Category: Arts & Humanities, California
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The WPA California Folk Music Project is a multi-format ethnographic field collection that includes sound recordings, still photographs, drawings, and written documents from a variety of European ethnic and English- and Spanish-speaking communities in Northern California. The collection comprises 35 hours of folk music recorded in twelve languages representing numerous ethnic groups and 185 musicians. This elaborate New Deal project was organized and directed by folk music collector Sidney Robertson Cowell for the Northern California Work Projects Administration.
About the Photo Collection Share with Friends The San Francisco Historical Photograph Collection contains photographs and works on papers of San Francisco and California scenes ranging from 1850 to the present. This collection includes views of San Francisco street scenes, buildings, and neighborhoods, as well as photographs of famous San Francisco personalities. The collection consists mostly of the photo morgue of the San Francisco News-Call Bulletin , a daily newspaper, ranging from 1920s to 1965. The collection also contains albums, slides, postcards, cabinet cards, stereoviews, and lantern slides of San Francisco and California subjects. Copies of images may be ordered with the Reproduction of Images Form (PDF 31K).
NEWS IN THE CDLI COLLECTIONS CUNEIFORM ANYONE? CDLI depends on the assistance of collaborators of all stripes. Wish to submit files of new texts, or images, transliterations or corrections of entries in our database? Perhaps make a tax-deductible contribution to support our efforts? A DIGITAL LIBRARY FOR CUNEIFORM The Cuneiform Digital Library Initiative (CDLI) represents the efforts of an international group of Assyriologists, museum curators and historians of science to make available through the internet the form and content of cuneiform tablets dating from the beginning of writing, ca. 3350 BC, until the end of the pre-Christian era.
The Most Peculiar History of the Chewing Gum Man, Gelett Burgess (1866-1951), San Francisco, California, 1894 November. About the Author Gelett Burgess was a very prolific author, writing rhymes and stories, drawing pictures, teaching art, and editing a famous humor magazine, The Lark . Among his best-known creations are The Goops, round little creatures he used to demonstrate good and bad behavior. Burgess made a few special books for his friends and family. The ?Chewing Gum Man? was made for his sisters. This story was eventually published in The Burgess Nonsense Book in 1901.
Thelner and Louise Hoover Collection Thelner Barton Hoover attended UCLA from 1927 to 1930. During that time, he was both the official photographer for several university publications, and an unoffical chronicler of numerous campus events. His images of the UCLA buildings and academic community, which number almost 1,600, and were taken over a period of more than 50 years, provide an exceptionally thorough pictorial history of the UCLA Westwood campus. Hoover was the official student photographer for the "The Southern Campus" yearbook, the Daily Bruin (student newspaper) and the Athletic News Bureau.
The UCLA Charles E. Young Research Library Department of Special Collections has selected and digitized 5,746 of the more than three million images contained in the Los Angeles Times and Los Angeles Daily News photographic archives. The photographs chronicle the history and growth of Los Angeles from the 1920s to 1990.
This collection of digitized images is made available online by the UCLA Digital Library to assist a wide variety of researchers, including scholars, educators, students, writers, filmmakers, urban planners, community activists, librarians, and members of the general public.
S. Charles Lee (1899-1990) graduated from Technical College, Chicago in 1918 and the Armour Institute of Technology in 1921. He relocated to Los Angeles in 1922 where he designed numerous theaters and office buildings (1927-40), developed the Los Angeles International Industrial District (1948) and built several theaters in Mexico City (1942). The Collection contains drawings, renderings, blueprints, photographs, and surveys relating to Lee's professional career including his work as a developer and the most prolific architect of art deco movie palaces in Los Angeles.
The Sheet Music Consortium is a group of libraries working toward the goal of building an open collection of digitized sheet music using the Open Archives Initiative Protocol for Metadata Harvesting. Harvested metadata about sheet music in participating collections is hosted by UCLA Digital Library Program, which provides an access service via this metadata to sheet music records at the host libraries. Data providers have chosen to catalog their sheet music in different ways, but a large proportion of the original sheets in participating collections has been digitized, allowing users direct access to the music itself and in many cases covers and advertisements that offer evidence of the cultural context in which the songs were published.
The UCLA Music Library's Archive of Popular American Music is a research collection covering the history of popular music in the United States from 1790 to the present. The collection, fully accessible at the item level through the UCLA Library Orion2 catalog, is one of the largest in the country, numbering almost 450,000 pieces of sheet music, anthologies, and arrangements for band and orchestra. The collection also includes 62,500 recordings on disc, tape, and cylinder.
Digitization, which began on October 15, 2001, is managed at the Arhoolie Foundation's facilities in El Cerrito, California. The production team, under the direction of Foundation Board members Tom Diamant and Chris Strachwitz, first cataloged the entire collection of over 130,000 individual recordings on cassettes and 78 rpm, 45 rpm, and 33 1/3 rpm long-playing (lp) records. They purchased specialized equipment to begin the initial phase of this highly technical process.
The Strachwitz Frontera Collection contains three sections, roughly divided by era.
