Arts & Humanities

    The Florida Photograph Collection A place of magic cities, boom towns, beaches, and lush, tropical landscapes, South Florida appears to reverberate with culture and development from its outset in pictures from the Florida Photograph Collection. Photographs tell visual stories of urban planning, tourism and land cultivation. Unique aspects of Coconut Grove, Miami Beach, Coral Gables, and Miami are distinguishable in images of historic street scenes, exotic foliage, unusual architecture, and yet unsettled panoramas. The past, in all its romance and tragedy, lives on in these lasting images. The photographs identify iconic locations and capture defining moments in the birth and growth of South Florida.

DIGITAL COLLECTIONS About the Collection Bookplates, also known as ex libris , are labels pasted to the inside front cover of a book indicating ownership. Although some bookplates are simply text, others, with their ornate images, ornamentation, and calligraphy, are valued examples of design. Artists often employed engraving techniques such as wood cuts and copper or steel plates to create their prints. The Ainslie Hewett Bookplate Collection features 104 bookplates designed by Louisville native (George) Ainslie Hewett between 1909 and 1951. The bookplates were created for notable Louisville residents, as well as for clients across the United States. Ainslie Hewett was especially drawn to the Gothic style, the influence of which can be found in many of his designs.

DIGITAL COLLECTIONS About the Collection In 1903 James Caufield and Frank W. Shook founded the eponymous photography studio in Louisville, Kentucky. Will Bowers later joined the firm as a partner and chief photographer. Few aspects of life in Louisville escaped the lens of Caufield & Shook, whose company motto was "We photograph ANYTHING, day or night." The collection includes work for Louisville architects, builders, banks and financial houses, wholesale and retail merchants, advertisers, government agencies, public utilities, and private individuals. In 1924 Caufield and Shook became the official photographer of the Kentucky Derby. The firm was sold to Richard N. Duncan and Ned Tanselle in 1960 and went out of business in 1978.

DIGITAL COLLECTIONS About the Collection The Music Library houses the largest academic collection of music in the State of Kentucky. Founded in 1947, the library’s mission has been to provide materials in support of the curriculum of the School of Music and the research of its faculty. In recent years, coverage has been extended to accommodate the growth of music-related study throughout the University. Total holdings exceed 120,000 volumes, including more than 30,000 books, 51,000 musical scores, and 33,000 sound recordings. Special collections include the Traipsin’ Woman (Jean Thomas) Collection , the Isidore Philipp Archive and Memorial Library , and the Hattie Bishop Speed Collection.

DIGITAL COLLECTIONS About the Collection John P. Morton and Company was a publishing firm based in Louisville, Kentucky for much of the 19th and the first half of the 20th centuries. John Price Morton (1807-1889) started out working as a clerk in a bookstore in Lexington, Kentucky. In 1825 William W. Worsley hired him to manage his Main Street shop, the Louisville Book Store. The company published a daily newspaper, The Focus , which merged with the Louisville Journal into the Journal and Focus , a precursor to the Courier-Journal ; the weekly Louisville Medical News ; and Home and School , a monthly journal of popular education. In 1838 Morton and Henry A.

DIGITAL COLLECTIONS About the Collection This digital collection includes eighteen illuminated manuscript leaves which were acquired by the University of Louisville Libraries in 2006 with funding from the Pzena Foundation. Dating from 1150 through 1867, these leaves represent Western European and Islamic cultures. Lesson plans mapping to Kentucky Education Reform Act (KERA) Core Content goals for the 7th grade Arts & Humanities curriculum supplement the online presentation.

DIGITAL COLLECTIONS About the Collection Known as The Traipsin' Woman, Jean Thomas (1881-1982) traveled the mountains of eastern Kentucky taking snapshot photographs of the mountain way of life, writing, and promoting mountain folkways. She was particularly interested in the music, crafts, and language patterns of the area. Included in the digital collection are 1,077 photographs of and by Jean Thomas during her travels throughout the eastern Kentucky mountains and the staging of the annual American Folk Song Festival. The images document musical instruments, quilts, baskets, and other crafts, and scenes with community and family groups, and date from Jean's childhood (ca.

