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Maryland Digital Cultural Heritage About Maryland Digital Cultural Heritage (MDCH) is a collaborative, statewide digitization program headquartered at the Enoch Pratt Free Library/State Library Resource Center in Baltimore. Our program partners with Maryland libraries, archives, historical societies, museums, and other institutions to digitize and provide free online access to materials relating to the state's history and culture. Since the program began in 2002, MDCH's collections have grown to include over 5,000 items, such as maps, manuscripts, photographs, artwork, books, and other media. Tips for using our digital collections:
T he ongoing Maryland State Archives publication series, Archives of Maryland Online , currently provides access to over 471,000 historical documents that form the constitutional, legal, legislative, judicial, and administrative basis of Maryland's government. Online access enables users to research such topics as Maryland's constitutions and constitutional conventions' proceedings, session laws, proceedings of the General Assembly, governors' papers, and military records. This project allows the Archives to place into electronic form and preserve for future generations records that are scattered among a number of repositories and that often exist only on rapidly disintegrating paper.
Elvis Presley met President Richard Nixon in the Oval Office on December 21, 1970. This is the behind-the-scenes story of how and why the meeting occured told through the original photographs, letters and memos created by Presley and the White House staff.
National Archives and Records Administraton The Way We Worked Imagine working in a coal mine. Or in a steel mill. Or at a telephone switchboard. Work and workplaces have gone through enormous transformations between the mid 19th and late 20th centuries. You can view these changes through photographs held by the National Archives and Records Administration. These historical photographs document: The distinctiveness of America's workforce was shaped by many factors—immigration and ethnicity, slavery and racial segregation, wage labor and technology, gender roles, class, as well as ideals of freedom and equality. Most importantly, these images honor those who built this country—the working men and women of America.
When Judge John Sirica gaveled the trial of the Watergate seven to order on January 8, 1973, federal investigators had already discovered a covert slush fund used to underwrite nefarious activities against Democrats. The money and the men on trial could be linked to the Committee to Re-elect the President (CRP) at whose head sat the former Attorney General of the United States, and President Nixon’s former law partner, John Mitchell. At the trial, E. Howard Hunt, who had planned the break-in, and four of the burglars pleaded guilty. G. Gordon Liddy, who helped in the planning, and James McCord, the other burglar, refused to cooperate, were convicted of various charges, and sentenced to prison.
Chrysler Cars Information Although both cars have been in the Truman Library collection for years, they had lost much of their original historical integrity, having passed through a series of other owners once the Trumans moved into the White House in 1945. For the past two years, a team of restorers has worked meticulously documenting the existing condition of the cars and establishing a restoration plan. Detailed production records from the Chrysler archives were consulted to determine paint colors and options which were originally included on the cars.
Treasures of Congress An exhibit in the National Archives Rotunda, Washington, DC January 21, 2000—February 19, 2001 Few institutions have been as central to the course of American history as the U.S. Congress. Most of the great issues in our national life have been played out there, and many of our most memorable political figures have served in the House of Representatives or the Senate. Congress's pivotal position was built into the American system in 1787.
About This Exhibit Tokens and Treasures Gifts to Twelve Presidents The exhibition "Tokens and Treasures, Gifts to Twelve Presidents" was displayed in the Circular Gallery of the National Archives, March 22, 1996 through February 2, 1997. This exhibit showcases over 200 gifts sent to Presidents Hoover through Clinton.
The National Archives and Records Administration Clifford K. Berryman: Political Cartoonist Extraordinaire In 1886 at the age of 17, Clifford K. Berryman moved from Kentucky to Washington, DC, to work at the U.S. Patent Office, where he used his self-taught talents to draw patent illustrations. He left the Patent Office in 1891 to become a cartoonist’s understudy for the Washington Post. Within five years, Berryman was chief cartoonist, a position he held until 1907 when he became the front-page cartoonist at the Washington Evening Star. Berryman drew political cartoons for the Star until his death in 1949 at the age of 80. Washington political circles embraced Berryman’s cartooning.
The President's Daily Diary: November 22, 1963 - January 20, 1969 The secretaries outside the Oval Office prepared President Johnson's Daily Diary. Juanita Roberts, the President's personal secretary, assigned the responsibility of preparing the Diary to secretaries in the office. A particular person would "work" the Diary for a scheduled period. As visits and telephone calls occurred, the secretary "working" the Diary would note them; occasionally the secretary missed noting a call or meeting. White House staff who worked closely with the President frequently entered the Oval Office without the visit being noted in the Diary.