Introduction The International Computer Music Association is an international affiliation of individuals and institutions involved in the technical, creative, and performance aspects of computer music. It serves composers, computer software and hardware developers, researchers, and musicians who are interested in the integration of music and technology. ICMA functions include: The International Computer Music Conference The ICMA cosponsors the annual ICMC, which, since its inception in 1974, has become the preeminent yearly gathering of computer music practitioners from around the world.
Goals The British Women Romantic Poet's Project is producing an online scholarly archive consisting of E-text editions of poetry by British and Irish women written (not necessarily published) between 1789 (the onset of the French Revolution) and 1832 (the passage of the Reform Act), a period traditionally known in English literary history as the Romantic period. Selection Criteria Texts are being selected in consultation with our Editorial Advisory Board , consisting of scholars in the United States and Canada. Our aim is to make complete texts available that are not readily accessible from other sources, many of which are not well known, or who are only beginning to be of interest to the scholarly community.
What is IGRA? The International Guitar Research Archive What is IGRA? The International Guitar Research Archive (IGRA) is one of the world’s largest collections of guitar sheet music. Housed here are works for solo guitar, as well as ensemble pieces for multiple guitars and other instruments. There is a variety of music, some of it rare and unique. The majority of the sheet music comes from the Vahdah Olcott-Bickford Estate, providing the foundation for the Archive. In the following years, IGRA received collections from the Laurindo Almeida Estate, Vicente Gomez, Clarence Easley, Christopher Parkening, Robert Strizich, John Tanno, Angelo Gillardino, and Neil Anderson. IGRA’s founder, Ron Purcell, has donated his personal collection as well. In addition to Ms.
20 Years of Culture Clash CULTURE CLASH IS RICHARD MONTOYA, RIC SALINAS, AND HERBERT SIGÜENZA. The Latino/Chicano comedy and theatre group was born on Cinco de Mayo, 1984 at René Yáñez's Galeria de la Raza in San Francisco, California. Originally composed of six members, this innovative troupe gained a place in the national spotlight with their 1988 play, The Mission.
The East Asian Library's Collection The East Asian Library of the University of California, Berkeley has 2,700 Chinese rubbings, second in number among collections outside East Asia only to the Field Museum of Natural History in Chicago. The nucleus of the collection, over half of the items, was acquired in 1950 from the estate of Mitsui Soken, a wealthy Japanese bibliophile, and includes albums of rubbings once owned by noted Chinese connoisseurs of the nineteenth century. Other important acquisitions were made through purchases from Chinese scholars and dealers and through the bequest of Professor Woodbridge Bingham's collection. The library's holdings are especially rich in albums of models of calligraphy and bronze inscriptions.
W ELCOME to the Hidden History of the Berkeley Campus, a project of the Gay Bears! Collection in The University Archives. This site gathers together information about the history of sexual minorities at Cal -- students, faculty, staff and visitors. It is designed as a gateway for further exploration into one aspect of the long and fascinating story of the University of California, Berkeley. You may browse the content on this site by: Dates Places People and Events Questions, comments and feedback regarding this website are welcome. Please contact us at the Gay Bears! Collection . Unless otherwise specified, all contents copyright the Regents of the University of California. Links to other sites of related interest:
The Digital Library SunSITE is building a collection of digital texts that can be read online, printed, or downloaded for further study.
- California Historical Society Collection Description The California Historical Society Collection is incomparable for the documentary picture it provides of the growth of Southern California, particularly the development of the Los Angeles region, between 1860 and 1960. The collection contains more than 23,000 photographs. The full archive was placed on long-term deposit at USC in 1990 and includes the Title Insurance and Trust Company Collection, also known as TICOR, and the Los Angeles Area Chamber of Commerce Collection. TITLE INSURANCE AND TRUST COMPANY COLLECTION (1860-1960). The 17,000 photographs of this collection contain the work of C.C.
- Berndt Collection Collection Description Jerry Berndt Collection is a collection of 774 photographs shot by Jerry Berndt. These photographs were created under the auspices of Center of Religion and Civic Center(CRCC), USC. Jerry Berndt is an American photojournalist based in Paris. His photographs are included in the permanent collection of the Museum of Modern Art (New York), the Museum of Fine Arts (Boston), the International Center of Photography(New York York), and the Bibliotheque National (Paris). This collection consists of two subcollections: Gateway Cities Photography Project and Soul of Los Angeles Collection. . The Gateways Cities Photography Project.
The Greene & Greene Virtual Archives (GGVA) contains images of drawings, sketches, photographs, correspondence, and other historical documents related to the work of the architects Greene & Greene, the southern California design firm (active 1894-1922) that is often associated with the finest architecture and craftsmanship of the American Arts and Crafts Movement. Recent photographic documentation of the firm’s furniture and other decorative arts is presented as part of the GGVA.
The Digital Scriptorium is a growing image database of medieval and renaissance manuscripts that unites scattered resources from many institutions into an international tool for teaching and scholarly research. It bridges the gap between a diverse user community and the limited resources of libraries by means of sample imaging and extensive rather than intensive cataloguing.
