections , Cornell University Library , is home to the Andrew Dickson White Architectural Photographs Collection of approximately 13,000 nineteenth- and early twentieth-century photographs of architecture, decorative arts and sculpture. White (1832-1918), the first president of Cornell University, established the collection by donating several thousand images from his personal architectural library.
History of the Susan H. Douglas Collection The central goal of the project is to preserve, digitize, and catalog all items in the Susan H. Douglas Collection of Political Americana. Acquired from an individual collector between 1957 and 1961, the Douglas collection includes approximately 5,500 items of American political campaign memorabilia and commemorative items dating to between 1789 and 1960. Mrs. Douglas characterized them as: ballots, bric-a-brac (larger three-dimensional objects), broadsides, buttons, cartoons, maps and charts, pamphlets, paper miscellaneous, parade items, posters, prints, ribbons, sheet music, songbooks, textiles, trinkets, and wearing apparel.
About the Collection The OSU Seed and Nursery Trade catalogue collection contains over 2,000 items from 1832 to 1966. While the collection is most comprehensive in its representation of American catalogues from the 1940s, it contains many older examples from North America, Great Britain, and Holland, as well other European and Asian countries. Former agricultural librarian Laura Kelts compiled the collection from various sources in the 1960s and 1970s. At that time, it was stored in a locked room of the science area of the library, where space was at a premium. In 1986, the new Special Collections unit was formed and the collection was moved there, where it resides today. Seed and nursery trade catalogues are lists of seeds or plants available for sale.
About this Project The purpose of this project is to use the archives of the University: documents, photographs, physical objects, and audiovisual materials - to tell the story of athletics at the University of Oregon. More than just statistics of accomplishments, this is the story of people and events that changed athletics at the University of Oregon over the past 110 years. It is also the story of athletics in higher education: the relationship and the issues involved between athletics and education over time. The project includes a collection of topics, a gallery of documents and images, and a timeline of events in the history of sports at the University of Oregon. All three areas can be expanded over time as resources permit.
The University Archives Photograph Collection contains modern and vintage photographic prints related to the University of Oregon. The photographs depict a variety of buildings, historic scenes, events, students, faculty and staff, and scenes of campus life.
browse through the collection without a specific search search multiple fields at one time and limit search results view collection items you have saved to your own favorites page ask an archivist about this site or any aspect of OSU archives Click on the highlighted areas.
About Scholars' Bank Welcome to Scholars' Bank , an open-access digital repository created to capture, distribute and preserve the intellectual output of the University of Oregon. Scholars' Bank is maintained by the University of Oregon Libraries, under the coordination of Digital Library Services . Using the open-source software DSpace, available from MIT and Hewlett Packard, Scholars' Bank provides stable, long-term storage needed to house the digital products of UO faculty and researchers. If you are interested in starting a community or contributing to an existing community contact a Scholars' Bank representative at scholars@uoregon.edu .
About - Picturing the Cayuse, Walla Walla, and Umatilla Tribes Major Lee Moorhouse of Pendleton, Oregon was an Indian Agent for the Umatilla Indian Reservation and a photographer. From 1888 to 1916 he produced over 9,000 images which document urban, rural, and Native American life in the Columbia Basin, and particularly Umatilla County, Oregon. So extensive and revealing are Moorhouse's images that his collection is one of the preeminent social history collections for Oregon. Special Collections & University Archives of the University of Oregon Libraries has a collection of 7000 images by Major Moorhouse.
About - Oregon Percent for Art Background When an artist applies for a Percent for Art award, the Oregon Arts Commission (OAC) requires that (s)he submit slides, 8 x 10 black and white prints or 35mm negatives of their artwork, along with textual documentation describing the materials used in creating the work. In addition, some artists choose to submit illustrative proposals or project mockups. Many applicants also provide an artist statement as well as an exhibition list or resume. These materials are then reviewed for artist merit and suitability to the facility.
