Category: Arts & Humanities, Text, Columbia University, United States
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APIS is a collections-based repository hosting information about and images of papyrological materials (e.g. papyri, ostraca, wood tablets, etc) located in collections around the world. It contains physical descriptions and bibliographic information about the papyri and other written materials, as well as digital images and English translations of many of these texts. When possible, links are also provided to the original language texts (e.g. through the Duke Data Bank of Documentary Papyri). The user can move back and forth among text, translation, bibliography, description, and image.
The NEH-funded Joseph Urban Stage Designs Stabilization and Access Project of 2002-2004 focused on materials relating to Urban's New York theater career from 1914-1933, specifically the documentation of his productions for the Ziegfeld Follies and other theater producers, and his productions for the Metropolitan Opera. The archives of these productions contained many thousands of documents, photographs, sketches, technical drawings, and watercolors, as well as the actual stage models. Some 61 of the models remained fully assembled when acquired by Columbia, while 281 models had been collapsed by the Urban studio into one or more flattened bundles each. Press Release, 5/10/02 Selection for Digitization.
About the Collection The C. V. Starr East Asian Library's run of Ling long women's magazine is one of the most complete outside China, acquired, we believe, in the late 1930s or early 1940s as part of a concerted effort to enlarge Columbia University's Chinese-language holdings. The collection expanded dramatically in the years between 1938 and 1941 when the holdings more than doubled, thanks to a special grant from the Rockefeller Foundation.
Chinese Paper Gods Collection Essays The images in this collection were assembled by Anne S. Goodrich (1895–2005) in 1931, when as a Christian missionary in Peking she became interested in local folk religious practices. She studied the paper gods in this collection for much of her life. After publishing her research conclusions in 1991, she donated these prints to the C. V. Starr East Asian Library, Columbia University. The images are divided initially by usage: Those which were purchased to be burned immediately and serve as emissaries to heaven; and those which were purchased to be displayed for a year while offering protection to the family in a variety of ways, before being burned. The images are further divided by display locations and by the deities they represent.
The Biggert Collection of Architectural Vignettes on Commercial Stationery Gift of Robert Biggert in Honor of Lisa Ann Riveaux The Robert Biggert Collection of Architectural Vignettes on Commercial Stationery was donated to the Avery Architectural and Fine Arts Library by Robert Biggert in honor of Lisa Ann Riveaux. This unique collection of printed ephemera contains over 1,300 items with architectural imagery spanning the dates 1850 to 1920, in more than 350 cities and towns in forty-five states, as well as the District of Columbia and U.S. possessions. New York City is particularly well-represented with over 100 items portraying structures below Houston Street alone.
Bunraku, Japanese puppet theater, is an unusually complex dramatic form, a collaborative effort among puppeteers, narrators, and musicians. Columbia University Libraries' Bunraku collection is one the most extensive in the world, documenting its rich performance tradition, which has been recognized by UNESCO as a "masterpiece" of humanity.
The Bunraku gallery is divided into plays, productions, authors, backstage subjects, kashira, and characters. It documents the form's revival in the second half of the 20th century, through more than 12,500 slides and nearly 7,000 black-and-white photographs of rehearsals and performances.
