Category: Text, Toronto Public Library

The Toronto Public Library (TPL) has long been committed to an active exhibition program for its Local History and Special Collections in the Canada Trust Gallery at the Toronto Reference Library and other Library venues. The virtual version of All Aboard Toronto ? Railways and the Growth of a City , fully re-creates the exhibition on display in our Gallery from August 4 ? October 7, 2001. The exhibition explores Toronto railway history and its impact on the development of the city from the 1850s to the end of the steam era in the mid 20th century. It is illustrated with over a hundred collection items including paintings, drawings, maps, postcards, broadsides and other ephemera.

, Toronto Public Library's virtual exhibition that celebrates 10,000 years of the city's history. It recreates the exhibition on display at the TD Gallery, Toronto Reference Library, June 29 - September 22, 2002 and May 17 - August 2, 2003. Images are from the Library's Special Collections and private collections. The virtual exhibition is divided into five eras, beginning with the first human presence in the city 8000 BC and ending with modern city of 2003. You can explore the city's past by clicking one of the images on the map or a time period on the navigation bar. Each era begins with an Overview History , which summarizes the major trends and developments that shaped that time period.

Rt. Hon. Arthur Meighen, address to the Senate, September 10, 1939. In September 1939, Canadians prepared for another war with memories of the Great War still fresh in their minds. It was determined that Canada’s war effort would be concentrated in financial and industrial support, and the first priority would be to secure the nation’s borders. By the spring of 1940, the progress of the war in Europe had changed dramatically. With the German invasion of Denmark, Norway, Belgium and Holland, and the fall of France, Canadians reassessed their own vulnerability. The spectre of a German victory became real.

Introduction From the time of Columbus, the American continent was seen by Europeans as a barrier between Europe and the Orient. A passage through it was the prime object of many voyages of exploration. Magellan had sailed around South America in 1520, but the icy northern shores were mysterious and seemed unassailable. The search for a sea route across the top of North America began in the 16th century as a commercial venture sponsored by London merchants. By the 19th century it was obvious that a Northwest Passage would not be a useful seaway, but finding it became an obsession, as did the attainment of the North Pole late in the century.

Pictures came before books, printing or writing, and were our first expression of stories. The Canadian artist Marie Day celebrated the power of cave art in her picture book Quennu and the Cave Bear , an imaginative recreation of how a young girl of the Stone Age conquered her fear of a ferocious cave bear by drawing him. The Stone Age makes a fitting start to an exhibition celebrating Canadian picture books, within which there are no boundaries of place or time. In chronological terms, the earliest painting in this exhibit is 42, the latest, only three years old. The earliest artefact shown here is nearly 3,000 years old, and the story of Quennu depicts a period over 20,000 years ago.

Introduction The Special Collections at the Toronto Reference Library reveal a wonderful diversity of focus, form, age and content. Together, they form a cultural legacy that began in the late nineteenth century with the opening of Toronto's first public library. They continue to grow through acquisition and donation to ensure that users today and tomorrow have free access to their cultural and literary heritage. From the humble to the exquisite, each item in the collection has been treasured and preserved, and its story maintained by the librarians of the Toronto Public Library. In celebration of the Toronto Reference Library's thirtieth year at 789 Yonge Street, we proudly present a special exhibition from these collected works.

Discovery at your fingertips.... Come explore the Curator’s Showcase. We have digitized seven treasures from the Toronto Public Library’s rich and varied special collections, and added pictures, maps, notes and more. Using the Library’s interactive software, you can virtually turn the pages of the books. You can zoom in on the digitized images and also find related texts, images and sounds. Other features specific to individual books are provided, such as transcriptions of handwritten pages. This project was inspired by the British Library Turning the Pages program. To experience a touch sensitive version of the Showcase, visit the Special Collections Digital Kiosk at the Toronto Reference Library .

Introduction The 19 th century was a period of expansion and development in Canadian history. The century brought unprecedented change, from the Union of Upper and Lower Canada and the Confederation of the Canadian colonies, to the establishment of the western provinces. Fortifications and other military structures were erected and roads and railway networks constructed, ushering in waves of immigration as colonization and settlement pushed westward. In its wake the face of the Canadian landscape was altered, and to some extent the vast wilderness was diminished. In the era before the camera, artists, surveyors and engineers preserved on paper and canvas a record of the landscape.

On July 1st, Canadians from coast to coast will proudly wave the red and white Maple Leaf flag. But how many are aware that the tradition started here, in Toronto? At the time of Confederation in 1867, the maple leaf as a symbol of Canadian patriotism was relatively new. At a public meeting in August, 1860, a group of Toronto citizens, planning for the upcoming Royal Visit of the Prince of Wales, decided to identify themselves as native-born Canadians by wearing a maple leaf. This leather badge was worn at the reception for the Prince of Wales held in Toronto on September 7, 1860. Although the maple leaf had previously been used as a symbol for Canada, this was the first occasion on which it was worn as a national emblem.

Gone Fishin’ Torontonians have a long and happy tradition of heading north to cottage country during the long, hot days of summer. In the 1860s the Muskoka Club was established by a group of Toronto adventurers who led annual expeditions to the Muskoka wilderness. By the 1870s several of the members had purchased land on Lake Joseph, and the tradition of summer cottaging was born. In 1898 a group of professors and alumni from the University of Toronto joined together to purchase recreational property in Go Home Bay, on Georgian Bay, held as shares in the Madawaska Club. Many of the cottagers in Go Home are descendants of those first Madawaska Club members.