Category: Arts & Humanities, Image, English

About Us The University of Idaho Library has grown from a single classroom located in the University Administration Building in 1892, to become the largest library in the state of Idaho. The University of Idaho library houses well over a million books and almost ten thousand periodical subscriptions, in print and online. It has served for over a century as an official regional depository of U.S. federal government publications, making almost two million government documents available to the public.

A collection of photographs by Robert E. Higgins, a professor of plant science at the University of Idaho from 1946 to 1999. During his lifetime, Professor Higgins’ photographs were accepted in over 70 juried international salons, and he had one-artist exhibitions in Idaho, Washington, and California. To see the photos on flickr, click here.

Among the riches of the historical photograph collections of the University of Idaho Library is an oversize portfolio of eighty original Carleton E. Watkins photographs. Long considered lost, these photographs of the interior of the Anaconda Mines in Butte, Montana, were taken in 1890. They show early hard-rock mining techniques, equipment, and men deep underground.

A Case of Considerable Interest An exhibition celebrating the 35 th anniversary of the Arthur Conan Doyle Collection of the Toronto Public Library “Well, my boy, what do you think of this lot?” he asked, smiling at my expression. “It is a curious collection.” “Very curious, and the story that hangs round it will strike you as being more curious still.” - Sherlock Holmes to Dr. Watson in “The Musgrave ritual” by Arthur Conan Doyle Sir Arthur Conan Doyle (1859-1930) is best known for his detective stories about Sherlock Holmes, but he was also the author of many other works and one of the best known public figures of the late Victorian age.

Soon after their appearance in the 1840's, stamps became the focus of collectors. They developed a life of their own, apart from their official role on letters and parcels. Canada's first stamp, the Three penny Beaver, designed by Sandford Fleming, was printed in 1851. Thirteen years later, Canada's first philatelic pamphlet, The Stamp Collector's Record, was published in Montreal, only a year after a similar one in England. Stamp collecting's appeal is universal. With a vast array of stamps available, collectors tend to narrow their scope to specific categories-concentrating for example on stamps with certain themes, or from particular countries. Governments try to tempt collectors (and generate revenue) by issuing a host of stamps and stamps sets.

 Foreword The Group of Seven style of painting captured the rhythm and mood of the nation???s landscape. From Algonquin to Algoma, Lake Superior to the Rocky Mountains, Quebec to Nova Scotia, the artists traveled in search of the quintessential Canadian landscape painting. Armed with canoes, boards and paints, they interpreted the chaotic mass of nature in a bold, modern approach that differed from the Academic convention. To finance their expeditions, many of the artists worked in commercial art firms, designing illustrations, advertisements and elegant illuminated texts.

Pictures came before books, printing or writing, and were our first expression of stories. The Canadian artist Marie Day celebrated the power of cave art in her picture book Quennu and the Cave Bear , an imaginative recreation of how a young girl of the Stone Age conquered her fear of a ferocious cave bear by drawing him. The Stone Age makes a fitting start to an exhibition celebrating Canadian picture books, within which there are no boundaries of place or time. In chronological terms, the earliest painting in this exhibit is 42, the latest, only three years old. The earliest artefact shown here is nearly 3,000 years old, and the story of Quennu depicts a period over 20,000 years ago.

The Toronto Public Library (TPL) has long been committed to an active exhibition program for its Special Collections in the Canada Trust Gallery at the Toronto Reference Library. The virtual version of Footprints of the Hound recreates in part the exhibition on display in our Gallery from October 20 – December 2, 2001.

The circus is a theatrical spectacle that is international in scope and appeals to all ages. With a cast of performers including acrobats and jugglers, aerialists, equestrians, clowns, wild animals and sideshows, the circus is the United Nations of popular entertainment. Thrilling to some and terrifying to others, it has the ability to overwhelm, delight and inspire. This exhibition features an array of images that range from the lavish and decorative designs of the late 19th century to the gritty social realism of the early 20th century. The photographs, posters, artist prints, illustrated books, and heralds from the Toronto Public Library’s collections bear witness to changing cultural values.

Introduction The 19 th century was a period of expansion and development in Canadian history. The century brought unprecedented change, from the Union of Upper and Lower Canada and the Confederation of the Canadian colonies, to the establishment of the western provinces. Fortifications and other military structures were erected and roads and railway networks constructed, ushering in waves of immigration as colonization and settlement pushed westward. In its wake the face of the Canadian landscape was altered, and to some extent the vast wilderness was diminished. In the era before the camera, artists, surveyors and engineers preserved on paper and canvas a record of the landscape.