Guns, tanks, and bombs were the principal weapons of World War II, but there were other, more subtle forms of warfare as well. Words, posters, and films waged a constant battle for the hearts and minds of the American citizenry just as surely as military weapons engaged the enemy. Persuading the American public became a wartime industry, almost as important as the manufacturing of bullets and planes. The Government launched an aggressive propaganda campaign with clearly articulated goals and strategies to galvanize public support, and it recruited some of the nation's foremost intellectuals, artists, and filmmakers to wage the war on that front.
A note on the photographs in this exhibition Because of the huge number of images held by the National Archives and Records Administration (NARA), selecting photographs for this exhibition involved difficult and subjective choices. For the most part, the exhibit concentrates on developments within American society and on activities abroad where Americans were significant participants. The photographs from the White House Photo Office were included because they will become part of the Clinton Presidential Library, and because they allowed the exhibit to round out its coverage of the late 20th century.
This exhibit highlights the contributions of the thousands of Americans, both military and civilian, who served their country during World War II. Documents from the National Archives and Records Administration's (NARA) National Personnel Records Center in St. Louis form the core of the exhibit. For those who lived through the Second World War, this exhibit may help them recall their experiences. For those who did not, it is hoped they will gain a deeper understanding of the sacrifice and commitment of those Americans who, after almost four years, were "A People at War."
National Archives and Records Administraton Eyewitness American Originals from the National Archives Introduction Out of the stacks and vaults of the National Archives comes this selection of eyewitness accounts. They are vivid and intensely personal, transporting us to a deeper understanding of the events described.
This exhibition examines Presidential elections, with a particular emphasis on elections in the last 80 years when radio and television brought these campaigns into the living rooms of homes across America. Text, photographs, graphic images, original artifacts and campaign memorabilia, as well as audio and video stations will be featured in the exhibition. In addition, a series of activity areas will invite visitors to participate in election activities such as mock voting and campaigning. The exhibition will be organized in a series of theme areas that survey aspects of Presidential campaigns and elections over the years.
Since the signing of the Declaration of Independence, our rights as citizens of the United States have been debated, contested, amended, and documented. The Bill of Rights, the first 10 amendments to the Constitution, established our basic civil rights. Later amendments and court decisions have continued the process of defining our human and civil rights. Documents in the National Archives give voice to our national struggle for personal rights and freedoms. From the Emancipation Proclamation to the five cases that comprised Brown v. Board of Education , this exhibit features a sampling of documents from all regions of the National Archives.
Federal Designs: Symbolism Symbols are an important part of America`s design heritage. They establish and reinforce the national identity and patriotism. In some cases, American symbols are based on recognized associations. The ideals of Greek democracy, the power of Imperial Rome, or the refinements of European fashion frequently are reflected in Federal designs. At other times and for other purposes, designers created icons using images unique to this new country, to this new form of government, and to America`s aspirations to world power.
Dear Bess: Love Letters from the President "Dear Bess: Love Letters from the President" February 12, 1998 through September 1, 1999 Garden Room, Truman Library & Museum The Harry S. Truman Library and Museum is one of thirteen Presidential Libraries administered by the National Archives and Records Administration . 500 W. US Hwy. 24. Independence MO 64050 truman.library@nara.gov ; Phone: 816-268-8200 or 1-800-833-1225; Fax: 816-268-8295.
During the depths of the Great Depression of the 1930s and into the early years of World War II, the Federal government supported the arts in unprecedented ways. For 11 years, between 1933 and 1943, federal tax dollars employed artists, musicians, actors, writers, photographers, and dancers. Never before or since has our government so extensively sponsored the arts. MORE... This link is not functional because your browser does not support JavaScript or Javascript has been disabled. Please use this link to MORE...
Looking Back on the American Century February 5 � April 30, 2000 In 1940 publisher Henry Luce used the phrase "the American Century" to describe the emergence of the United States as the preeminent world power. Beginning with the accession of a young and energetic Theodore Roosevelt to the Presidency in 1901, the United States began to turn its vast resources onto the world stage. Since that time, through world wars, depression, boom times, social upheavals, scientific and technological developments, and cultural trends, the United States vigorously placed its stamp of influence on the 20th Century. This exhibition presents a small taste of the American Century.
From June through October 1973 and briefly during the spring of 1974, John H. White, a 28-year-old photographer with the Chicago Daily News , worked for the federal government photographing Chicago, especially the city`s African American community. White took his photographs for the Environmental Protection Agency`s (EPA) DOCUMERICA project.
