Category: Image, U.S. National Library of Medicine, United Kingdom
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History of Medicine In 1816, an Englishwoman still in her teens, Mary Shelley, conceived the story of a scientist obsessed with creating life. Shelley's scientist, Victor Frankenstein, succeeds. But while Frankenstein's creature can think and feel, he is monstrous to the eye. Spurned by all, including Victor Frankenstein himself, the embittered creature turns into a savage killer. In 1818, Shelley's story was published as Frankenstein; or, The Modern Prometheus . This story — both in the original novel and shaped into new forms, such as plays, films, and comics — has captivated people ever since, exposing hidden, sometimes barely conscious fears of science and technology.
History of Medicine Rewriting the Book of Nature Charles Darwin and Evolutionary Theory Charles Darwin’s vision—“from so simple a beginning, endless forms most beautiful and most wonderful have been, and are being evolved”—now forms the foundation of the biological sciences. Radical in sweep, Darwin’s idea of naturally innovating and endlessly changing webs of life undercut all previous sciences. Darwin was instantly seen as a potent sign of a new science, a new way of conceiving the world. His theory was an immediate threat not just to those who were wedded to an older conception, but to all who relied on a given and settled order for meaning and for power.
History of Medicine Harry Potter's World: Renaissance Science, Magic, and Medicine I n 1997, British author J. K. Rowling introduced the world to Harry Potter and a literary phenomenon was born. Millions of readers have followed Harry to the Hogwarts School of Witchcraft and Wizardry where he discovers his heritage, encounters new plants and animals, and perfects his magical abilities. Although a fantasy story, the magic in the Harry Potter books is partially based on Renaissance traditions that played an important role in the development of Western science, including alchemy, astrology, and natural philosophy.
History of Medicine Robert Hooke (1635-1703) was a remarkably versatile man — artist, biologist, physicist, engineer, architect, inventor, and more. However, his crowning glory was Micrographia: or Some Physiological Descriptions of Minute Bodies made by Magnifying Glasses , first published 1665. It was a masterpiece — an exquisitely illustrated introduction to the previously unknown microscopic world. This exhibit focuses on Hooke's influences and legacy in print, the pioneering books that stimulated Hooke's research, and the works he left for others — most famously the great Dutch microscopist, Antoni van Leeuwenhœk (1632-1723). August 1 – November 1, 2007.
