Category: Arts & Humanities, Image, English
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In 1916 Elizabeth Willis DeHuff’s husband, John David DeHuff, became superintendent of the Santa Fe Indian School in Santa Fe, New Mexico. Elizabeth, twenty-four years old and educated as a teacher at Barnard College in New York, quickly became interested in the art and culture of the couple’s new home, and in the students who attended the school. DeHuff began inviting boys from the school into her home for afternoon painting lessons. Students that received training included Fred Kabotie, Otis Polelonema (both Hopi) and Velino Shije Herrera (of Zia Pueblo).
Amos Gerry Beman, a Black minister in New Haven, Connecticut, was a national leader during the mid-nineteenth century. He was a proponent of abolition, suffrage, temperance and educational and moral reform. Beman grew up in Colchester, Connecticut and later Middletown, Connecticut, where his father, Jehiel Beman, was appointed pastor to the first African American church in Connecticut. Beman’s father had worked tirelessly for emancipation and civil rights, and his grandfather, Caesar Beman, had been manumitted after serving in the Revolutionary War. The Collection
The Elizabeth Jenks Clark Collection of Margaret Anderson contains correspondence, writings, photographs, sound recordings, and other papers of writer and editor Margaret Anderson. The material documents Anderson's life, work, and personal relationships with many noted writers, poets, artists, photographers and performers of the twentieth century, in particular her romantic relationships with co-editor and writer Jane Heap, writer Solita Solano and close friendship with sculptor Elizabeth Jenks Clark. The papers span the entirety of Anderson's life, though the bulk of them document her personal and professional life after the Little Review .
The Arthurian Romances, or MS 229, is one of the jewels in the crown of medieval manuscript illumination. Written in Northern France toward the end of the 13th century, this copy of the great French romance is known for the abundance and richness of its illuminations, and even more so for the intricacy, mystery, and wildness of the images in the margins including animals, jesters, archers, and musicians. About the Codex Parchment, ff. i (paper) + 363 + i (paper). Written in elegant gothic textura by one scribe, with a few interlinear corrections in later hands.
New Haven resident William H. Townsend made pen-and-ink sketches of the Amistad captives while they were awaiting trial. Twenty-two of these drawings were given to Yale in 1934 by Asa G. Dickerman, whose grandmother was the artist's cousin. Townsend, who was about 18 years old when he made the drawings, is buried in the Grove Street Cemetery in New Haven, Connecticut, beside the Yale University campus. Call Number: GEN MSS 335
“I have no Knowledge of it at all,” wrote Ezra Stiles of alchemy. “I never saw Transmutation, the aurific Powder, nor the Philosophers Stone,” the early President of Yale College continued, “nor did I ever converse with an Adept knowing him to be such. ...
Street & Smith Dime Novel Covers Brief History of Street & Smith In 1855, when Francis Scott Street and Francis Shubael Smith bought The New York Weekly Dispatch , Street & Smith embarked on a publishing mission that remained remarkably prolific and profitable for over one hundred years. Street & Smith rapidly became a "fiction factory," producing a wide variety of popular literature, including dime novels, pulp magazines, books in series for juveniles, fashion and homemaking magazines, comics, and adventure stories. The company viewed fiction as a commodity, with Street & Smith editors dictating plots, character types, and other conventions to the firm's stable of writers.
The Ronald G. Becker Collection of Charles Eisenmann Photographs Using the Collection The collection of 1412 images can be accessed via the Library's CONTENTdm server and is fully searchable by keyword, subject, and image number. The item level inventory of the collection (in Excel) can help with formulating searches and sorting. About the Photographs The most common method of photography during the 1870s and 1880s was the wet plate albumen process. Albumen prints are characterized by a warm sepia tone that distinguish them from later silver gelatin prints. Eisenmann's images are noted for particularly being sharp, clear, and well-posed. The most common formats were cartes de visite and and cabinet cards.
Oneida Community Collection In 1960 Syracuse University Library acquired complete runs of the serial publications of Oneida Community and of its antecedents and branches, covering the span of years from 1837 until 1879. In 1983 the Library received a large collection of the surviving records of the Community. We are happy to be able to provide these additional primary documents for the scholars from Syracuse and elsewhere who have been coming to us for many years. Some Oneida Community documents have been digitized. Transcriptions are available online on the References page . About the Collection There have been several reasons for the Syracuse University Library to collect materials about Oneida Community and its antecedents and branches.
Medieval Manuscripts Descriptive information and selected images from ten western medieval manuscripts ranging from the 13th through the 16th centuries. The collection includes an apocalyptic text by Telesphorus; glossed decretals of popes Innocent IV and Gregory IX; a Dominican gradual of saints; a part of the Old Testament which consists of a fragment of the Books of Tobit and Esther, and a complete Book of Judith; and six Books of Hours. About the Collection The Special Collections Department of the Syracuse University Library is fortunate to hold a small but significant collection of Latin medieval manuscripts on parchment of Spanish, English, Italian, French, Flemish, and German/Austrian origin which range in date from the thirteenth through the sixteenth centuries.
Marcel Breuer Architectural Drawings and Sketches Using the Collection The collection of 668 images can be accessed via the Library's CONTENTdm server and can be browsed as well as being fully searchable by keyword or project title / subject. About the Collection Breuer's drawings are of particular interest to students, scholars, and researchers because, contrary to what might have been expected, Breuer was self taught as an architect and received no technical training as an architectural draftsman. His first ambition as a student at the Bauhaus was to be a painter or a sculptor. As an artist he had a great facility for freehand drawing throughout his life.
