Category: Photography, United States
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NEH Grant Project: Saving and Sharing the AGS Library's Historic Nitrate Negative Images With generous support from the National Endowment for the Humanities (NEH), the American Geographical Society Library of the University of Wisconsin-Milwaukee Libraries (AGSL) has been able to institute a two-year, $315,000 grant project. Our NEH grant project "Saving and Sharing the AGS Library's Historic Nitrate Negative Images" began in May 2010. The scope of the project is to re-house, scan, create metadata for, and preserve on a long-term basis, the approximately 68,000 nitrate negatives in its photography collection. The ultimate goal of this effort is to provide universal access to this rich resource over the Internet.
About the Collection Scope and Content The online collection Afghanistan: Images from the Harrison Forman Collection documents the life and culture of Afghanistan in the late 1960s, several years before the civil unrest of the 1970s and 80s, the Soviet invasion, and the Taliban rule. The photographs, taken by Harrison Forman in 1969, portray the daily life of Afghanis, capture the beauty of the land, and document historic sites, including the great Buddhas of Bamiyan destroyed by the Taliban in 2001. The online collection consists of 195 images selected from a set of 733 slides of Afghanistan in the Harrison Forman Photographic Collection housed in the University of Wisconsin-Milwaukee Libraries' American Geographical Society (AGS) Library.
Scope and Content AGSL Digital Photo Archive - Africa presents a selection of images from the extensive photographic holdings of the American Geographical Society (AGS) Library. These images were selected from the Richard U. Light and Mary (Light) Meader Collection. This digital collection contains approximately 1080 images from Mary Upjohn Light's aerial photography in 1937-38. Mrs. Light (who later married Dr. Edwin Meader) was an adventurous aerial photographer who flew with Dr. Richard Upjohn Light, a geographer and pilot, over the continents of South America and Africa. They were the first to produce aerial photographs of these continents. Some of the first aerial photographs of the pyramids in Egypt are present in the Light/Meader Collection of negatives.
AGSL Digital Photo Archive presents a selection of images from the extensive photographic holdings of the American Geographical Society (AGS) Library. The images were selected from several collections including the American Geographical Society Library Print Collection, the Harrison Forman Collection, the Robert W. McColl Collection, the Bert Krawczyk Collection, the Edna Schaus Sorensen and Clarence W. Sorensen Collection, and the Helmut de Terra Collection.
Scope and Content The Digital Project Credits The AGS Library and UWM Libraries are grateful for continuing material support for the Digital Photo Archive project from Suzanne and Dr. Robert McColl. Project Staff: Krystyna K.
Scope and Content AGSL Digital Photo Archive - South America presents a selection of images from the extensive photographic holdings of the American Geographical Society (AGS) Library. The images were selected from several collections including the American Geographical Society Library Print Collection, the Edna Schaus Sorensen and Clarence W. Sorensen Collection, the Richard U. Light and Mary (Light) Meader Collection, the Isaiah Bowman Collection, and the Theodoor deBooy Collection. The current selection of the AGSL Digital Photo Archive - South America focuses on the countries of South America. The coverage of this digital collection will expand as more photos are added to the site.
Scope and Content Cities Around the World presents over 6,100 photographic images from the slide collections of the American Geographic Society Library. The images selected for this project focus on architecture, city life, people, transportation and other aspects of urban development, such as neighborhoods, commercial streets, and business districts. The pictures were taken by two photographers, Harrison Forman and Harold Mayer between 1942 and 1994. The digital collection provides access to photographs of over 450 cities worldwide. In addition to present-day metropolitan areas, this collection also features ancient cities and deserted settlements, including Carthage, Great Zimbabwe, Machupicchu, and Persepolis.
Scope and Content Images of Russia and Caucasus Region 1929-1933 presents over 700 images of Russia and the central Caucasus including the Republic of Georgia and Dagestan from the William O. Field Collection housed at the American Geographical Society Library. The photographic collection is supplemented by Field's diaries and travel notes, and a selection of maps of the Caucasus region. William O. Field (1904 - 1994), geographer, pioneer glaciologist, and a member of the American Geographical Society visited the Soviet Union three times between 1929 and 1933. During his first trip in 1929, Field traveled to Svanetia, a remote region in Georgia, located in the southern part of the Central Caucasus.