DIGITAL COLLECTIONS About the Collection Macauley's Theatre opened on October 13, 1873 at 329 W. Walnut (now Muhammad Ali) Street in downtown Louisville, Kentucky. It was owned and operated by Bernard (Barney) Macauley, who, along with his wife, Rachel Johnson Macauley, also performed in the theater's resident stock company. His younger brother, "Colonel" John T. Macauley (1846-1915), managed the box offices of theaters in Cincinnati and Indianapolis before settling in Louisville with his wife, Annie Amelia Kirlin Macauley, and their two daughters, Rachel and Mary Margaret. John took over management of the theater in September 1879, and bought it from his brother when Bernard fell into financial difficulties.

DIGITAL COLLECTIONS About the Collection The Royal Photo Company Collection contains 14,817 photographic negatives from the Royal Photo Company taken between 1937 and 1973 in and around Louisville, Kentucky. Most of the negatives are 8 x 10-inch safety negatives. Also included are approximately 180 photographic prints given to Aaron Chase by the Royal Photo Company. These prints are "before" and "after" images from the 1960s of buildings undergoing exterior renovations by the Louisville Perma Stone Company. Louis Bramson established the Royal Photo View Company in Louisville in 1904, but many of the glass negatives were apparently sold when the company moved to a new second-floor location on West Jefferson Street in 1937.

Toronto Orphanages and Day Nurseries Introduction In the early half of the nineteenth century, it was common practice for orphaned or deserted children to be bound into apprenticeships. By mid-century, adoption and institutional care began to emerge as alternatives to apprenticeship. Orphanages or children's "homes" and day nurseries provided residential care for children in need. By the 1920s, institutional care was gradually phased out and replaced by programmes of foster care, or "boarding out". Day nurseries evolved as the pre-cursor to daycare centres. Reports and Papers from Toronto's early child care agencies reflect society's evolving attitudes towards childcare and the work ethic from the mid-1800s to the early 1900s.

The Osborne Collection Toronto Public Library’s Osborne Collection of Early Children’s Books is one of the world’s foremost historical collections of English-language children’s literature. Located in the Lillian H. Smith branch , the Osborne Collection holds over 80,000 items, including manuscripts, books, book-related art, archives, ephemera and book-related games. Our collection ranges from a 14th-century manuscript of Aesop’s Fables through medieval books of manners, moral tales of the Puritan era, 18th-century chapbooks and hornbooks to Victorian classics of fantasy, adventure, and school stories up to 1910. We also collect modern notable books published after 1910.

Garden City: Public and Private Gardens in Early Toronto Early Toronto residents, politicians and local entrepreneurs transformed the City by creating public gardens and offering services and supplies to the gardening industry. As a result of their efforts, nineteenth century Toronto emerged as a more liveable community and a popular tourist attraction. By the late 1800s, guidebooks were referring to Toronto as the “Queen City”, the “Holiday City”, and the “ideal summer city”. In the fall and winter, city residents and visitors congregated for social events and recreation in churches, hotel dining rooms and concert halls.

Panorama of the City of Toronto, 1857 Rossin House Hotel In 1857, the roof of the hotel provided the ideal vantage point from which Armstrong, Beere & Hime photographed their Toronto. The Rossin House, on the southeast corner of King and York streets, was the tallest building in the newer commercial district of Toronto when it opened that year. It was one of the city’s pre-eminent hotels, with an 1866 guide claiming: “What the Fifth Avenue Hotel is to New York, and the Windsor is to Montreal, so the celebrated Rossin House is to Toronto.” The Rossin House was destroyed by a fire in 1862, and was rebuilt in 1863.

Gone Fishin’ Torontonians have a long and happy tradition of heading north to cottage country during the long, hot days of summer. In the 1860s the Muskoka Club was established by a group of Toronto adventurers who led annual expeditions to the Muskoka wilderness. By the 1870s several of the members had purchased land on Lake Joseph, and the tradition of summer cottaging was born. In 1898 a group of professors and alumni from the University of Toronto joined together to purchase recreational property in Go Home Bay, on Georgian Bay, held as shares in the Madawaska Club. Many of the cottagers in Go Home are descendants of those first Madawaska Club members.