Category: Literature & Poetry, Image, Literature, United States
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About the Morgan | Introduction A complex of buildings in the heart of New York City, The Morgan Library & Museum began as the private library of financier Pierpont Morgan (1837–1913), one of the preeminent collectors and cultural benefactors in the United States. As early as 1890 Morgan had begun to assemble a collection of illuminated, literary, and historical manuscripts, early printed books, and old master drawings and prints. Mr. Morgan's library, as it was known in his lifetime, was built between 1902 and 1906 adjacent to his New York residence at Madison Avenue and 36th Street. Designed by Charles McKim of the architectural firm McKim, Mead & White, the library was intended as something more than a repository of rare materials.
was adapted into a Hollywood film starring Audrey Hepburn in 1959. Though she was best known during her lifetime for this remarkably successful book, Hulme was more than a one-novel writer; she was the author of nine well-received books of fiction and nonfiction, some of which earned national awards and recognition. For a time, Hulme considered writing her own autobiography.
The Department of Special Collections at the University of Miami has significant holdings of rare and unusual books in the fields of Miami and Florida history, the Caribbean, and Latin and South America. These books cover topics of literature, geography, religion (and in particular missionary history), art, politics, and economics. This collection includes examples of early printing, private press publications, and fine printing. They are supplemented by a rich collection of historical maps, photographs, and archival documents. The personal library of Jackie Gleason focuses on the donor's lifelong interest in parapsychology and his career in television and film.
Introduction by Anne Posega With these words Hanmer voiced England's growing national pride in Shakespeare, a pride materially represented by the numerous editions which were produced in the 18th century. Different editors argued for their textual emendations in prefaces, footnotes, and advertisements, and the debate fueled layer after layer of criticism and responses. In a similar way, the illustrations in these editions were themselves transforming, starting with the first illustrated edition in 1709. Edited by Nicolas Rowe and printed for Jacob Tonson, The Works of Mr. William Shakespear, in Six Volumes was the first edition to be "Adorn'd with cuts". The illustrations in this edition were generally theatrical in nature, with many looking like illustrations of a production.
About Scholars' Bank Welcome to Scholars' Bank , an open-access digital repository created to capture, distribute and preserve the intellectual output of the University of Oregon. Scholars' Bank is maintained by the University of Oregon Libraries, under the coordination of Digital Library Services . Using the open-source software DSpace, available from MIT and Hewlett Packard, Scholars' Bank provides stable, long-term storage needed to house the digital products of UO faculty and researchers. If you are interested in starting a community or contributing to an existing community contact a Scholars' Bank representative at scholars@uoregon.edu .
History of Medicine In 1816, an Englishwoman still in her teens, Mary Shelley, conceived the story of a scientist obsessed with creating life. Shelley's scientist, Victor Frankenstein, succeeds. But while Frankenstein's creature can think and feel, he is monstrous to the eye. Spurned by all, including Victor Frankenstein himself, the embittered creature turns into a savage killer. In 1818, Shelley's story was published as Frankenstein; or, The Modern Prometheus . This story — both in the original novel and shaped into new forms, such as plays, films, and comics — has captivated people ever since, exposing hidden, sometimes barely conscious fears of science and technology.
Holmes was a part of many different and overlapping worlds. His poetry and other literary endeavors constitute one such world, but there were also worlds of family, friends, colleagues, his lifetime relationship with Tufts, as well as the realities of the larger world. These exhibits provide insights into some parts of Holmes' world, primarily through his poetry.
As a teacher and mentor of young poets, Holmes was concerned about imparting the work of writing poetry to his students. Using drafts and notes as well as letters and sketches which are contained in the collection, this exhibit traces the evolution of several poems from first draft to finished product.
Center for Digital Initiatives Box A, Brown University Providence, RI 02912 (401) 863-2817 About This Collection Broadsides are single-sheet publications, often issued as ephemera or announcements. The Harris Broadsides Collection is a comprehensive collection of American poetry published in broadside format from colonial times to the present. The collection offers materials covering a broad spectrum of American life, and includes poetry of every description: 18th and 19th century ballads, verse describing newsworthy events, poetic effusions of sentimentality and patriotism, comic verse, and much more. When completed, this digital project will include over 20,000 titles.
APIS is a collections-based repository hosting information about and images of papyrological materials (e.g. papyri, ostraca, wood tablets, etc) located in collections around the world. It contains physical descriptions and bibliographic information about the papyri and other written materials, as well as digital images and English translations of many of these texts. When possible, links are also provided to the original language texts (e.g. through the Duke Data Bank of Documentary Papyri). The user can move back and forth among text, translation, bibliography, description, and image.
In recent years, scholars in many disciplines have recognized that the literally thousands of engravings, wood blocks, and etchings in emblem books constitute an unparalleled source not only for the study of daily life of the sixteenth and seventeenth centuries but also for extraordinary insights into what the intellectuals of the times viewed as a necessary adjunct to heraldry, social life, politics, philosophy, and moral behavior. The English emblem books scanned for this project are cultural artifacts frequently used in the analysis of reading practices, printing history, Elizabethan popular culture, the use of allegory, and the relationship of word to image.
A Tale of Two Manuscripts Reunited The Making of the Manuscripts The University of Chicago’s manuscripts of Le Roman de la Rose and Le Jeu des échecs moralisé were produced ca. 1365, about 100 years before the invention of printing. By the 14th century, there was a well-developed book trade outside of monastic scriptoria, supplying Bibles, Books of Hours, or prayer books for private devotion, and other liturgical books; legal, medical, philosophical, and other texts for students; and manuscripts of secular works. Professional trades had developed for each specialized component of manuscript production, including making ink and pigments; preparing parchment from animal skin; and writing and decorating the text by scribes, illuminators, rubricators, gilders; and binders.
The Digital Scriptorium is a growing image database of medieval and renaissance manuscripts that unites scattered resources from many institutions into an international tool for teaching and scholarly research. It bridges the gap between a diverse user community and the limited resources of libraries by means of sample imaging and extensive rather than intensive cataloguing.