The Bond collection consists of photographs taken during World War II by Frank Bond while serving in the Army Air Corps, 40th Photographic Reconnaissance Squadron, stationed in India and Burma. The squadron was formed in 1943 and transferred by sea to India in 1944. In India, the unit was assigned first to Gushkara, approximately sixty miles west of Calcutta, and then to the Alipore Air Base in suburban Calcutta. Bond was a specialist in the development of film from aerial photography that provided essential intelligence to the Allied forces during their advance through central Burma. As the campaign in Burma progressed, Bond was transferred to Akyab Island in the Bay of Bengal where he helped to establish the field photographic developing and printing laboratory.
About AIIS American knowledge of India is shaped by the American Institute of Indian Studies , a consortium of universities and colleges in the United States at which scholars actively engage in teaching and research about India. Since 1961, the Institute has provided fellowship support for scholars and PhD candidates in America. It has offered on-site training in Indian languages through the superb facilities of its Language Centers. And it has extended knowledge of Indian culture through its two Research Centers. As a member of the Council of American Overseas Research Centers (CAORC), AIIS's online photo archive is also linked as part of CAORC's Americal Overseas Digital Library (AODL). More than 5,500 scholars have received AIIS support.
- Berndt Collection Collection Description Jerry Berndt Collection is a collection of 774 photographs shot by Jerry Berndt. These photographs were created under the auspices of Center of Religion and Civic Center(CRCC), USC. Jerry Berndt is an American photojournalist based in Paris. His photographs are included in the permanent collection of the Museum of Modern Art (New York), the Museum of Fine Arts (Boston), the International Center of Photography(New York York), and the Bibliotheque National (Paris). This collection consists of two subcollections: Gateway Cities Photography Project and Soul of Los Angeles Collection. . The Gateways Cities Photography Project.
T he Archival Photographic Files document the history of the University of Chicago and the development of its campus, academic programs, and community life. Individuals & Groups Images not yet available online. Images of U of C faculty, students, staff, alumni, administrators, donors, visitors as well as academic and administrative groups, classes, and departments. Buildings & Grounds Images of U of C buildings, campus plans, and surrounding neighborhoods including Hyde Park, Kenwood, and Woodlawn. Events Images of U of C academic, public, and historical events, ceremonies, inaugurations, reunions, and visits of notable individuals.
American Environmental Photographs, 1891-1936 Browse Collection by: Collection Connection Classroom resources for teachers About This Collection The images in the American Environmental Photographs Collection were created by faculty, staff, and students in the Department of Botany at the University of Chicago from the 1890s to the 1930s. Among the most active photographers contributing to the collection were Henry C. Cowles, George D. Fuller, George E. Nichols, Charles J. Chamberlain, Ira B. Meyer, Paul J. Sedgwick, William J. Cribbs, and Ezra J. Kraus. The earliest photographs in the collection were taken in 1891 in the arid desert landscapes of California, Arizona, Utah, and Nevada.
The Human Factor Introduction In the 1930s Harvard Business School colleagues Donald Davenport and Frank Ayres contacted leading businesses and requested photographs for classroom instruction—images Davenport hoped would “reveal the courage, industry and intelligence required of the American working man.” They amassed more than 2,100 photographs, from strangely beautiful views of men operating Midvale Steel’s 9,000-ton hydraulic press to women assembling tiny, delicate parts of Philco radios. Now students, and America’s aspiring corporate managers, had visual data to study “the human factor,” the interaction of worker and machine. But the pictures were more than documentary records.
Introduction The Harvard-Yenching Library holds some 5,000 photographs and 10,000 negatives taken by Hedda Hammer Morrison (1908–1991) while resident in Beijing from 1933 to 1946. The photographs, mounted in thematic albums prepared by Mrs. Morrison, and the negatives, were bequeathed to the Harvard-Yenching Library, "the best permanent home for her vision of a city and people that she loved [Alastair Morrison]." All of the photographs contained in the 28 albums assembled by Hedda Morrison have been cataloged and digitized and can be viewed in VIA (Visual Information Access), the union catalog of visual resources at Harvard.
Scope Daguerreotypes at Harvard provides access to over 3,500 daguerreotypes in libraries, museums, and archives across the University. The collection continues to grow as images are uncovered and new daguerreotypes are accessioned. The first publicly announced photographic medium, the daguerreotype process produced an image exquisite in its detail and tonal fidelity, and daguerreotypes remained popular throughout the 1840s and 50s. Together, Harvard holdings represent a collection of international significance and illustrate early uses of photography as a tool for artistic expression and scientific research in mid-19th-century America.
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