Drama
12 key Scottish plays
Over the last 40 years we have seen many notable Scottish plays on stage.
Scottish theatre has reflected the times and the nation. Scottish playwrights have included activists, thinkers, show-offs, entertainers, and a genius or two.
Major plays and playwrights
This website introduces 12 of the major plays and major playwrights of Scotland – but there are many more worth exploring.
Here we take a tour through the political days of the 1970s and 1980s and the outward-looking years of the 1990s. We come up to date with the new millennium that has brought us – at last – a national company and a world hit.
Welcome to the website where you can find out what was happening in Edinburgh's Theatre Royal at the start of the 19th century.
The Theatre Royal was extremely important in the revival of Scottish culture during this period, and is often associated with popular stage adaptations of novels by Sir Walter Scott. We have digitised a selection of over 240 playbills, which were used to advertise performances and events, using originals in the collection of the National Library of Scotland.
Search or browse the playbills to see who performed in a particular play or which musical events were scheduled for the same night. We provide a list of further reading and links to living theatres in Scotland today.
Scope and Content The digital collection includes 1,800 images documenting 195 performances. The images were selected from the Mark Avery Collection housed at the Archives at the University of Wisconsin-Milwaukee Libraries (UWM Libraries). The finding aid for the archival collection can be found at: http://digital.library.wisc.edu/1711.dl/wiarchives.uw-mil-uwmmss0155 . Mark Avery worked as the staff photographer for the Milwaukee Repertory Theater Company from 1976 to 1994.
About GloPAD GloPAD (Global Performing Arts Database) records include authoritative, detailed, multilingual descriptions of digital images, texts, video clips, sound recordings, and complex media objects related to the performing arts around the world, plus information about related pieces, productions, performers, and creators. GloPAD is in a continual process of development: we have recently merged two related databases, restructured GloPAD to support our newly developed metadata standards, and redesigned the user interface. Approximately 4,500 objects are currently available, with new records added and older records revised on a daily basis.
Introduction by Anne Posega With these words Hanmer voiced England's growing national pride in Shakespeare, a pride materially represented by the numerous editions which were produced in the 18th century. Different editors argued for their textual emendations in prefaces, footnotes, and advertisements, and the debate fueled layer after layer of criticism and responses. In a similar way, the illustrations in these editions were themselves transforming, starting with the first illustrated edition in 1709. Edited by Nicolas Rowe and printed for Jacob Tonson, The Works of Mr. William Shakespear, in Six Volumes was the first edition to be "Adorn'd with cuts". The illustrations in this edition were generally theatrical in nature, with many looking like illustrations of a production.
Overture At many universities, athletics was said to unite the student body, but at Washington before the First World War, dramatics came closest to filling that role ... With no more than occasional help from faculty members, usually in the English Department, and a few theater buffs in the city, students made Washington University the busiest center of theatrical activity in St. Louis --Ralph Morrow, Washington University in St. Louis: A History , p.242. In Curtain Time , the story of student performing arts at the University is told through programs, music scores, photographs, sound recordings, video, and artifacts from the University's historical record.
Professional performers of all kinds in England and Wales toured to provincial towns, monasteries and private residences before 1642. The Records of Early English Drama (REED) project is discovering fresh evidence about medieval and renaissance entertainment for publication in volumes for all English, Scottish and Welsh counties.
The REED Patrons and Performances Web Site is designed to include a wide range of data about professional performers on tour in the provinces – their patrons, the performance venues they used and the routes they took across the kingdom.
Most of the data relating to the published REED collections is now uploaded. Please see ‘Present Data Coverage’ for more details.