The Erie Railroad Glass Plate Negative Collection Using the Collection The collection of 709 images can be accessed via the Library's CONTENTdm server and is fully searchable by keyword, subject, and image number. The item level inventory of the collection in Excel can help with formulating searches and sorting. NOTE: both links will open new windows. About the Collection The Erie Railroad Company glass plate negatives are arranged by Erie subsidiary railroads in the states of New York, New Jersey, Pennsylvania, and Ohio. Mainline scenes come from all of the preceding states, as well as from Indiana and Illinois.
Thelner and Louise Hoover Collection Thelner Barton Hoover attended UCLA from 1927 to 1930. During that time, he was both the official photographer for several university publications, and an unoffical chronicler of numerous campus events. His images of the UCLA buildings and academic community, which number almost 1,600, and were taken over a period of more than 50 years, provide an exceptionally thorough pictorial history of the UCLA Westwood campus. Hoover was the official student photographer for the "The Southern Campus" yearbook, the Daily Bruin (student newspaper) and the Athletic News Bureau.
The UCLA Charles E. Young Research Library Department of Special Collections has selected and digitized 5,746 of the more than three million images contained in the Los Angeles Times and Los Angeles Daily News photographic archives. The photographs chronicle the history and growth of Los Angeles from the 1920s to 1990.
This collection of digitized images is made available online by the UCLA Digital Library to assist a wide variety of researchers, including scholars, educators, students, writers, filmmakers, urban planners, community activists, librarians, and members of the general public.
S. Charles Lee (1899-1990) graduated from Technical College, Chicago in 1918 and the Armour Institute of Technology in 1921. He relocated to Los Angeles in 1922 where he designed numerous theaters and office buildings (1927-40), developed the Los Angeles International Industrial District (1948) and built several theaters in Mexico City (1942). The Collection contains drawings, renderings, blueprints, photographs, and surveys relating to Lee's professional career including his work as a developer and the most prolific architect of art deco movie palaces in Los Angeles.
The Illustrated Voyage Artists aboard voyages of discovery and exploration were given the task of making an objective record of the landscapes, people, flora and fauna of the lands they visited. One would not expect, given the focus on creating an accurate visual record for these expeditions, that there would have been room for the expression of artistic vision.
Collections from the University of Alaska: Photographs. The Historical Photographs collections in the Alaska and Polar Regions Department of the Rasmuson Library include over seven hundred thousand images, dating from the 1870s to the present, documenting Alaska, the Yukon Territory, and eastern Siberia. Of particular interest are collections relating to the Alaskan gold rushes (1880-09), World War II in Alaska (1940-1945), the transition to statehood (1956-67), and the Pipeline boom (1974-77). This selection of documents is of indigenous and pioneer women of Alaska in the late nineteenth and early twentieth centuries. Residence of Mrs. J.H. Mann, Fairbanks, Alaska., c.1900. UAF Historical Photographs.
Certain threads have been woven into the history of Alaska since the first appearance of Whites, hundreds of years ago. These include the search for wealth, the role of the military as a governing body, a mobile and changing population, interaction with Native peoples, a boom-and-bust economy, and a free-wheeling attitude on the part of many who came from elsewhere.
Bradford Washburn Photograph Collection The Bradford Washburn Collection The Alaska and Polar Regions Collections holds many of the more than 8,700 large format (8"x10") black-and-white negatives that Bradford Washburn created between 1937 and 1976. These are aerial images he took using methods that ranged from shooting photographs out the open door of a Bellanca Skyrocket with a modified Fairchild K-6 camera resting on his lap, to the use of a Learjet whose rear emergency window had been modified with a three-quarter inch optical glass photo-window. The University does not hold all of Washburn’s negatives. Some negatives remained with Washburn; others were sent to his authorized art gallery dealer: Panopticon . This gallery produces high-quality art images and posters.
Questions? questions? Contact Devin: dbecker@uidaho.edu (208) 885-7040 The University of Idaho Library houses a collection of historical photographs donated by Clifford M. Ott in 1992. Mr. Ott was an avid amateur photographer who amassed over 10,000 slides, prints, and negatives spanning the years from 1883 to 1990. Ott compiled a selection from his collection into eleven albums containing a total of over 1,800 images of Moscow and surrounding Latah County. These scrap books contain photos as well as newspaper clippings, and historic footnotes. Clifford Ott used these scrapbooks, and other slides and negatives, to give talks to senior groups about Latah County history. Clifford M. Ott was a Moscow resident for ninety years.
About Lewiston Orchards Life Lewiston Orchards Life was a neighborhood newsletter published in Lewiston, Idaho during the early 1900s that covered the horticultural and residential events of those living in Lewiston Orchards. Special Collection & Archives at the University of Idaho Library holds fourteen issues as part of their Day Northwest Collection. About Lewiston Orchards Now a residential neighborhood in Lewiston, Idaho, Lewiston Orchards was once a vast commercial garden. The area produced apples, apricots, cherries, berries, plums, pears, quinces, peaches, nuts, lettuce, and grapes in abundance. The ???Orchards??? grew out of an ambitious land development and irrigation project, which was conceived and undertaken by Harry L. Powers at the turn of the 20th century.
